Horror Gothic Thriller Mystery

Times are hard. Anne Chatham is a clever, modest young woman with little money, no prospects for marriage, and a never-shared secret—she can see spirits. Anne finds employment as a typist at Northfield House, the grand country manor of the Wellington family. Her employer, the wheelchair-bound Mr. Wellington, is kindly. His haughty wife is not. He has two handsome sons, the wry and dashing Thomas and the dark and somber Owen. Anne feels sure her prayers have been heard. Until the terrifying night she stumbles upon a tortured spirit roaming the dark halls of Northfield.

The history of the Alardyce family is fraught with scandal and intrigue. But after her eldest son Robert leaves the country, finally Amy Alardyce can enjoy some peace. Robert is wanted by the police for some unspeakable crimes, and his family hope he has run far enough and never looks back. A decade after his disappearance, Robert has forged a successful life for himself, making his fortune from the diamond and gold mines of Africa. But when he sees a death notice in the newspaper, the call to go home to Scotland grows ever louder.

After her mother's death in 1857, Leyla's only links with her heritage and family are a letter and her last name—Pemberton. Resolved to seek out her past, she travels from London to the brooding countryside mansion of Pemberton Hurst. Leyla longs to find a loving family, but more important, she needs to uncover the truth of her past. But the Pembertons seem strangely reluctant to discuss family history, and the house feels smothered by the weight of untold secrets.

When she was just fourteen, Jill’s family moved to Walney Island. Initially intoxicated by the freedom of the seaside setting—and fifteen-year-old Andrew Brownstone—she came to learn that her first impressions were very wrong. After making a shocking discovery in Seaview House, Jill fled the scene—a guilty secret she’s carried with her ever since. Now, thirty years later, when the decrepit Seaview House is being demolished, a body is found buried in the garden. But who is the deceased?

Twenty years ago, three young women disappeared, never to be found. The rumour to this day is that their bodies are still hidden deep within the murky Loch Aven. When Eleanor, Clio and Michaela find themselves rained out of a camping trip in the Scottish countryside, they have no option but to book the mysterious house nestled on the banks of the lake. But little do they know that history has a way of repeating itself. As secrets in the tightknit community begin to surface, and Michaela suddenly disappears, it becomes clear that something sinister is at play.

Sibilla Fenoglio wants nothing more than to live with her husband in this run-down, derelict watermill. Uninhabited since the Renaissance after a mysterious disaster befell the previous owners, the mill requires extensive repairs. But there is something frightening about the mill. Repairs are violently undone, half-seen figures begin stalking Sibilla through the grounds, and haunting echoes of the previous owners’ lives infiltrate the present. As the disturbances grow more vicious and her husband more secretive, she realizes that she and her child are in danger.

Sarah Toomey is a successful young black lawyer, lovely but straitlaced–and afraid that she is losing her mind. Since the death of her mother, a force she can neither understand nor control is manipulating her memory and driving her to unexplained acts of violence and destruction. At the same time, Sarah is swept up in a highly charged relationship with a work colleague that portends a danger of its own. As she moves through her privileged life in New York, Sarah comes to learn how her past—her haunted history—is intertwined with America’s.

London, 1873. Madeleine Brewster's marriage to Dr. Lucius Everley was meant to be the solution to her family's sullied reputation. After all, Lucius is a well-respected collector of natural curiosities. His 'Small Museum' of bones and specimens in jars is his pride and joy, although firmly kept under lock and key. His sister Grace's philanthropic work with fallen women is also highly laudable. However, Maddie soon finds herself unwelcome in what is meant to be her new home.

When well-to-do Hester learns of her sister Mercy's death at a Nottinghamshire workhouse, she travels to Southwell to find out how her sister ended up at such a place. Haunted by her sister's ghost, Hester sets out to uncover the truth, when the official story reported by the workhouse master proves to be untrue. Mercy was pregnant—both she and the baby are said to be dead of cholera, but the workhouse hasn't had an outbreak for years. Hester discovers a strange trend in the workhouse of children going missing.

There is much that heavily pregnant Grace still doesn't know about her new husband King's background. So, when word comes that King's father is dying, Grace is eager to accompany him to his childhood home, Blackwater, located in a remote part of Tasmania. Things go badly from the start. The house is in terrible repair, King's dying father yells at Grace to leave and King's twin sister, Ruth, seems disturbed by Grace's presence. After his father's death, King convinces Grace they must stay and help Ruth settle the estate, but as time stretches on he grows strange and distant.

We were sent to Glennmare Academy. An elite boarding school on a windswept island off the coast of Seattle where the unruly daughters of affluent East Coast families are exiled. Kitty, Bernie, Coretta, Diane, Jolie. We're more like sisters than roommates. Even if Kitty is gone. At Glennmare, each bed is filled with a teenage girl who wears ribbons in her hair, a nod to innocence we lost long ago. When we were sent out into the world, away from home, to fend to for ourselves. If we start telling the truth about what happened that night we might just break down.

It began with a happily ever after. It soon became a nightmare. Norfolk, England, 1816. Joy Horton is resigned to her spinster status. Loathe to pass on her disorder, she refuses to marry and works tirelessly as a skilled seamstress. But when a brooding duke falls madly in love with her, she's unable to resist his persuasive proposal. Honeymooning in London, Joy believes she has everything she's ever wanted...until accusations of murder creep into their lives.

Lucy Braithwhite lives a privileged existence as heir to the fortune of Braithwhite & Company - the most successful purveyor of English luxury wallpapers the world over. The company's formulas have been respected for nearly a century, but have always remained cloaked in mystery. No one has been able to explain the originality of design, or the brilliance of their colours, leaving many to wonder if the mysterious spell-like effect of their wallpapers is due simply to artistry, or something more sinister.

Quando don Stefano Nascetti viene trasferito alla parrocchia di Lio Piccolo, abbandonando sul nascere una bella carriera nella curia veneziana, la sua non è una scelta: è una fuga dalla vendetta del questore Carlo Saintjust, a cui lo legano un tradimento e un'offesa mai dimenticati. Ma il tranquillo paesino nel Polesine non è il rifugio che si aspettava.

Of supposed unsound mind without a penny to her name, Blanche Magruder lies alone in a home for the aged and infirm. Meanwhile, her house, a crumbled ruin in the heart of Georgetown, Washington, DC, is pillaged nightly by thieves looking for treasure rumored to be hidden there. A distant niece, Margaret O’Keefe, is tapped as executor and soon becomes embroiled in the hunt for recovering monies, taking it on as a welcome escape from her financial and marital woes. As Margaret discovers caches in unlikely spots throughout the house, family mysteries begin to unravel.

This is a continuation of dramatic events unfolding in a holiday chalet in the Balearics, leading to multiple deaths and a complex investigation. Was it murder or a crime of passion? A gripping tale with the scenes shifting back and forth between Mahon and London.

Das Booktok-Phänomen zum Hören – düster, atmosphärisch und spannend! Mit einem Abschluss in Kunstgeschichte und voller Ambitionen kommt die junge Ann nach New York, um dort bei The Cloisters, einer Außenstelle des ehrwürdigen Metropolitan Museum of Arts für Mittelalter- und Renaissancekunst, ein Praktikum zu absolvieren. Das einem gotischen Kloster nachempfundene Museum mit steinernen Kreuzgängen und einem üppigen botanischen Garten zieht sie sofort in seinen Bann.

Ciò che rende unici i racconti di Mary E. Wilkins Freeman non sono le case infestate, i fantasmi e le misteriose presenze, che pure non mancano di tendere agguati al lettore, nascoste nell'ombra delle pagine del libro. Ciò che li rende unici nel loro genere sono le protagoniste, non fanciulle indifese in attesa di essere salvate ma donne che affrontano l'ignoto con perseveranza e determinazione.

When 16-year-old Charlotte Goolsby first encounters the mysterious little boy playing in the cemetery, she assumes he belongs to the minister’s family. As sightings of the little boy continue and seemingly go unnoticed by the rest of Keesbury’s residents, Charlotte is forced to confront everything she once believed about life and death. Charlotte finds herself confiding her fears to her father’s shipwright apprentice, Rees Pendleton. Charlotte and Rees will discover that all is not what it may seem in their quiet, seaside village of Keesbury.

England 1904. Mirror twins Adelaide and Victoria have spent their lives in orbit of each other– doomed to be in the other’s shadow, their lives are intertwined and inextricable as each other’s identical inverse. Adelaide is dutiful and reserved, happy to remain in her childhood home, Harewood Hall, forever. Victoria wishes for a thrilling life, exploring the world and finding a great romance–but the twins cannot live apart. Visiting Lord Stanley bewitches Victoria with his talk of a life of luxury in New York, but it is obedient Adelaide whom he marries against her will and to Victoria’s fury