Horror Satire

After a botched Halloween ritual, Madison Spencer, the snarkiest dead girl in the universe, finds herself trapped in Purgatory, otherwise known as Earth. The upside: She is no longer subject to physical limitations (she can pass through doors and walls). The downside: Well, she’s still dead.

More than three decades have passed since the events described in John Updike's The Witches of Eastwick. The three divorcées - Alexandra, Jane, and Sukie - have left town, remarried, and become widows. They cope with their grief and solitude as widows do: they travel the world, to such foreign lands as Canada, Egypt, and China, and renew old acquaintance. Why not, Sukie and Jane ask Alexandra, go back to Eastwick for the summer?

The time is the early '80s. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city.

When Bonnie Grayduck relocates from sunny Santa Cruz California to the small town of Lake Woebegotten, Minnesota, to live with her estranged father, chief of the local two-man police department, she thinks she's leaving her troubles behind. But she soon becomes fascinated by another student - the brooding, beautiful Edwin Scullen, whose reclusive family hides a terrible secret. (Psst: they're actually vampires. But they're the kind who don't eat people, so it's okay.)

Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists....

A darkly satirical novel of love, revenge, and 1950s haute couture - now a major motion picture starring Kate Winslet, Judy Davis, Liam Hemsworth, and Hugo Weaving. After 20 years spent mastering the art of dressmaking at couture houses in Paris, Tilly Dunnage returns to the small Australian town she was banished from as a child. She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar.

Benedict is an inventor whose life’s work is a clean energy machine. It has just made him an overnight sensation and his family is suddenly wealthy. Benedict’s wife, Karen, and his teenage daughters, Charlotte and Poppy, are proud of him. But there are problems Benedict is too busy to see: Karen is deeply unhappy in the marriage and contemplating an affair, Charlotte, who is dealing with a chronic illness, is growing more and more distant, and Poppy is cracking under the pressures of her social circle. And there’s another problem.

Our heroes are dressed in homemade uniforms and armed with prop phasers but soon find themselves defending their hotel and convention center against hordes of flesh-eating undead. Suddenly, all of their useless knowledge about particle physics and old Star Trek episodes has genuine real-world applications! And while hotel employees and regular civilians are dying left and right, our Trekkies summon strength and courage by emulating their favorite starship-voyaging characters

After writing a letter in praise of malls, our eccentric narrator is offered a residency at a shabby suburban shopping centre. His mission: to occupy the mall for several weeks, splitting his time between "making work" and "engaging the public," all while chronicling his adventures in weekly progress reports. Before long, a series of strange after-hour events rattles our hero, and he sets forth on a nightly quest to untangle the mysterious forces at play in the mall's unmapped recesses.

Chuck Gross would like nothing more than to prune himself from his family tree. He’s already clipped his name, turning Charles Grossheart, Jr.—son of a billionaire labor exploiter, weapons manufacturer, and climate change denier—into ordinary good-guy Chuck, the “self-made” proprietor of an up-and-coming punk label. But when Daddy threatens to cut him off, Chuck is forced to get a “real job”—and conveniently, an old college friend has just swept back into his life with the perfect opportunity.

Everyone who's anyone wants to be seen at one of Emory Jackman's legendary parties, from royalty to politicians, tech billionaires to Instagram models. But something sinister is happening on Little Pearl. Journalist Sven Olsen has heard rumors about the Jackmans trafficking young girls, and a secret auction joined by the rich and famous. He's been invited under the pretense of writing a profile about Emory and his mysterious wife, Tess, and will do just about anything to get the scoop.

After a fire rips through her loft, destroying the seven billboard-size paintings meant for her first major exhibition, a young painter is left with an impossible task: recreate the lost artworks in just three months without getting caught - or ruin her fledgling career. Homeless and desperate, she begs her way into Pine City, an exclusive retreat in upstate New York notorious for three things: outrageous revelries, glamorous artists, and the sparkling black lake where brilliant prodigy Carey Logan drowned herself.

Out of work for months, Lussi Meyer is desperate to work anywhere in publishing. Prestigious Blackwood-Patterson isn’t the perfect fit, but a bizarre set of circumstances leads to her hire and a firm mandate: Lussi must find the next horror superstar to compete with Stephen King, Anne Rice, and Peter Straub. It’s the ’80s, after all, and horror is the hottest genre. But as soon as she arrives, Lussi finds herself the target of her coworkers’ mean-spirited pranks.

Finally available as an audiobook, Joyce Carol Oates' lost classic: a satirical, often surreal, and beautifully plotted Gothic romance that follows the exploits of the audacious Zinn sisters, whose 19th-century pursuit of adventurous lives turns a lens on contemporary American culture.

This panoramic fictional oral history begins with one small mystery: the body of a young woman found in an Arizona border town, presumed to be an illegal immigrant, disappears from the town morgue. Soon, the US government - and eventually biomedical researchers, disgruntled lawmakers, and even an insurgent faction of the Catholic Church - must come to terms with what they're too late to stop: an epidemic of vampirism that will sweep first the United States, and then the world. With heightened strength and beauty and a steady diet of fresh blood, these changed people, or "Gloamings", rapidly rise to prominence in all aspects of modern society.

Damian Stockwell was raised from birth to be a force for good. Trained to combat the evils of the world and blessed with the physique of a demigod, he travels the globe on a quest to confront evil and punch it in the face. At his disposal is a vast fortune, an endless array of gadgets, and an army of loyal allies. The year is 1937. A mysterious curse has possessed Stockwell's friend, and nothing will stop him from dishing out justice one fist at a time. From the bowels of the darkest jungle to the armpit of the Statue of Liberty, there is no place that evil can hide from Damian Stockwell.

Doug Backus is a normal young man trying to lead a clean Christian life. But when mysterious and gruesome deaths begin occurring in his town of Clover, Kentucky, he learns that his life can never be as wholesome as he wants. Along with his heathen friend Crank and pariah neighbor Whitney, he becomes involved in an exploration of the town's secrets that will either lead them to their doom or answer all the questions Doug has about almost everything.

Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can’t see why everybody who isn’t a child, everybody who’s theoretically old enough to have understood what death means, doesn’t spend all his time thinking about it. It’s a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice’s father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral.

Wild rabies runs rampant through the woods. The foxes are gaining ground, boldly making their way into the village. In Dichtersruhe, an insular yet charming haven stifled by the Swiss mountains, these omens go unnoticed by all but the new parish priest. The residents have other things on their mind: literature. Everyone’s a writer - the nights are alive with reworked manuscripts. So when the devil turns up in a black car claiming to be a hot-shot publisher, unsatisfied authorial desires are unleashed and the village’s former harmony is shattered.

Intruder in the Dust is at once an engrossing murder mystery and an unflinching portrait of racial injustice. Set in Faulkner's fictional Yoknapatawpha County, it is the story of Lucas Beauchamp, a black man wrongly arrested for the murder of Vinson Gowrie, a white man. Confronted by the threat of lynching, Lucas sets out to prove his innocence, aided by a white lawyer, Gavin Stephens, and his young nephew, Chick Mallison.