Horror Suspense

Deep in the heart of Appalachia stands a crooked farmhouse miles from any road. The Morrows keep to themselves, and it's served them well so far. When girls go missing off the side of the highway, the cops don't knock on their door. Which is a good thing, seeing what's buried in the Morrows' backyard. But 19-year-old Michael Morrow isn't like the rest of his family. He doesn't take pleasure in the screams that echo through the trees.

Survivors of an apocalypse take refuge in a mountain fortress and face enemies both living and undead in the first three books of this horror series.

In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

Suffering from writer's block, novelist Rachel Ames escapes to a lake cabin to calm her mind and regain a sense of herself. The location is perfect. Isolated. Beautiful. Inspiring. It even comes with a good-looking landlord who shows an interest in her. But she can't shake the sense that something terrible has followed her to the lake, something just beyond her consciousness, something out on the edge where the sounds of a raging fire and sirens linger whenever she slows down to listen.

Guesthouse owner, single mother, and reluctant ghost whisperer Alison Kerby is about to sit down to movie night with her family and friends when she's struck speechless. Floating before her is the ghost of her musical idol, 1960s English rock star Vance McTiernan. He's in desperate need of help from Alison and her resident ghostly gumshoe, Paul Harrison.

Before then her bedroom was a dark, windowless cellar, her activities confined to cooking and cleaning. She'd grown used to being maltreated by the Songoli family - to being a slave. She's never been outside, doesn't know how to read or write, and cannot speak English. At least that's what the Songolis believe. But Muna is far cleverer - and her plans more terrifying - than the Songolis or anyone else can ever imagine....

Thad Beaumont would like to say he is innocent. He'd like to say he has nothing to do with the twisted imagination that produced his best-selling novels. He'd like to say he has nothing to do with the series of monstrous murders that keep coming closer to his home. But how can Thad deny the ultimate embodiment of evil that goes by the name he gave it - and signs its crimes with Thad's bloody fingerprints?

Pen has just received an extremely rare collection of Edgar Allan Poe's complete works. Rumor has it a secret code, trapped within the books' leather-bound pages leads, to buried treasure. Well, it looks like they got the buried part right because, as Pen sells off the valuable volumes, everyone who buys - dies. Once these books go missing from their owners' cold hands, Pen will need resident ghost and hard-boiled P.I. Jack Shepard to help crack the case. The police are skeptical that the deaths involved foul play - so it's up to them to unravel these shocking endings.

Danger the likes Boone McCreery has never seen is brewing in the Black Hills. Fresh in from Santa Fe, he’s returned to Deadwood to seek justice for his uncle - and maybe to see about a girl. Little did he know his search for justice would have him stumbling into a hornets’ nest beyond his worst nightmare. One thing is for certain: The trouble he and his compadres chance upon deep in the trees is a long way from ordinary.

Mary is a quiet middle-aged woman doing her best to blend into the background. Unremarkable. Invisible. Unknown even to herself. But lately, things have been changing inside Mary. Along with the hot flashes and body aches, she can’t look in a mirror without passing out, and the voices in her head have been urging her to do unspeakable things. Fired from her job in New York, she moves back to her hometown hoping to reconnect with her past and inner self. What she finds instead are visions of terrifying mutilated specters that come with increasing regularity.

Terrorism. Acts of oppression. The threat of nuclear war. The US Navy-designed Goliath is a futuristic nuclear stealth submarine in the shape of a stingray. Simon Covah, a brilliant scientist whose entire family were the victims of terrorism, has hijacked the sub. Believing violence is a disease, Covah aims to use the Goliath and its cache of nuclear weapons to dictate policy to the world regarding the removal of oppressive regimes and nuclear weapons. Could the threat of violence forge a lasting peace?

Shortly after her 16th birthday, Sunshine Griffith and her mother, Kat, move from sunny Austin, Texas, to the rain-drenched town of Ridgemont, Washington. Though Sunshine is adopted, she and her mother have always been close, sharing a special bond filled with laughter and inside jokes. But from the moment they arrive, Sunshine feels her world darken with an eeriness she cannot place. And even if Kat doesn't recognize it, Sunshine knows that something about their new house is just...creepy.

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body.

Ana and Reid needed a lucky break. The horrifically complicated birth of their first child has left Ana paralyzed, bitter, and struggling: with mobility, with her relationship with Reid, with resentment for her baby. That's about to change with the words any New Yorker would love to hear—affordable housing lottery. They've won an apartment in the Deptford, one of Manhattan's most revered buildings. Reid dismisses disturbing events and Ana’s deep unease and paranoia as the price of living in New York—people are odd—but he can't explain the needle-like bite marks on the baby.

The novelization of a fictional film trilogy, Demon Theory details the horrifying events set in motion by a tragic childhood incident. When a medical student is called home by his ailing mother on Halloween night, he and a group of friends become trapped in an inescapable cycle of violence.

It's been one year since a virus triggered junk DNA and people all over the world started changing, becoming something else, craving blood. It's been 10 months since the word vampire stopped being something from old monster stories and Hollywood movies. It's been six months since our world and theirs erupted into war, two since an uneasy peace was signed, and one hour since that peace was shattered. The war is here again - the vampire war.

Ava Bonney is a compassionate and studious fourteen-year-old girl with a dark secret: she has an obsessive interest in the macabre. She is fascinated by the rate at which dead animals decompose. The highway she lives by regularly offers up gifts of roadkill, and in the dead of night Ava loves nothing more than to pull her latest discovery into her roadside den and record her findings. One night, she stumbles across the body of her classmate and, fearing that her secret ritual could be revealed, she makes an anonymous call to the police.

Suburbia. Shady, tree-lined streets; well-tended lawns; and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages of a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths.

Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of bourbon, she passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake. They make for good viewing—a tech innovator, Tom is powerful; and a former model, Katherine is gorgeous.