Horror Thriller Suspense

Bela and Lizzy, the dominant megalodon siblings from Angel's brood, have escaped the Tanaka Institute to roam the Salish Sea in British Columbia. While Jonas Taylor and his friend Mac attempt to either recapture or kill the "sisters," Jonas' son, David, embarks on his own adventure, motivated by revenge. Having witnessed his girlfriend's gruesome death, David has joined a Dubai prince's ocean expedition, tracking the 120-foot, hundred-ton Liopleurodon that escaped from the Panthalassa Sea.

On a top-secret dive into the Pacific Ocean's deepest canyon, Jonas Taylor found himself face-to-face with the largest and most ferocious predator in the history of the animal kingdom. The sole survivor of the mission, Taylor is haunted by what he's sure he saw but still can't prove exists-Carcharodon megalodon, the massive mother of the great white shark. The average prehistoric Meg weighs in at twenty tons and could tear apart a Tyrannosaurus rex in seconds.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis' parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents - telekinesis and telepathy - who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and 10-year-old Avery Dixon.

The fourth book in this twisty, fast-paced mystery series, The Horror at Murden Cove locks you on a storm-battered island with a killer whose motive is so deranged, you'll have to listen to this audiobook twice to believe it.

“You like it darker? Fine, so do I,” writes Stephen King in the afterword to this magnificent new collection of twelve stories that delve into the darker part of life—both metaphorical and literal. King has, for half a century, been a master of the form, and these stories, about fate, mortality, luck, and the folds in reality where anything can happen, are as rich and riveting as his novels, both weighty in theme and a huge pleasure to digest.

A man and woman possessed of telekinetic powers. She is the doctor. He is the experiment. What comes between them is a terrifying secret history that could save them or destroy them.

When Dr. Louis Creed takes a new job and moves his family to the idyllic, rural town of Ludlow, Maine, this new beginning seems too good to be true. Yet despite Ludlow's tranquility, there's an undercurrent of danger that lingers...like the graveyard in the woods near the Creeds' home, where generations of children have buried their beloved pets.

One last laugh for the summer as it winds down. One last prank just to scare a friend. Bringing a mannequin into a theater is just some harmless fun, right? Until it wakes up. Until is starts killing. Luckily, Sawyer has a plan. He'll be a hero. He'll save everyone to the best of his ability. He'll kill as many people as he needs to so he can save the day. That's the thing about heroes - sometimes you have to become a monster first.

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen.

It is 1890, and in the days before Christmas, Sherlock Holmes and Dr. John Watson are visited at Baker Street by a new client. Eve Allerthorpe, eldest daughter of a grand but somewhat eccentric Yorkshire-based dynasty, is greatly distressed, as she believes she is being haunted by a demonic Christmas spirit. Her late mother told her terrifying tales of the sinister Black Thurrick, and Eve is sure that she has seen the creature from her bedroom window. What is more, she has begun to receive mysterious parcels of birch twigs, the Black Thurrick’s calling card.

Writer Ben Mears has returned to his hometown of Jerusalem's Lot with the hope that moving into a delapidated mansion, long the subject of town lore, might help him get a handle on his life and provide inspiration for a new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there may be something sinister at work.

Ever since their on-again, off-again college romance, Erin hasn’t been able to set a single boundary with charismatic but reckless Silas, who has been chasing the next big high since graduation. When he texts her to spring him out of rehab, she knows enough is enough. She is ready to start a career, make new friends, and meet a great guy—even if that means cutting Silas off. But when Silas turns up dead from an overdose, Erin’s world falls apart.

Aaron Fortin is new in town. He drives a brand-new Acura—a gift from his parents for uprooting him in the middle of senior year. Showing up on his first day at the local public school in that nice of a car? He knows he’ll never blend in, and he doesn’t care to try. The car, the new-kid mystique, he can use all that.... Crystal Giordano carpools to the same school in her friend Trevor’s beat-up van. In the van along with Crystal and Trevor are Paul, Harmony, and Gayle. Crystal’s technically part of their misfit group, but most of the time, she feels like she’s the only one who doesn’t fit.

Fresh out of rehab, Mallory Quinn takes a job as a babysitter for Ted and Caroline Maxwell. She is to look after their five-year-old son, Teddy. Mallory immediately loves it. She has her own living space, goes out for nightly runs, and has the stability she craves. And she sincerely bonds with Teddy, a sweet, shy boy who is never without his sketchbook and pencil. His drawings are the usual fare: trees, rabbits, balloons. But one day, he draws something different: a man in a forest, dragging a woman’s lifeless body.

Newly divorced Alison Kerby wants a second chance for herself and her nine-year-old daughter. She's returned to her hometown on the Jersey Shore to transform a Victorian fixer-upper into a charming-and profitable guest house. One small problem: the house is haunted, and the two ghosts insist Alison must find out who killed them.

Little girls are vanishing from Deadwood, South Dakota. Fearing her daughter might be next, single mom Violet Parker is desperate to find the monster behind the abductions. With her savings dwindling and just three weeks left to sell her first house or lose her realtor job, Violet is ecstatic when a handsome jeweler hires her to sell his century-old Victorian masterpiece - until she sees the dilapidated dwelling. Now if she could just convince her only buyer to stop rejecting vintage homes as if they're haunted.

Waking up in a tacky coffin and wearing off-brand shoes, Betsy Taylor can't believe the horrible turn her life has taken; then she discovers she's a vampire. Soon, Betsy becomes a participant in a power struggle between the forces of darkness. With only her friend Jessica and the hunky vampire Sinclair to help her, this new "Queen of Vampires" will have a tough time getting her afterlife straight.

Turning the one-time seaside B & B into a Halloween haunted house for a local fundraiser seems like a good idea. After all, Eva and Marie's ghosts are willing to help. However, the two spirit friends of Marlow House are not the only ghosts to stop by. Danielle and her friends are about to learn there might be something to that old legend that says on Halloween night the barrier between the living and dead becomes blurred and the spirits of the dead visit earth. Maybe not all of earth - but at least Marlow House.

The battle has begun. There is no more running away or trying to hide. The survivors confront their attackers head on, both human and otherwise. As the mystery starts to unravel surrounding the man in the pin-striped suit, can our heroes stop him in time? We're Alive: A Story of Survival, the Fourth Season, the final season, features 12 chapters packed with performances and sound effects that rival movies and prove that modern audio drama is undead and well.

Okiku wants vengeance...and she gets it. Whenever there's a monster hurting a child - the same way she was hurt 300 years ago in Japan - her spirit is there to deliver punishment. But one American boy draws her like no other. The two are pulled into a world of eerie doll rituals and dark Shinto exorcisms that will take them from the American Midwest to the remote valleys and shrines of Aomori, Japan. The boy is not a monster, but something evil writhes beneath his skin, trapped by a series of intricate tattoos.