Horror Thriller

Terrorists have acquired a terrible new weapon that can crash the power grid and plunge America into a new dark age. A coordinated attack is planned to shut out all lights and emergency services to 10 major cities. Planes will fall, hospitals will go dark, no help will come. And in that terrible darkness, a dreadful plague will be released. If the lights go off, nothing can stop the bioweapon from killing millions. At the same time, the intelligence services are being torn apart from within by a plague of betrayal, murder, and suicide.

The team has grown to three, but the workload isn’t getting any smaller. With reports of Hell’s Angel's werewolves, dead relatives returning to haunt their loved ones, unspeakable aberrations hiding in the shadows, and the unwanted attention of a macabre serial killer, the team at Blue Moon Investigations is in even more trouble than usual.

As Logan's bride, she would savor now the love she had sought for so long. And free from her father's clutches, she would live again in her backwoods town as a respected teacher and cherished wife. But after a wedding trip to Boston's Farthinggale Manor and a lavish, elegant party, Heaven and Logan are persuaded to stay...lured by Tony Tatterton's guile to live amid the Tatterton wealth and privilege. Then the ghosts of Heaven's past rise up again, writhing around her fragile happiness...threatening her precious love with scandal and jealousy, sinister passions and dangerous dreams!

It's a quiet house, sheltered, standing in a mass of tangled old trees called the Holtwood. Raymond watches it. He's been watching it, through a gap in the fence at the bottom of the garden, for weeks. Thinking about the elderly owners, Mr and Mrs Latch, who took him in one night when he was a frightened boy caught up in an emergency. Mr Latch showed him something that was kept in a wardrobe in the spare room. He can't remember what it was. He only knows how sick it made him feel. Raymond watches Holt House. He has to remember what he saw. He has to get inside.

Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take pictures of the corpses.

Ava Bonney is a compassionate and studious fourteen-year-old girl with a dark secret: she has an obsessive interest in the macabre. She is fascinated by the rate at which dead animals decompose. The highway she lives by regularly offers up gifts of roadkill, and in the dead of night Ava loves nothing more than to pull her latest discovery into her roadside den and record her findings. One night, she stumbles across the body of her classmate and, fearing that her secret ritual could be revealed, she makes an anonymous call to the police.

After the tragic death of Bridget’s parents, her grandmother took her in. Vera Bitter raised her from behind a closed door—cold and uncaring from the moment she arrived at Bitter House. After Bridget’s high school graduation, Vera kicked her out without so much as a goodbye, and Bridget never heard from her again. Which is why, when she receives word of Vera’s passing and discovers she’s inherited the family manor, she’s immediately filled with dread. Those worries are amplified when she arrives at Bitter House after years away to find an enigmatic piece of her past waiting for her.

Fans of Stephen King and Joe Hill that like to listen to audiobooks like The Bird Box and The Haunting and can't get enough stories about serial killers are going to enjoy listening to The Asylum Confessions. The majority of these killers are expert manipulators. I realize they could be playing me and messing with my head. It's a chance I'm willing to take. And now...they might just be playing with yours too.

What do you wish for most? It's a question that Oswald, Sarah, and Millie think they know the answer to. Oswald wishes his summer wasn't so boring, Sarah wishes to be beautiful, and Millie wishes she could just disappear from the face of the earth. But in the twisted world of Five Nights at Freddy's, their hearts' deepest desires have an unexpected cost. In this volume, horror master Scott Cawthon spins three sinister novella-length stories from different corners of his series' canon.

En prenant sa retraite, John Rothstein a plongé dans le désespoir les millions de lecteurs des aventures de Jimmy Gold. Rendu fou de rage par la disparition de son héros favori, Morris Bellamy assassine le vieil écrivain pour s'emparer de sa fortune, mais, surtout, de ses précieux carnets de notes. Le bonheur dans le crime ? C'est compter sans les mauvais tours du destin... et la perspicacité du détective Bill Hodges.

Four bodies have been discovered along Europe’s riverbanks, placed with care—and completely drained of blood. Pinpricks on their throats indicate a slender murder weapon, but DNA found in the wounds suggests something far more sinister. Tasked with investigating, the FBI recruits Agents Della Hamilton and Mason Carter to Blackbird, an international offshoot of the Krewe of Hunters. If you want to catch a vampire killer, you need agents who can speak with the dead.

When leg-breaker Hutch Holtz rolls up to a rundown apartment complex in Portland, Oregon, to collect overdue drug money, a severed hand is the last thing he expects to find stashed in the client’s refrigerator. Hutch quickly realizes that the hand induces uncontrollable madness: Anyone in its proximity is overcome with a boundless compulsion for violence. Within hours, catastrophic forces are set into motion.

Audrina fiercely desired to be as good as her sister. She knew her father could not love her as he loved that other girl, for her sister was so special, so perfect - and dead. Upstairs in a locked room awaited her sister's clothes and dolls, her animals and games - and her sacred rocking chair. Now Audrina will rock and rock and rock to reclaim all of her gone sister's special gifts.

In the midst of the woods stands a house called Lichen Hall. This place is shrouded in folklore—old stories of ghosts, of witches, of a child who is not quite a child. Now the woods are creeping closer, and something has been unleashed. Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live in the grounds—and together they begin to unpick the secrets of this place.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

In your hands is the handwritten journal depicting one man's struggle for survival. Trapped in the midst of global disaster, he must make decisions; choices that ultimately mean life, or the eternal curse to walk as one of them. Enter, if you will, into the world of the undead.

The grieving widower. The motherless daughters. A beautiful house in the woods. Deep in a remote Norwegian forest, Lexi has found a new home with architect Tom and his two young daughters. With snow underfoot and the sound of the nearby fjord in her ears, it’s as if Lexi has stepped into a fairy tale. But this family has a history – and this place has a past. Something was destroyed to build their beautiful new house. And those ancient, whispering woods have a long memory. Lexi begins to hear things, see things that don’t make sense.

Rory Morris isn’t thrilled to be moving back to her hometown, even if it is temporary. There are bad memories there. But her twin sister, Scarlett, is pregnant, estranged from the baby’s father, and needs support, so Rory returns to the place she thought she’d put in her rearview. After a night out at a bar where she runs into Ian, an old almost-flame, she hits a large animal with her car. And when she gets out to investigate, she’s attacked.

For his entire life, Charley Sutherland has concealed a magical ability he can't quite control: He can bring characters from books into the real world. His older brother, Rob - a young lawyer with a normal house, a normal fiancee, and an utterly normal life - hopes that this strange family secret will disappear with disuse, and he will be discharged from his life's duty of protecting Charley and the real world from each other. But then, literary characters start causing trouble in their city, making threats about destroying the world...and for once, it isn't Charley's doing.

Peter Grant - cop, magical apprentice, and Londoner to the core - is being forced out of his comfort zone and into the English countryside. His latest case involves the disappearance of children in the small village of Herefordshire, and the local police are unwilling to admit there might be a supernatural element involved. Now Peter must deal with them, local river spirits, and the fact that all the shops close by 4 P.M.