Horror Town

It's 1997. Scarclaw Fell. The body of teenager Tom Jeffries is found at an outward bound centre. Verdict? Misadventure. But not everyone is convinced. And the truth of what happened in the beautiful but eerie fell is locked in the memories of the tight-knit group of friends who took that fateful trip and the flimsy testimony of those living nearby.

Chuck Warren died tragically at the old abandoned mill, but Paz Espino knows it was no accident—there's a monster under the town, and she's determined to kill it before anyone else gets hurt. She'll need the help of her crew—inseparable friends, bound by a childhood pact stronger than diamonds, distance or death—to hunt it down. But she's up against a greater force of evil than she ever could have imagined.

After the tragic death of their father and surviving a life-threatening eating disorder, eighteen-year-old Ellis moves with their mother to the small town of Black Stone, seeking a simpler life and some space to recover. But Black Stone feels off; it's a disquieting place surrounded by towns with some of the highest death rates in the country. It doesn't help that everyone says Ellis's new house is haunted—everyone including Quinn, a local girl who has quickly captured Ellis's attention.

The war against humanity is raging. As the small town of Rainbow Falls, Montana, comes under siege, scattered survivors band together to weather the onslaught of the creatures set loose upon the world. As they ready for battle against overwhelming odds, they will learn the full scope of Victor Frankenstein’s nihilistic plan to remake the future - and the terrifying reach of his shadowy, powerful supporters. Now the good will make their last, best stand. In a climax that will shatter every expectation, their destinies and the fate of humanity hang in the balance.

When young Daniel Whitman is killed at a high-school party, the community is ripped apart. The death of Sanctuary's star quarterback seems to be a tragic accident, but everyone knows his ex-girlfriend Harper Fenn is the daughter of a witch - and she was there when he died. Was Daniel's death an accident, revenge, or something more sinister? As accusations fly, paranoia grips the town, culminating in a witch-hunt...and the town becomes no sanctuary at all.

A trail of death, murder, and bloodshed leads Shane to the isolated town of Burkitt. Years ago, a carnival massacre stained the streets of this remote village with blood. Now, evil once again rears its ugly head, and creeps through the hamlet’s shadowy streets.

Always up for trying something new, Kath and her friends from the fiber and needlework group TGIF - Thank Goodness It's Fiber - are visiting Cloud Hollow Farm for the day to learn the fine art of dyeing. With spring in the air, the friends head out to greet the sheep. But the sheep are more interested in something else - two bodies spread under a tall tree. And one of those bodies is someone they know. Kath's friends nudge her to investigate.

The small town of Harrod’s Reach has seen its fair share of the macabre, especially inside the decrepit old train tunnel around which the town was built. After a young boy, Sully Dupree, is injured in the abandoned tunnel and left in a coma, the townspeople are determined to wall it up. Deputy sheriff Beth Gardner is reluctant to buy into the superstitions until she finds two corpses at the tunnel’s entrance, each left with strange calling cards inscribed with old lullabies. Soon after, Sully Dupree briefly awakens from his coma.

It's time for Blue Plum's annual historical festival, and everyone-including Kath and her spunky fiber and needlework group, TGIF-is getting in on the action. Expert spinners are being gathered, and a businessman has approached Kath about using the second-floor windows of her store for part of a reenactment. But the reenactment ends in real-life bloodshed when local baker Reva Louise Snapp is shot-with a bullet from a modern-day gun.

In I Am Not a Serial Killer, John Wayne Cleaver saved his town from a murderer even more appalling than the serial killers he obsessively studies, using his own repressed homicidal proclivities to even the odds. But it turns out even demons have friends, and the disappearance of one has brought another to Clayton County. Soon there are new victims for John to work on at the mortuary, and a new mystery to solve. But this time something's different. John has tasted death, and the dark nature he used as a weapon might now be using him.

Three years after running away from home, Olivia is stuck with a dead-end job in nowhere town Chapel Hill, Pennsylvania. At least she has her best friend, Sunflower. Olivia figures she’ll die in Chapel Hill, if not from boredom, then the summer night storm which crashes into town with a mind-bending monster in tow. If Olivia’s going to escape Chapel Hill and someday reconcile with her parents, she’ll need to dodge residents enslaved by the storm’s otherworldly powers and find Sunflower.

Marshall is still trying to put the pieces together after the death of her husband. After she is involved in a terrible accident, her editor sends her to the small, backwards town of Raeford to investigate a clearly ridiculous rumor: that a horse has given birth to a healthy, human baby boy. When Marshall arrives in Raeford, she finds an insular town that is kinder to the horses they are famous for breeding than to their own people. But when two horribly mangled bodies are discovered in a field—one a horse, one a human—she realizes that there might be a real story here.

Welcome to Hopkins Bend, the remote little Tennessee town where the backwoods inhabitants are cannibals and the local law operates a sex-trafficking ring. Unlucky travelers are frequently ensnared in the town’s sinister web. Some are held captive and tortured while others face even more gruesome fates. And beneath it all is the town’s darkest secret, the curse of the depraved and mutated Kincher clan.

At the age of 11, Mel Smith’s life found its purpose when she met Sarah Ross. Ten years later, Sarah’s sudden death threatens to break her. To fulfill a final promise to her best friend, Mel travels to an idyllic small town nestled in the Appalachian Mountains. Yet Morgan’s Gap is more than a land of morning mists and deep forest shadows.

Hamming it up with equal parts history and histrionics, Phillip leads an archaeological dig of the farm's original dump site - until one student stops the show by uncovering some human bones. When a full skeleton is later excavated, Kath can't help but wonder if it's somehow connected to Geneva, the ghost who haunts her shop, and whom she met at this very site. After Phillip is found dead, it's up to Kath to thread the clues together before someone else becomes history.

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?

When a floating city becomes the target of a rash of vampire attacks, only one man can restore the oasis. "The City," a tiny metropolis of a few hundred sheltered citizens floating serenely on a seemingly random course a few feet above the ground, has long been thought safe from the predation of marauding monsters. It seemed like a paradise.

In the vein of Daniel Woodrell's Winter's Bone and the works of Ron Rash, a novel set in a tough-and-tumble Mississippi town where drugs, whiskey, guns, and the desire for revenge violently intersect.

In a town nestled in the Appalachian Mountains, Rachel Smith has found a new life tending a lush apple orchard. She’s safe within its grove. If her dreams are haunted by memories of her violent husband, that pain is soothed by fresh mountain air and apples that taste as sweet as honey. But Rachel wasn’t meant to live in the shadows. The orchard drew her to Morgan’s Gap to fulfill a purpose and a tight-knit community of wisewomen who honor the old mountain traditions are ready to teach her. A world of magic awaits Rachel, one filled with new friendships and possibly new love

Jeremy works at the Video Hut in Nevada, Iowa. It's a small town in the center of the state - the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It's good enough for Jeremy: It's a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck.