Horror Urban Fiction

The parish of Manningtree and Mistley has a dark history. In 1644, Cromwell's Witchfinder General tortured scores of women there, including Liza the herbalist, whose cottage still stands. Some say the spirits of his victims still haunt the old shop on the High Street. Emma Dickson gave up her high-flying career to live in Liza’s cottage, but as Halloween approaches, visions of a terrible past are driving her to madness. In despair, Emma turns to the local rector for help, but he, too, is in the grip of something inexplicably dangerous.

Narrated with flamboyant intensity and under increasingly urgent conditions by ex-society figure Janice Shriek, this afterword presents a vivid gallery of characters and events, emphasizing the adventures of Janice’s brother Duncan, a historian obsessed with a doomed love affair and a secret that may kill or transform him; a war between rival publishing houses that will change Ambergris forever; and the gray caps, a marginalized people armed with advanced fungal technologies who have been waiting underground for their chance to mold the future of the city.

As the witches roast chestnuts and melt lead to see their fate, a series of odd messengers land on their doorstep bearing invitations for a New Year's Eve masquerade hosted by a woman they've never met. Gossip, dreams and portents follow, leading the witches to question the woman's motives. Is she as benevolent as she seems or is she laying a trap? And so, as Gilded-Age New York prepares to ring in the new year, the witches don their finery and head for the ball, on the hunt for answers that might well be the end of them.

The early Anita Blake novels find new life in trade paperback-as perfect collectibles for long-time fans or as great ways for new readers to sink their teeth into the series. In The Laughing Corpse, a creature from beyond the grave is tearing a swath of murder through St. Louis. And Anita will learn that there are some secrets better left buried-and some people better off dead...

After three decades of hiding, Ariane is ready to take her place as a respected member of the American vampire society...or so she hopes. The aristocracy of the night enjoys games. Schemes already abound from enemies old and new, but Ariane is not alone and she is not the naive girl she once was.

One October morning, Laina gets the news that her brother has been shot and killed by Boston cops. But what looks like a case of police brutality soon reveals something much stranger. Monsters are real. And they want everyone to know it. As creatures from myth and legend come out of the shadows, seeking safety through visibility, their emergence sets off a chain of seemingly unrelated events. Members of a local werewolf pack are threatened into silence.

Dr. John Gladstone, a scientist in Victorian London, is thrust into the world of the vampire after his carriage runs over a young man of angelic beauty named Niccolo. When Niccolo kidnaps Gladstone's child and vanishes, the doctor must go in pursuit, with the help of his daughter, Ursula, who is enticed by the lure of eternal life, and Lady Hespeth, whose demure exterior hides a dangerous obsession. Why are the vampires taking children, and what is the connection to Gladstone's experiments with a deadly virus?

Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he's thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter, Dahlia, to personally oversee the project. The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there's the cemetery, about 30 fallen and overgrown graves dating to the early 1900s.

Hank Varney’s the name. Miss Clem and me, along with the two Sidewinders from Santa Fe—we’ll get the sharp-toothed vermin cleared out. Now, some people say I’m lucky, but I don’t know if it’ll do me any good, what with the army of trouble me and the crew are facin’. If we don’t live through it, well, there goes Deadwood. Maybe even the whole of the Black Hills.

When Lily arrives at an antique jewelry fair, her bargain sensors go off left and right - but she also picks up a faint vibration of magic. Could the hard-bargaining merchant Griselda be a fellow practitioner? It certainly seems that way when a sudden fire sends panic through the crowd, and Lily discovers Griselda murdered in a way that nods to an old-fashioned witch hunt. A crime that hits close to home turns into an unwelcome flash from the past when the police bring in their lead suspect - Lily's estranged father.

Students are spooked at the San Francisco School of Fine Arts, and Lily is called in to search for possible paranormal activity. In return she's been promised a trunkful of Victorian-era clothes recently discovered in a school storage closet. But Lily finds something else: the body of a wealthy patron of the school. In between running the store and seeing her new boyfriend, Max - a "mythbuster" who is uncomfortable with her witchcraft - she uses her sleuthing skills to try to solve the murder. Soon Lily senses something from the school's vintage clothes, but it's not the smell of mothballs - it's the unmistakable aura of evil intent.

Your brother’s with the Judder. London, early 1970s. In a city plagued by football violence, Republican bombings, blackouts and virulent racism, a new urban myth is taking hold. Among the broken down estates, crumbling squats and failed projects of a dying metropolis, whispered sightings of a malevolent figure nicknamed the Judderman are spreading. A manifestation of the sick psyche of a city, or something else?

Bram Stoker kept secret a tale even more terrifying than Dracula. It begins among the Carpathian peaks, when an intrepid explorer discovers a mysterious golden box. She brings it back with her to the foggy streets of Victorian London, unaware of its dangerous power…or that an evil beyond imagining has already taken root in the city. Stoker, a successful theater manager but frustrated writer, is drawn into a deadly web spun by the wealthy founders of a mission house for the poor. Far from a safe haven, the mission harbors a dark and terrifying secret.

Sand. A hostile world of burning sun. Outlines of several once-busy cities shimmer on the horizon. Now empty of inhabitants, their buildings lie in ruins. In the distance a group of people—a family—walks toward us. Ahead lies shelter: a “shuck” the family calls home and which they know they must reach before the light fails, as to be out after dark is to invite danger and almost certain death. To survive in this alien world of shifting sand, they must find an object hidden in or near water. But other families want it too.

The request from Thomas Abbot, the Augur of the Sub Rosa council, couldn't come at a better time for James Stark, aka Sandman Slim. For a man who's most recently met Death - and Death's killer - a few months of normal life is more than he can handle. He needs a little action, and now Abbott wants Stark and Candy to investigate the disappearance of a young boy - and help uncover council members who might be tied to Wormwood's power brokers.

In a matter of weeks, Massachusetts has been overrun by an insidious rabies-like virus that is spread by saliva. But unlike rabies, the disease has a terrifyingly short incubation period of an hour or less. Those infected quickly lose their minds and are driven to bite and infect as many others as they can before they inevitably succumb. Hospitals are inundated with the sick and dying, and hysteria has taken hold. To try to limit its spread, the commonwealth is under quarantine and curfew. But society is breaking down, and the government's emergency protocols are faltering.

Alison Hart, a medium by trade, tours the dormitory towns of London's orbital ring road with her flint-hearted sidekick, Colette, passing on messages from beloved dead ancestors. But behind her plump, smiling persona hides a desperate woman: she knows the terrors the next life holds but must conceal them from her wide-eyed clients. At the same time she is plagued by spirits from her own past, who infiltrate her body and home, becoming stronger and nastier the more she resists....

Ropa dropped out of school to become a ghostalker - and they sure do love to talk. Now she speaks to Edinburgh’s dead, carrying messages to those they left behind. A girl’s gotta earn a living, and it seems harmless enough. Until, that is, the dead whisper that someone’s bewitching children - leaving them husks, empty of joy and strength. It’s on Ropa’s patch, so she feels honor-bound to investigate. But what she learns will rock her world.

Humans know that immortals live among them, and the world is forever changed....

Thomas Jury has been taken, and there is nothing in this world that can stop Doc from getting him back. The only problem is that doing so may incite a war, but right now Doc is too pissed to care. He's on a collision course with the most powerful witch family in the world. Unfortunately for them, Doc's wrath may be more than they can bear...