Horror Urban Fiction

Suppose there really were vampires. Dark, stalking, destroying. They’d have to be killed, wouldn’t they? Of course they would. But what kind of fools would try to make a living at it? In best-selling author John Steakley's vampire classic, one tightly knit band of brothers devotes itself to hunting down the monsters that infest the modern world—for a price.

In the days before the Civil War, there lived in New Orleans the gens de couleur libre - copper-skinned half-castes, liberated by their "owners," but confined by their color to a life of political non-existence and social subordination. Here is a compelling and richly textured tale of a people forever caught in the shadows between black and white.

From the best-selling author of the Sandman Slim series, a lush, dark, stand-alone fantasy built off the insurgent tradition of China Mieville and M. John Harrison - a subversive tale that immerses us in a world where the extremes of bleakness and beauty exist together in dangerous harmony in a city on the edge of civility and chaos. The Great War is over. The city of Lower Proszawa celebrates the peace with a decadence and carefree spirit as intense as the war’s horrifying despair.

Narrated with flamboyant intensity and under increasingly urgent conditions by ex-society figure Janice Shriek, this afterword presents a vivid gallery of characters and events, emphasizing the adventures of Janice’s brother Duncan, a historian obsessed with a doomed love affair and a secret that may kill or transform him; a war between rival publishing houses that will change Ambergris forever; and the gray caps, a marginalized people armed with advanced fungal technologies who have been waiting underground for their chance to mold the future of the city.

Reeling from a painful break-up, English instructor and avid book lover Wesley Smith is haunted by his ex-girlfriend's parting shot: "Why can't you just read off the computer like everyone else?" He buys an e-book reader out of spite, but soon finds he can use the device to glimpse realities he had never before imagined, discovering literary riches beyond his wildest dreams...and all-too-human tragedies that surpass his most terrible nightmares.

In the aftermath of the mysterious death of their lead singer, the young members of a now-legendary British acid folk band hole up at Wylding Hall, an ancient English country house with its own dark secrets. There they record Wylding Hall, the album that makes their reputation but at a terrifying cost when Julian Blake, their new lead singer, disappears within the mansion and is never seen again.

Anna Strong was a tough-as-nails bounty hunter, until the night she was attacked-and changed forever. Now a vampire, Anna discovers that her long-dead brother may have had a daughter-and the girl's in serious trouble. There are some very dangerous people after her, but they're about to learn that to a bounty hunter with an unnatural thirst for blood, even the deadliest human predators are easy prey.

Ashley Parker was an ordinary woman who was also a "wild card", immune to the emerging zombie plague, drawn unwillingly into a shadowy paramilitary organization. Having been ambushed in San Francisco, which is now fully engulfed in the zombie plague, Ashley and the wild cards must pursue the enemy to San Diego. There they will discover a dark organization that seeks to weaponize the plague. But that isn't the worst news. The plague itself has gone airborne, making it transferable without physical contact.

Ashley was just trying to get through a tough day when the world turned upside down. A terrifying virus appears, quickly becoming a pandemic that leaves its victims, not dead, but far worse. Attacked by zombies, Ashley discovers that she is a "Wild-Card" - immune to the virus - and she is recruited to fight back and try to control the outbreak.

The village of Saint-Ferdinand has all the trappings of a quiet life. Though if an out-of-towner stopped in, they would notice one unusual thing - a cemetery far too large and much too full for such a small town, lined with the victims of the Saint-Ferdinand Killer, who has eluded police for nearly two decades. It's not until after Inspector Stephen Crowley finally catches the killer that the town discovers even darker forces are at play.

Bethany Anne has started to make a difference in the first week of being awake. Now, America has been losing good men since their teams don't have a vampire to help them. Frank is hoping Bethany Anne can, and will, help. Further, the American Pack Council is having internal problems with their own young-and-dumb weres who want to ignore Michael's strictures. With no one seeing Michael, the fear of the Boogeyman is starting to recede.

Katie makes an executive decision, and the mere idea is driving Korbin to drink. Pandora wants Katie to learn to fight without her extra “oomph”. For now. The military need support, but few on the merc teams trust them. Is Pandora is finally getting somewhere with Katie's love life? There is something long and hard in Katie's hand, and Pandora is annoyed that it's only the stick shift of Katie’s new vehicle. (Oops, poor choice of words.) The war with the enemy is heating up, and there’s a new player who might ruin everyone’s lives.

India Morgan Phelps - Imp to her friends - is schizophrenic. Struggling with her perceptions of reality, Imp must uncover the truth about her encounters with creatures out of myth - or from something far, far stranger....

The Fogg River Seminary, a girls’ school in a small Illinois town, is supposed to be just another stop on Maryse and Vasyl’s endless travels. They’ve made lucrative use of Maryse’s “foreign” looks in their melodramatic séance act—and an act is all it is. Then, during their performance, a blizzard sweeps in and cuts them off from town completely. In the freezing halls, there’s a voice speaking the secrets of the dead, and Maryse has no choice but to listen…because this time, the voice is real.

The body of a young girl is found mangled and murdered in the woods of Hemlock Grove, Pennsylvania, in the shadow of the abandoned Godfrey Steel Mill. A manhunt ensues - though the authorities aren’t sure if it's a man they should be looking for.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon’s 1989 classic, The Wolf’s Hour. These all-new, interlinked stories offer a full measure of McCammon’s trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation.

A young girl’s life is about to change. By her father’s arrangement, Gabriella is to marry a local merchant twice her age in the spring of 1693. Though she fears leaving her family, the fifteen-year-old understands she must do her duty. As she prepares to become a wife and mother, another change soon finds her. When Gabriella is discovered by a nobleman and hears his voice telepathically, a door to another life opens—one that promises forever. In the secret world of immortal beings, Gabriella finds she only has so long to discover her powers before she must use them to save her life.

Step Fletcher, his pregnant wife DeAnne, and their three children move to Steuben, North Carolina, with high hopes. But Step's new job with a software company turns out to be a snake pit, and 8-year-old Stevie's school is worse. As Stevie retreats into himself, focusing more and more on a mysterious computer game and a growing troop of imaginary friends, the Fletchers' concern turns to terror.

In a Mexican temple, archaeologists uncover the remains of a half-human hybrid. They believe it is related to the creature in Antarctica, a dark thing of legend that is still alive-and still evolving. They believe it needs a new host to feed, to mutate, to multiply. They're right. And they're next. And the human race might just be headed for extinction.

Hank Varney’s the name. Miss Clem and me, along with the two Sidewinders from Santa Fe—we’ll get the sharp-toothed vermin cleared out. Now, some people say I’m lucky, but I don’t know if it’ll do me any good, what with the army of trouble me and the crew are facin’. If we don’t live through it, well, there goes Deadwood. Maybe even the whole of the Black Hills.