House Classics

"Halfway down a by-street of one of our New England towns stands a rusty wooden house, with seven acutely peaked gables, facing towards various points of the compass, and a huge, clustered chimney in the midst. The street is Pyncheon Street; the house is the old Pyncheon House; and an elm-tree, of wide circumference, rooted before the door, is familiar to every town-born child by the title of the Pyncheon Elm."

Nadie que conozca la película basada en esta novela podrá olvidar la voz en off que recita la frase inicial de la obra más lograda de Daphne du Maurier: Rebeca. Así comienzan los recuerdos de la segunda señora De Winter, que la transportan de nuevo a la aislada y gris mansión situada en la húmeda y ventosa costa de Cornualles. Con un marido al que apenas conoce, la joven esposa llega a este inmenso predio para ser inexorablemente ahogada por la fantasmal presencia de la primera señora De Winter, la hermosa Rebeca, muerta pero nunca olvidada.

En el Madrid de los años inmediatamente posteriores a la Guerra Civil, los destinos de numerosos individuos de varias clases sociales y con diferentes actitudes ante la vida desfilan en una secuencia de breves y fascinantes viñetas narrativas. Con la ciudad como personaje, el conjunto es el retrato de una sociedad en la que el estraperlo, el hambre, la prostitución y el miedo conviven con efímeros destellos de ternura y humor.

Three men, Mihailo the porter, Nikandr the fish merchant, and Stepan the coachman, sit around a table in the coach-house playing a game of "kings" with Stepan's eight-year old grandson, Alyoshka. While each card player competitively tries to win the coveted position of "king" in the game, a more serious atmosphere casts a sad shadow over the estate in which the coach-house is situated. The man of the house, for whom the porter and coachman work, has attempted suicide, and he lies in the estate house struggling somewhere between life and death.

The story follows the eponymous hero and his tutor Doctor Pangloss through a series of adventures and misfortunes, all the time doggedly attempting, against the odds, to adhere to the doctor's philosophy that "all is for the best in this best of all possible worlds".

Directors operate behind the scenes managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions onscreen that it is easy to forget the individual who is off-screen orchestrating the entire production - to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction.

Un grupo de niños encuentra un cadáver flotando en las aguas turbias de un canal de riego cercano a la ranchería de La Matosa. El cuerpo resulta ser de la Bruja, una mujer que heredó dicho oficio de su madre fallecida, y a quienes los pobladores de esa zona rural respetaban y temían. Tras el macabro hallazgo, las sospechas y habladurías recaerán sobre un grupo de muchachos del pueblo, a quienes días antes una vecina vio mientras huían de casa de la hechicera, cargando lo que parecía ser un cuerpo inerte.

In Craven House, among the shifting, uncertain world of the English boardinghouse, with its sad population of the shabby genteel on the way down and the eternal optimists who would never get up or on, the young Patrick Hamilton, with loving, horrified fascination, first mapped out the territory that he would make uniquely his own. Although many of Hamilton's lifelong interests are here, they are handled with a youthful brio and optimism conspicuously absent from his later work.

In a sleepy, little New England village stands a dark, weather-beaten, many-gabled house. This brooding mansion is haunted by a centuries-old curse that casts the shadow of ancestral sin upon the last four members of the distinctive Pyncheon family. Mysterious deaths threaten the living. Musty documents nestle behind hidden panels carrying the secret of the family’s salvation - or its downfall.

According to legend, the Pyncheon family has been cursed by their 17th century ancestor, Colonel Pyncheon, who stole the land from Matthew Maule. Maule was later put to death after being accused of witchcraft and the deed for the land could not be found. Now living in the New England mansion fraught with haunted miseries of the past, Hepzibah Pyncheon opens a small shop to pull herself from the poverty-striken curse she has lived under while her brother, Clifford, was serving a decades-long prison sentence for murder.

A portrait of Colonel Pyncheon looms over his family in the house of the seven gables - an ominous reminder of the curse he left behind over a century ago. The shadow still falls over the New England mansion's current residents, siblings Clifford and Hepzibah - unless they can expose the one secret that offers an escape from the hex. Set in seventeenth- and nineteenth-century Massachusetts, Nathaniel Hawthorne's gothic tale was inspired by the Salem Witch Trials and by a family home that still stands today.

Embark on a captivating journey to "The House of the Seven Gables" with Nathaniel Hawthorne. This Gothic novel transports listeners to a haunting world of family secrets, ancestral curses, and the enduring power of redemption. As the story unfolds within the walls of the enigmatic Pyncheon mansion, Hawthorne's masterful storytelling paints a vivid picture of the human condition, exploring themes of guilt, fate, and the interplay between past and present. Delve into this timeless tale of mystery and discover the allure of Hawthorne's richly woven narrative.

Intruder in the Dust is at once an engrossing murder mystery and an unflinching portrait of racial injustice. Set in Faulkner's fictional Yoknapatawpha County, it is the story of Lucas Beauchamp, a black man wrongly arrested for the murder of Vinson Gowrie, a white man. Confronted by the threat of lynching, Lucas sets out to prove his innocence, aided by a white lawyer, Gavin Stephens, and his young nephew, Chick Mallison.

In Tom Wolfe's hands, the strange saga of American architecture in the 20th century makes for both high comedy and intellectual excitement. This is his sequel to The Painted Word, the book that caused such a furor in the art world five years before. Once again Wolfe shows how social and intellectual fashions have determined aesthetic form in our time and how willingly the creators have abandoned personal vision and originality in order to work a la mode.

The house is called "Pleasance" and is rented by two sisters, Blanche and Aileen. The story revolves around the fortunes of two neighbouring families of varied social standing. The sisters' semi-detachment is to the Hopkinsons. Whilst Blanche's husband, Arthur, is abroad on a mission, the neighbours soon prove themselves invaluable as friends and Blanche and Mrs Hopkinson discover that their husbands are already acquainted!

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

River Hall, the uninhabited house in question, is a place of ghosts and secrets, and it simply cannot keep a tenant. Inherited by the too-young Miss Helena Elmsdale after her father’s death, it falls to her aunt, Miss Susannah Blake, to attend to the house. In order to see that it remains rented out, Miss Blake brings the property to Messrs. Craven and Son for management. The lawyers do their best, but there is something sinister at River Hall, and the tenants cannot seem to leave fast enough, threatening to leave Miss Blake and her orphaned niece in dire financial straits.

John Buchan's hero Edward Leithen chances upon a worldwide plan for domination. With his own life (and those of his friends) depending on the outcome of his struggle, he engages in combat with the anarchic brain behind The Power-House. The author, despite being very busy in public service, wrote over 50 books during his life, but his particular talent was for writing fast-moving adventure stories. The Power-House, a good example of this genre, was first published in 1916.

A dark, many-gabled mansion in a small New England village—haunted by fraudulent dealings, accusations of witchcraft, and sudden death—houses the distinguished Pyncheon family. They are plagued by a centuries-old curse that casts the shadow of ancestral sin on its last four members. The arrival of Phoebe Pyncheon from the country breathes fresh air and sunshine into their musty, decaying home, but will her arrival come too late to rescue the family from a gloomy future?

Ellie Jordan and her apprentice Stacey investigate a house in an elaborate planned community that was only half-built before it went bankrupt, leaving an instant ghost town with only a few residents. The entity haunting this house is a banshee that feeds on sadness and misery. Unfortunately for Ellie, this is no simple haunting but just one symptom of the cursed land on which the suburban community was built.