Humor Classics

When first published in 1759, Candide became an instant best seller and is now regarded as one of the key texts of the Enlightenment. Voltaire’s preoccupations with evil and with various kinds of human folly and intolerance found a perfect vehicle in this philosophical tale. A master storyteller, he combined often wildly entertaining action with profoundly serious sense, parodying the traditional chivalric and oriental tales with which his public was more familiar.

"It began as a mistake." By middle age, Henry Chinaski has lost more than 12 years of his life to the U.S. Postal Service. In a world where his three true, bitter pleasures are women, booze, and racetrack betting, he somehow drags his hangover out of bed every dawn to lug waterlogged mailbags up mud-soaked mountains, outsmart vicious guard dogs, and pray to survive the day-to-day trials of sadistic bosses and certifiable coworkers.

Galapagos takes the listener back one million years to AD 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave, new, totally different human race. Kurt Vonnegut, America's master satirist, looks at our world and shows us all that is sadly, madly awry - and all that is worth saving.

Vainqueur Knightsbane is your average dragon: A giant, fire-breathing lizard who loves to take naps on his golden hoard, kidnap princesses for fun, and make the life of adventurers miserable. Vainqueur's only pleasure in life is to watch his treasure get bigger, one coin at a time. So when a would-be thief turned unwilling minion tells him about "classes", "levels", and "quests", Vainqueur wonders if maybe, just maybe, he should consider a career change. After all, why bother hunting monsters for free when you can get paid for it?

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem.

One of the greatest satires in American literature, Mark Twain's "A Connecticut Yankee in King Arthur's Court" begins when Hank Morgan, a skilled mechanic in a nineteenth-century New England arms factory, is struck on the head during a quarrel and awakens to find himself among the knights and magicians of King Arthur's Camelot. The 'Yankee' vows brashly to "boss the whole country inside of three weeks" and embarks on an ambitious plan to modernize Camelot with 19th c. industrial inventions like electricity and gunfire. It isn't long before all hell breaks loose!

Switters is a contradiction for all seasons: an anarchist who works for the government, a pacifist who carries a gun, a vegetarian who sops up ham gravy, a cyberwhiz who hates computers, a robust bon vivant who can be as squeamish as any fop, a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior). Yet there is nothing remotely wishy-washy about Switters. He doesn't merely pack a pistol. He is a pistol.

A workhouse orphan, Oliver experiences the terror and brutality of the criminal underworld. His companions, a thief, a whore, a pickpocket, and a fence, are destined for gruesome ends, but Oliver emerges unscathed from the darkness of the underworld.

In the town of Night Vale, there’s a faceless old woman who secretly lives in everyone’s home, but no one knows how she got there or where she came from...until now. Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early 19th century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath.

Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those excellent women - the smart, supportive, repressed women whom men take for granted. As Mildred gets embroiled in the lives of her new neighbors - anthropologist Helena Napier; Helen's handsome, dashing husband, Rocky; and Julian Malory, the vicar next door - the novel presents a series of snapshots of human life as actually, and pluckily, lived.

When sensible, sophisticated Flora Poste is orphaned at 19, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last 20 years. But Flora loves nothing better than to organise other people.

A foundling of mysterious parentage, Tom Jones is brought up by the benevolent and wealthy Squire Allworthy as his own son. Tom falls in love with the beautiful and unattainable Sophia Western, a neighbor’s daughter, whose marriage has already been arranged. When Tom’s sexual misadventures around the countryside get him banished, he sets out to make his fortune and find his true identity.

When the publicity team of the new local restaurant Going in Blind begins their search for a hot, local celebrity to promote the wildly popular eatery, they couldn't have found a better person than Noely Clark. A hopeless romantic with an exceedingly demanding schedule, she found it impossible to find the man of her dreams so being set up on three very different, very attractive, and very distinctive blind dates, seemed like a great idea, but who will she choose?

Jeeves, not only a tireless servant to the feckless Bertie Wooster, is the saviour of a good many other individuals as well. The list is long: Bingo Little has cause to be grateful to Jeeves in the affair of the marooned cabinet minister; Sippy Sipperley, when he is persecuted by his former headmaster; Tuppy Glossop, in his foolhardy pursuit of Cora Bellinger the opera singer; not to mention Miss Dalgeish the dog-girl; Bertie's fat Uncle George when he brushes with the lower classes; even the dog McIntosh is returned to the dreaded Aunt Agatha through Jeeves' good offices.

Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.

Abridged novel depicting the sinister affair of the 18th century cow-creamer and the small, brown, leather-covered notebook tests the Wooster soul as it has never been tested before. Friends and relations, in urgent need, queue up to beg for assistance in a variety of troublesome situations, and ruthless enemies stop at nothing in their determination to bring Bertie down.

Being dead sucks. Make that being undead sucks. Literally. Just ask Thomas C. Flood. Waking up after a fantastic night unlike anything he's ever experienced, he discovers that his girlfriend, Jody, the woman of his dreams, is a vampire. And surprise! Now he's one, too.

Jasper Fforde's delightfully zany Thursday Next series shows no signs of slowing down with its seventh entry, The Woman Who Died a Lot. Despite being semihappily semi-retired from SpecOps, Thursday accepts the head librarian position at the Swindon library. But soon threats from a supreme Deity, a mnemonomorph, and the nefarious Goliath corporation press Thursday back into active duty.

Putting the Grand Quest behind them, the party rides onward in search of answers. Between one member's unexpected new condition and the mysteries of the Bridge, their only hope appears to be gaining entrance to Lumal, said to hold the greatest collection of knowledge in all the kingdoms. But when a curious path appears in a seemingly uninhabited forest, the party finds themselves in a place set apart from the kingdoms, and the world at large: a hidden hamlet, filled by unusual people, all of whom have long histories of their own.

À la ferme du Manoir, c'est la révolution : les animaux ont pris le pouvoir. Désormais, ils ne travailleront que pour eux-mêmes, et bâtiront ensemble un avenir radieux. Désormais, ils ne connaîtront plus de maître, car tous les animaux sont égaux. Ou, du moins, presque tous... Cette nouvelle traduction restitue toute la verve satirique d'une fable politique magistrale. Tristement intemporelle et terriblement drôle, La Ferme des animaux n'a pas fini de faire réfléchir les Hommes. Traduction Clotilde Meyer