Humor Classics

After botching a suicide attempt, salaryman Hanio Yamada decides to put his life up for sale in the classifieds section of a Tokyo newspaper. Soon interested parties come calling with increasingly bizarre requests and what follows is a madcap comedy of errors, involving a jealous husband, a drug-addled heiress, poisoned carrots - even a vampire. For someone who just wants to die, Hanio can't seem to catch a break, as he finds himself enmeshed in a continent-wide conspiracy that puts him in the crosshairs of both his own government and a powerful organized-crime syndicate.

While Blandings Castle sleeps in the summer sun, the Hon. Galahad Threepwood, brother of the Earl of Emsworth, is busily engaged in writing his Reminiscences, and they look set to be as warm as the weather, if not warmer. For Galahad has led a thoroughly misspent life, and his acquaintances can all too easily recall their past follies in his company. Reputations are at stake and even the nobility and gentry are beginning to panic.

Jasper Fforde's delightfully zany Thursday Next series shows no signs of slowing down with its seventh entry, The Woman Who Died a Lot. Despite being semihappily semi-retired from SpecOps, Thursday accepts the head librarian position at the Swindon library. But soon threats from a supreme Deity, a mnemonomorph, and the nefarious Goliath corporation press Thursday back into active duty.

What begins as an idyllic new society built for the freedom and equality of all who walk on four legs quickly becomes a nightmare. The cleverest animals take on more and more control while the hard working common animals are manipulated into doing all the work. Best intentions are twisted by the lure of power, and no animal is immune to the terrible consequences of its corrupting influence.

If Lord Ickenham had not dislodged the hat of Beefy Bastable with a well-aimed brazil nut, the latter's famous legal mind might never have been stimulated to literature. But the incident provoked Beefy to write an expose of the younger generation.

Sasha, a young computer programmer from Leningrad, is driving north to meet some friends for a nature vacation. He picks up a couple of hitchhikers who persuade him to take a job at the National Institute for the Technology of Witchcraft and Thaumaturgy. The adventures Sasha has in the largely dysfunctional institute involve all sorts of magical beings - a wish-granting fish, a tree mermaid, a cat who can remember only the beginnings of stories, a dream-interpreting sofa, and many more.

George and Weedon Grossmith's The Diary of a Nobody paints a detailed picture of life in 1892. Pooter's diary notes his daily business, parties, embarrassments, and his agitated relationship with son Lupin - a strikingly familiar world, brought to life by Keith Wickham, which provides continual amusement.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

One of Wodehouse's most entertaining raconteurs is sitting in the Angler's Rest, sipping hot whiskey and lemon. In particular, Wilfred, the creator of Raven Gypsy face cream and Snow of the Mountain lotion, lights on the formula for Buck-U-Uppo, a tonic given to elephants to enable them to face tigers with the necessary nonchalance.

From the author, whom The Times called 'a comic genius' and ' an old master of farce', are eleven further stories featuring such eccentric characters as Freddie Widgeon, Cyril (Barmy) Fotheringay Phipps, Percy Wimbolt and Pongo.

The adventure continues. Tim and the C and C gang face their most difficult challenges yet. Horses die. Eyeballs are eaten. People are urinated on. A god is born.

A quest, a war, a ring that would be grounds for calling any wedding off, a king without a kingdom, and a furry little "hero" named Frito, ready - or maybe just forced by the wizard Goodgulf - to undertake the one mission that can save Lower Middle Earth from enslavement by the evil Sorhed. Luscious Elf-maidens, a roller-skating dragon, ugly plants that can soul kiss the unwary to death-these are just some of the ingredients in the wildest, wackiest, most irreverent excursion into fantasy realms that anyone has ever dared to undertake.

Hear Dickens' gift for social commentary in this classic story of the poor orphan, Oliver. In this time-tested classic, Dickens aimed to expose the filth of the London underworld as well as attack the inhumanity of the New Poor Law of 1834. This audiobook is a stunning performance by the award-winning Miriam Margolyes, who is considered one of the most knowledgeable and brilliant actors and interpreters of Dickens.

In this special double bill narrated by AudioFile Golden Voice Simon Jones, My Man Jeeves and Right Ho, Jeeves are brought to dazzling new life by an A-list narrator at the top of his game. My Man Jeeves first introduced the literary world to Bertie Wooster and his valet, Jeeves, in 1919. Right Ho, Jeeves was published 15 years later in 1934 and finds Bertie and Jeeves installed in the home of Bertie’s formidable aunt, Dahlia.

Gogol's phantasmagorical tale about a man whose nose decides to abscond and begin living a life of its own is one of the earliest and most celebrated examples of absurdist literature. Apart from its recondite humor, it is remarkable for Gogol's skill in characterization and his ability to paint a picture of contemporary life in Russia in a few verbal brushstrokes.

Here, we have a glorious ensemble of Woodhousian characters knocking elbows to foreheads in the elegant and grand Blandings Castle. Meet Freddy Threepwood, the vagrant son of doddering old Lord Emsworth of Blandings Castle. Freddy has recently become engaged to Aline Peters, the American heiress of an irascible father. The snag is that Freddy seems to have at one point become enamored of a struggling actress, Joan Valentine, and written some impetuous and imprudent letters to her.

This novel centers on the figure of Ilya Ilyich Oblomov, a member of the dying class of the landed gentry, who spends most of his time lying in bed gazing at life in an apathetic daze, encouraged by his equally lazy servant Zakhar and routinely swindled by his acquaintances. But this torpid existence comes to an end when, spurred on by his crumbling finances, the love of a woman, and the reproaches of his friend, the hardworking Schtoltz, Oblomov finds that he must engage with the real world and face up to his commitments.

One of the greatest satires in American literature, Mark Twain's "A Connecticut Yankee in King Arthur's Court" begins when Hank Morgan, a skilled mechanic in a nineteenth-century New England arms factory, is struck on the head during a quarrel and awakens to find himself among the knights and magicians of King Arthur's Camelot. The 'Yankee' vows brashly to "boss the whole country inside of three weeks" and embarks on an ambitious plan to modernize Camelot with 19th c. industrial inventions like electricity and gunfire. It isn't long before all hell breaks loose!

Set in a small Cotswold town, Inspector Hobbes and the Blood is a fast-paced comedy cozy mystery fantasy about the adventures of Andy, an incompetent reporter, when he is reluctantly working with Inspector Hobbes, a police detective with a reputation. Andy soon finds himself immersed in a world where not everyone is human, and a late-night visit to a churchyard nearly results in grave consequences, and a ghoulish outcome. An accidental fire leads to Andy having to doss in Hobbes's spare room.

Amid the cactus wilds some two hundred miles from Hollywood lies a privileged oasis called Desert D'Or. It is a place for starlets and would-be starlets, directors, studio execs, and the well-groomed lowlifes who cater to them. And, as imagined by Norman Mailer in this blistering classic of 1950s Hollywood, Desert D'Or is a moral proving ground, where men and women discover what they really want - and how far they are willing to go to get it.