Humor Classics

Charged with gross incompetence, Satan is fired from his job as prince of Hell and exiled to that most terrible of places: English suburbia. Forced to live as a human under the name of Jeremy Clovenhoof, the dark lord not only has to contend with the fact that no one recognizes him or gives him the credit he deserves but also has to put up with the bookish war-gamer next door and the voracious man-eater upstairs.

The legendary ironic insightful classic by Voltaire, considered the greatest artistic genius of his era. Introducing the legendary, best-of-all-possible-worlds Pangloss. A whirlwind trip around the globe with irony, wit, insight, genius, and more at each stop.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio

Лауреат Букеровской премии Джулиан Барнс — один из самых ярких и оригинальных прозаиков современной Британии, автор таких международных бестселлеров, как "Одна история", "Шум времени", "Предчувствие конца", "Артур и Джордж", "История мира в 10½ главах", "Попугай Флобера" и многих других. Возможно, основной его талант — умение легко и естественно играть стилями и направлениями. Тонкая стилизация и едкая ирония, утонченный лиризм и доходящий чуть ли не до цинизма сарказм, агрессивная жесткость и веселое озорство — Барнсу подвластно все это и многое другое.

Золотой теленок - роман Ильи Ильфа и Евгения Петрова. В основе сюжета - дальнейшие приключения центрального персонажа "Двенадцати стульев" Остапа Бендера, происходящие на фоне картин советской жизни начала 1930-х годов. Жанр - плутовской роман, социальная сатира, роман-фельетон.

When the aliens came down and told us they’d enslave all of the human race if we didn’t send our bigliest warrior to participate in their arena death games, I laughed at them. It was really funny because they obviously didn’t know who they were dealing with. Know what I mean? Then they said they would pick the greatest warrior, and they picked Marc Havak. He seemed like such an average guy, but he was a true-blue American. He even worked as a truck driver! That’s the kind of good guy we want defending us from aliens.

Orphaned cousins Jane and Lucilla, both 19, receive the exciting news that their guardian is at last allowing them to leave boarding school. But their rosy future is thwarted when they find he has made some bad investments and fled, leaving them with a cottage in the English countryside and a modest bank account.

According to Max Disher, an ambitious young black man in 1930s New York, someone of his race has only three alternatives: "Get out, get white, or get along." Incapable of getting out and unhappy with getting along, Max leaps at the remaining possibility. Thanks to a certain Dr. Junius Crookman and his mysterious process, Max and other eager clients develop bleached skin that permits them to enter previously forbidden territory. What they discover in white society, however, gives them second thoughts.

Maurice has just killed a dragon with a bread knife. And had his destiny foretold…and had his true love spirited away. That's precisely the sort of stuff that'd bring out the latent heroism in anyone. Unfortunately, Maurice is pretty sure he hasn't got any latent heroism. Meanwhile, a man wakes up in a jar in a different kind of pickle (figuratively speaking). He can't get out, of course, but neither can he remember his name, or what gravity is, or what those things on the ends of his legs are called…and every time he starts working it all out, someone makes him forget again.

In Pigs Have Wings, affably potty Lord Emsworth is embroiled in a fierce pig-rearing battle with his obese neighbour, Sir Gregory Parsloe-Parsloe. Tossed in for good measure: romantic entanglements, some dubious detective work and a fearful dieting product called 'Slimmo'.

It isn't just Nanny who finds it difficult in France when Grace and her young son Sigi are finally able to join her dashing aristocratic husband Charles-Edouard after the war. For Grace is out of her depth among the fashionably dressed and immaculately coiffured French women and shocked by their relentless gossiping and bedhopping. When she discovers her husband's tendency to lust after every pretty girl he sees, it looks like trouble. And things get even more complicated when little Sigi steps in.

Doctor Fischer despises the human race. When the notorious toothpaste millionaire decides to hold the last of his famous parties - his own deadly version of the book of Revelation - Greene opens up a powerful vision of the limitless greed of the rich. Black comedy and painful satire combine in a totally compelling novel.

Gerald Dunwoody is a wizard. Just not a particularly good one. He's blown up a factory, lost his job, and there's a chance that he's not really a Third Grade wizard after all. So it's off to New Ottosland to be the new Court Wizard for King Lional. It's a shame that King Lional isn't the vain, self-centered young man he appeared to be. With a princess in danger, a talking bird who can't stay out of trouble, and a kingdom to save, Gerald soon suspects that he might be out of his depth.

Sir Thomas More (1478-1535) was an English lawyer, social philosopher, author, statesman, and Renaissance humanist. Utopia is a work of fiction and socio-political satire. He wrote Utopia, published in 1516, about an imaginary island society and its religious, social, and political customs. While imprisoned in the Tower of London in 1534, he wrote A Dialogue of Comfort Against Tribulation. It is a fictional dialogue focusing on the comfort of God in distress, the benefits of suffering, atonement for evil acts, faintheartedness and the temptation to suicide.

Herman Melville’s novel The Confidence-Man: His Masquerade (1857) is a comedy of masquerades and a blend of allegory, cultural satire, and metaphysics. The book portrays a confidence man who sneaks on board a Mississippi steamboat on April Fool's Day, and sets out to defraud his fellow passengers. He rapidly assumes various guises and the pleasure of trickery seems more important than the monetary gain. Each person is forced to confront that in which they believe.

With courage, determination and logged into her social media accounts - plain Jane Eyre is ready to take on the world. But then she meets and begins to fall for Edward Rochester, AKA the definition of a red flag, with screenshots to prove it. When authors Claire McGowan and Sarah Day imagined how 'Pride and Prejudice on Social Media' might look, retelling the story through mocked-up social media posts, their post instantly went viral. Now, they return with a Bronte classic told through highs and lows of social media.

"Animal Farm" is Orwell's classic satire of the Russian Revolution - an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm - a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

A soldier in the First World War who never actually sees any combat, Josef Svejk is the awkward protagonist - and none of the other characters can quite decide whether his bumbling efforts to get to the front are genuine or not. Often portrayed as one of the first anti-war novels, Hasek's classic satire is a tour-de-force of modernist writing, influencing later writers such as Hemingway, Faulkner and Joseph Heller.

Welcome to the preview of Funny Stories and Knock Knock Jokes Bundle. This bundle consists of two audiobooks.

Harriet is leaving her boyfriend Claude, "the French rat". That at least is how Harriet sees things, even if it’s Claude who has just asked Harriet to leave his Greenwich Village apartment. Well, one way or another she has no intention of leaving. To the contrary, she will stay and exact revenge - or would have if Claude had not had her unceremoniously evicted. Still, though moved out, Harriet is not about to move on. Not in any way. Girlfriends circle around to patronize and advise, but Harriet only takes offense, and it’s easy to understand why.