Humor Classics

In volume II of The Flashman Papers, Flashman tangles with femme fatale Lola Montez and the dastardly Otto Von Bismarck in a battle of wits which will decide the destiny of a continent.

In this volume of The Flashman Papers, Flashman, the arch-cad and toady, matches his wits, his talents for deceit and malice, and above all his speed in evasion against the most brilliant European statesman and against the most beautiful and unscrupulous adventuress of the era.

Mitchell’s novel follows Brian O’Connal, a young boy growing up in Depression-era Saskatchewan. Curious and eager to explore the impossibly vast Canadian prairie, Brian guides the listener through the inner workings of his small, rural town and its quirky characters. As Brian grows up, navigating faith, loss, and his relationships with his grandmother and his friends, we see him evolve alongside the changing landscape of small-town Canadian life.

At first, high school freshmen Rex McClendon and Leif Nelson believe what they’ve been told - that local students’ strange demises at Whitewood, a local reformatory, were all tragic accidents. But when the shoot for their low-budget horror masterpiece, PolterDog, goes horribly awry - and their best friend, Alicia Boykins, is sent to Whitewood - Rex and Leif are forced to question everything they know about their unassuming hometown and its cherished school for delinquents.

Putting the Grand Quest behind them, the party rides onward in search of answers. Between one member's unexpected new condition and the mysteries of the Bridge, their only hope appears to be gaining entrance to Lumal, said to hold the greatest collection of knowledge in all the kingdoms. But when a curious path appears in a seemingly uninhabited forest, the party finds themselves in a place set apart from the kingdoms, and the world at large: a hidden hamlet, filled by unusual people, all of whom have long histories of their own.

Jeeves, not only a tireless servant to the feckless Bertie Wooster, is the saviour of a good many other individuals as well. The list is long: Bingo Little has cause to be grateful to Jeeves in the affair of the marooned cabinet minister; Sippy Sipperley, when he is persecuted by his former headmaster; Tuppy Glossop, in his foolhardy pursuit of Cora Bellinger the opera singer; not to mention Miss Dalgeish the dog-girl; Bertie's fat Uncle George when he brushes with the lower classes; even the dog McIntosh is returned to the dreaded Aunt Agatha through Jeeves' good offices.

Ryan Fleming is a young agnostic reeling from his brother’s death. Though he is deeply angry with God, he makes good on a promise he made to his brother in the final moments of his life: to visit a church at least once. But shortly after his arrival, the slick megachurch’s shoddily installed video projector falls on his head—sending Ryan through a wormhole into another world. To make it back to his own universe, he must partner with a woman named Faith to awaken a long-sleeping King—the World-Maker who can make all things new.

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

Opening with the exotic Lady Death entering the gumshoe-writer's seedy office in pursuit of a writer named Celine, this novel demonstrates Bukowski's own brand of humour and realism, opening up a landscape of seamy Los Angeles.

Abridged novel depicting the sinister affair of the 18th century cow-creamer and the small, brown, leather-covered notebook tests the Wooster soul as it has never been tested before. Friends and relations, in urgent need, queue up to beg for assistance in a variety of troublesome situations, and ruthless enemies stop at nothing in their determination to bring Bertie down.

In the bar-parlour of the Angler’s Rest, Mr Mulliner tells his amazing tales, which hold the assembled company of Pints of Stout and Whiskies and Splash in the palm of his expressive hand. Here you can discover what happened to The Man Who Gave Up Smoking, share a frisson when the butler delivers Something Squishy on a silver salver (‘your serpent, Sir,’ said the voice of Simmons) – and experience the dreadful Unpleasantness at Bludleigh Court.

More preoccupied with drinking, sleeping, and writing, an unnamed student neglects his studies and invents three separate openings for a novel. The first introduces the Pooka MacPhellimey, "a member of the devil class", the second involves Mr. John Furriskey, a character belonging to another of the student's creations (writer Dermot Trellis), while the final opening features legendary Irish heroes Finn Mac Cool and Mad King Sweeny. Soon, Trellis' creations rebel against him, doing as they like while he sleeps, and the characters begin wandering in and out of each other's tales.

Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder.

Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem.

When first published in 1759, Candide became an instant best seller and is now regarded as one of the key texts of the Enlightenment. Voltaire’s preoccupations with evil and with various kinds of human folly and intolerance found a perfect vehicle in this philosophical tale. A master storyteller, he combined often wildly entertaining action with profoundly serious sense, parodying the traditional chivalric and oriental tales with which his public was more familiar.

Bertie Wooster has taken up the banjolele, but the manager of the building in central London has issued an ultimatum to either give up the music or clear out. Even the faithful Jeeves threatens to leave, so Bertie seeks refuge in the country.

No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder. Her sentimental companion Amelia, however, longs only for caddish soldier George. As the two heroines make their way through the tawdry glamour of Regency society, battles are fought, fortunes made and lost. The one steadfast and honourable figure in this corrupt world is Dobbin, bringing pathos and depth to Thackeray's gloriously satirical epic of love and social adventure.

Mildred Lathbury is a clergyman's daughter and a mild-mannered spinster in 1950s England. She is one of those excellent women - the smart, supportive, repressed women whom men take for granted. As Mildred gets embroiled in the lives of her new neighbors - anthropologist Helena Napier; Helen's handsome, dashing husband, Rocky; and Julian Malory, the vicar next door - the novel presents a series of snapshots of human life as actually, and pluckily, lived.

A tempestuous acquaintance and disastrous marriage proposal makes it unlikely Mr. Darcy and Elizabeth Bennet will ever reconcile. Despairing of their own reunion, they attend with great energy to salvaging that of Darcy’s friend Mr. Bingley and Elizabeth’s sister Jane. People are rarely so easily maneuvered in and out of love, however, they follow a series of misunderstandings, both willful and unwitting, that complicates all four star-crossed lovers’ alliances more than ever before.

Uncle Fred, or to give him his full title: Fredrick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is considered by some as a "splendid gentleman, a sportsman to his fingertips". Mr Twistleton, nephew to Earl, and otherwise known as "Pongo" to his friends, has a differing view. He simply describes his uncle as "being loopy to the tonsils".

My Man Jeeves, first published in 1919, introduced the world to affable, indolent Bertie Wooster and his precise, capable valet, Jeeves. Some of the finest examples of humorous writing found in English literature are woven around the relationship between these two men of very different classes and temperaments. Where Bertie is impetuous and feeble, Jeeves is coolheaded and poised.