Humor Classics

Set in Ireland just after World War II, The Ginger Man is J. P. Donleavy's wildly funny, picaresque classic novel of the misadventures of Sebastian Dangerfield, a young American ne'er-do-well studying at Trinity College in Dublin. Dangerfield's appetite for women, liquor, and general roguishness is insatiable - and he satisfies it with endless charm.

Waldo Rabbit is back! Waldo and Alice continue on their quest, now accompanied by the ogre Gronk. They are headed to Norwich, where they hope to find the third monster that will be Waldo's last familiar. But things are never as simple as they seem. An archlich, White Mage, and murderous rabbits all stand in the way. Yes, that's right, the murderous flesh eating rabbits make their appearance! Waldo is both the hunter and the hunted.

H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.

After botching a suicide attempt, salaryman Hanio Yamada decides to put his life up for sale in the classifieds section of a Tokyo newspaper. Soon interested parties come calling with increasingly bizarre requests and what follows is a madcap comedy of errors, involving a jealous husband, a drug-addled heiress, poisoned carrots - even a vampire. For someone who just wants to die, Hanio can't seem to catch a break, as he finds himself enmeshed in a continent-wide conspiracy that puts him in the crosshairs of both his own government and a powerful organized-crime syndicate.

This novel centers on the figure of Ilya Ilyich Oblomov, a member of the dying class of the landed gentry, who spends most of his time lying in bed gazing at life in an apathetic daze, encouraged by his equally lazy servant Zakhar and routinely swindled by his acquaintances. But this torpid existence comes to an end when, spurred on by his crumbling finances, the love of a woman, and the reproaches of his friend, the hardworking Schtoltz, Oblomov finds that he must engage with the real world and face up to his commitments.

Burdened by debt after her husband's death, Lucy Muir insists on moving into the very cheap Gull Cottage in the quaint seaside village of Whitecliff, despite multiple warnings that the house is haunted. Upon discovering the rumors to be true, the young widow ends up forming a special companionship with the ghost of handsome former sea captain Daniel Gregg. Lucy finds in her secret relationship with Captain Gregg a comfort and blossoming love she never could have predicted.

This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the audience through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.

The idyll of Blandings Castle is about to be disturbed, for the Hon. Freddie Threepwood is poised to make his debut as a jewel thief. Freddie, however, is not alone: Blandings is simply brimming with criminals and impostors all intent on stealing Aunt Constance's 20,000 pound diamond necklace. It is left to the debonair Psmith, with his usual aplomb, to unscramble the passion, problems, and identities, of one and all.

Dorothy Hare, the dutiful daughter of a rector in Suffolk, spends her days performing good works and cultivating good thoughts, pricking her arm with a pin when a bad thought arises. She does her best to reconcile her father’s fanciful view of his position in the world with such realities as the butcher’s bill. But even Dorothy’s strength has its limits, and one night, as she works feverishly on costumes for the church-school play, she blacks out. When she comes to, she finds herself on a London street, clad in a sleazy dress and unaware of her identity.

What begins as an idyllic new society built for the freedom and equality of all who walk on four legs quickly becomes a nightmare. The cleverest animals take on more and more control while the hard working common animals are manipulated into doing all the work. Best intentions are twisted by the lure of power, and no animal is immune to the terrible consequences of its corrupting influence.

Faulkner’s second novel follows a bohemian cast of artists, socialites, and dilettantes as they set sail on a four-day excursion aboard the Nausikaa. Faulkner’s quick wit and endless appetite for satire make this audiobook a fascinating exploration of character, as well as a rare glimpse into the author himself. The novel explores questions of sex and sexuality, as well as the societal role of the artist. Inspired by his own participation in the arts community in New Orleans, Mosquitoes is an engaging and delightful novel from one of America’s greatest writers.

Jane Austen's first major novel, a parody of the popular literature of the time, is an ironic tale of the romantic folly of men and women in pursuit of love, marriage, and money. The humorous adventures of young Catherine as she encounters "the difficulties and dangers of a six weeks' residence in Bath" lead to some of Austen's most brilliant social satire.

Published in rapid succession in the middle 1930s, these two books shocked European literature and world consciousness. Nominally fiction but more rightly called "creative confessions," they told of the author's childhood in excoriating Paris slums, of service in the mud wastes of World War I and African jungles. Mixing unmitigated despair with Gargantuan comedy, they also created a new style, in which invective and obscenity were laced with phrases of unforgettable poetry. Celine's influence revolutionized the contemporary approach to fiction.

The character of Bertram “Bertie” Wooster told the stories in first person style. He had a valet who stole some of his silk sox and was discharged. The agency sent replacement Reginald “Reggie” Jeeves. He arrived, mixed a hangover cure that was much needed and accepted, and the two were together from then on. Bertie, rich and toil-free, disliked hard work, some bossy women, and most children. He had a somewhat dingbat friend, Bingo Little, who fell in love with every girl he met.

Everyone - even Augustus the cat - has cause to be obliged to Jeeves when he manages to retrieve the infamous Book - the book which lays bare the private lives of three-quarters of the upper classes. And which could prove to be political dynamite at the Market Snodsbury by-election.

The adventure continues. Tim and the C and C gang face their most difficult challenges yet. Horses die. Eyeballs are eaten. People are urinated on. A god is born.

Uncle Fred, or to give him his full title: Fredrick Altamont Cornwallis Twistleton, fifth Earl of Ickenham, is considered by some as a "splendid gentleman, a sportsman to his fingertips". Mr Twistleton, nephew to Earl, and otherwise known as "Pongo" to his friends, has a differing view. He simply describes his uncle as "being loopy to the tonsils".

Loch is seeking revenge. It would help if she wasn’t in jail. The plan: To steal a priceless elven manuscript that once belonged to her family, but is now in the hands of the most powerful man in the Republic. To do so, Loch - former soldier, former prisoner, and current fugitive - must assemble a crack team of magical misfits that includes a cynical illusionist, a shape shifting unicorn, a repentant death priestess, a talking magical war hammer, and a lad with seemingly no skills.

Jasper Fforde's delightfully zany Thursday Next series shows no signs of slowing down with its seventh entry, The Woman Who Died a Lot. Despite being semihappily semi-retired from SpecOps, Thursday accepts the head librarian position at the Swindon library. But soon threats from a supreme Deity, a mnemonomorph, and the nefarious Goliath corporation press Thursday back into active duty.

À la ferme du Manoir, c'est la révolution : les animaux ont pris le pouvoir. Désormais, ils ne travailleront que pour eux-mêmes, et bâtiront ensemble un avenir radieux. Désormais, ils ne connaîtront plus de maître, car tous les animaux sont égaux. Ou, du moins, presque tous... Cette nouvelle traduction restitue toute la verve satirique d'une fable politique magistrale. Tristement intemporelle et terriblement drôle, La Ferme des animaux n'a pas fini de faire réfléchir les Hommes. Traduction Clotilde Meyer