Humor Classics

Mitchell’s novel follows Brian O’Connal, a young boy growing up in Depression-era Saskatchewan. Curious and eager to explore the impossibly vast Canadian prairie, Brian guides the listener through the inner workings of his small, rural town and its quirky characters. As Brian grows up, navigating faith, loss, and his relationships with his grandmother and his friends, we see him evolve alongside the changing landscape of small-town Canadian life.

Where did Roald Dahl get all of his wonderful ideas for stories? From his own life, of course! As full of excitement and the unexpected as his world-famous, best-selling books, Roald Dahl's tales of his own childhood are completely fascinating and fiendishly funny. Did you know that Roald Dahl nearly lost his nose in a car accident? Or that he was once a chocolate candy tester for Cadbury's? Have you heard about his involvement in the Great Mouse Plot of 1924? If not, you don’t yet know all there is to know about Roald Dahl.

In volume II of The Flashman Papers, Flashman tangles with femme fatale Lola Montez and the dastardly Otto Von Bismarck in a battle of wits which will decide the destiny of a continent.

In this volume of The Flashman Papers, Flashman, the arch-cad and toady, matches his wits, his talents for deceit and malice, and above all his speed in evasion against the most brilliant European statesman and against the most beautiful and unscrupulous adventuress of the era.

Being dead sucks. Make that being undead sucks. Literally. Just ask Thomas C. Flood. Waking up after a fantastic night unlike anything he's ever experienced, he discovers that his girlfriend, Jody, the woman of his dreams, is a vampire. And surprise! Now he's one, too.

Summer 1977. The Blyton Summer Detective Club (of Blyton Hills, a small mining town in Oregon's Zoinx River Valley) solved their final mystery and unmasked the elusive Sleepy Lake monster - another low-life fortune hunter trying to get his dirty hands on the legendary riches hidden in Deboën Mansion. And he would have gotten away with it, too, if it weren't for those meddling kids.

Ryan Fleming is a young agnostic reeling from his brother’s death. Though he is deeply angry with God, he makes good on a promise he made to his brother in the final moments of his life: to visit a church at least once. But shortly after his arrival, the slick megachurch’s shoddily installed video projector falls on his head—sending Ryan through a wormhole into another world. To make it back to his own universe, he must partner with a woman named Faith to awaken a long-sleeping King—the World-Maker who can make all things new.

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem.

Abridged novel depicting the sinister affair of the 18th century cow-creamer and the small, brown, leather-covered notebook tests the Wooster soul as it has never been tested before. Friends and relations, in urgent need, queue up to beg for assistance in a variety of troublesome situations, and ruthless enemies stop at nothing in their determination to bring Bertie down.

Published in rapid succession in the middle 1930s, these two books shocked European literature and world consciousness. Nominally fiction but more rightly called "creative confessions," they told of the author's childhood in excoriating Paris slums, of service in the mud wastes of World War I and African jungles. Mixing unmitigated despair with Gargantuan comedy, they also created a new style, in which invective and obscenity were laced with phrases of unforgettable poetry. Celine's influence revolutionized the contemporary approach to fiction.

A quest, a war, a ring that would be grounds for calling any wedding off, a king without a kingdom, and a furry little "hero" named Frito, ready - or maybe just forced by the wizard Goodgulf - to undertake the one mission that can save Lower Middle Earth from enslavement by the evil Sorhed. Luscious Elf-maidens, a roller-skating dragon, ugly plants that can soul kiss the unwary to death-these are just some of the ingredients in the wildest, wackiest, most irreverent excursion into fantasy realms that anyone has ever dared to undertake.

When sensible, sophisticated Flora Poste is orphaned at 19, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last 20 years. But Flora loves nothing better than to organise other people.

It takes only one halfling bomb, and Offi Numminen’s world is turned upside-down - or downside-up, really, since he lives in a hole in the ground. His goth cardigans and aggressive melancholy set him apart from the other gnomes, as does his decision to fight back against their halfling oppressors. Suddenly Offi is the leader of a band of lovable misfits and outcasts - from a gryphon who would literally kill for omelets to a young dwarf herbalist who is better with bees than with his cudgel to an assertive and cheerful teen witch with a beard as long as her book of curses.

The character of Bertram “Bertie” Wooster told the stories in first person style. He had a valet who stole some of his silk sox and was discharged. The agency sent replacement Reginald “Reggie” Jeeves. He arrived, mixed a hangover cure that was much needed and accepted, and the two were together from then on. Bertie, rich and toil-free, disliked hard work, some bossy women, and most children. He had a somewhat dingbat friend, Bingo Little, who fell in love with every girl he met.

Chichikov, a mysterious stranger, arrives in the provincial town of 'N', visiting a succession of landowners and making each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying tax on them, and to use these 'dead souls' as collateral to re-invent himself as a aristocrat. In this ebullient picaresque masterpiece, Gogol created a grotesque gallery of human types, from the bear-like Sobakevich to the insubstantial fool Manilov and, above all, the devilish con man Chichikov.

This novel centers on the figure of Ilya Ilyich Oblomov, a member of the dying class of the landed gentry, who spends most of his time lying in bed gazing at life in an apathetic daze, encouraged by his equally lazy servant Zakhar and routinely swindled by his acquaintances. But this torpid existence comes to an end when, spurred on by his crumbling finances, the love of a woman, and the reproaches of his friend, the hardworking Schtoltz, Oblomov finds that he must engage with the real world and face up to his commitments.

Bertie Wooster has taken up the banjolele, but the manager of the building in central London has issued an ultimatum to either give up the music or clear out. Even the faithful Jeeves threatens to leave, so Bertie seeks refuge in the country.

In the bar-parlour of the Angler’s Rest, Mr Mulliner tells his amazing tales, which hold the assembled company of Pints of Stout and Whiskies and Splash in the palm of his expressive hand. Here you can discover what happened to The Man Who Gave Up Smoking, share a frisson when the butler delivers Something Squishy on a silver salver (‘your serpent, Sir,’ said the voice of Simmons) – and experience the dreadful Unpleasantness at Bludleigh Court.

A foundling of mysterious parentage, Tom Jones is brought up by the benevolent and wealthy Squire Allworthy as his own son. Tom falls in love with the beautiful and unattainable Sophia Western, a neighbor’s daughter, whose marriage has already been arranged. When Tom’s sexual misadventures around the countryside get him banished, he sets out to make his fortune and find his true identity.

H.H. Munro (Saki) is one of the undisputed masters of the short story. In this complete compendium, the full gamut of his subjects and themes is experienced. His stories are imbued with humorous satire, biting irony, and often the macabre, all of which have one target: the stupidities and hypocrisies of Edwardian upper-class society.

After his final trip up the river Thames with his three companions - - Harris, George, and Montmorency the dog - - Jerome K. Jerome sat down to write his proposed book, The Story of the Thames. But before he could tackle the work in the serious manner intended, his humor took over and gave birth to a masterpiece of unquenchable comedy. This is a classic of English humor, justifiably loved around the world.