Humor Classics

In the town of Night Vale, there’s a faceless old woman who secretly lives in everyone’s home, but no one knows how she got there or where she came from...until now. Told in a series of eerie flashbacks, the story of The Faceless Old Woman goes back centuries to reveal an initially blissful and then tragic childhood on a Mediterranean Estate in the early 19th century, her rise in the criminal underworld of Europe, a nautical adventure with a mysterious organization of smugglers, her plot for revenge on the ones who betrayed her, and ultimately her death and its aftermath.

According to Max Disher, an ambitious young black man in 1930s New York, someone of his race has only three alternatives: "Get out, get white, or get along." Incapable of getting out and unhappy with getting along, Max leaps at the remaining possibility. Thanks to a certain Dr. Junius Crookman and his mysterious process, Max and other eager clients develop bleached skin that permits them to enter previously forbidden territory. What they discover in white society, however, gives them second thoughts.

Vainqueur Knightsbane is your average dragon: A giant, fire-breathing lizard who loves to take naps on his golden hoard, kidnap princesses for fun, and make the life of adventurers miserable. Vainqueur's only pleasure in life is to watch his treasure get bigger, one coin at a time. So when a would-be thief turned unwilling minion tells him about "classes", "levels", and "quests", Vainqueur wonders if maybe, just maybe, he should consider a career change. After all, why bother hunting monsters for free when you can get paid for it?

Dorothy Hare, the dutiful daughter of a rector in Suffolk, spends her days performing good works and cultivating good thoughts, pricking her arm with a pin when a bad thought arises. She does her best to reconcile her father’s fanciful view of his position in the world with such realities as the butcher’s bill. But even Dorothy’s strength has its limits, and one night, as she works feverishly on costumes for the church-school play, she blacks out. When she comes to, she finds herself on a London street, clad in a sleazy dress and unaware of her identity.

Jeeves, not only a tireless servant to the feckless Bertie Wooster, is the saviour of a good many other individuals as well. The list is long: Bingo Little has cause to be grateful to Jeeves in the affair of the marooned cabinet minister; Sippy Sipperley, when he is persecuted by his former headmaster; Tuppy Glossop, in his foolhardy pursuit of Cora Bellinger the opera singer; not to mention Miss Dalgeish the dog-girl; Bertie's fat Uncle George when he brushes with the lower classes; even the dog McIntosh is returned to the dreaded Aunt Agatha through Jeeves' good offices.

At first, high school freshmen Rex McClendon and Leif Nelson believe what they’ve been told - that local students’ strange demises at Whitewood, a local reformatory, were all tragic accidents. But when the shoot for their low-budget horror masterpiece, PolterDog, goes horribly awry - and their best friend, Alicia Boykins, is sent to Whitewood - Rex and Leif are forced to question everything they know about their unassuming hometown and its cherished school for delinquents.

When an industrial accident unleashes an "airborne toxic event", a lethal black chemical cloud floats over the Gladneys' lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys - radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings - pulsing with life yet suggesting something ominous.

It takes only one halfling bomb, and Offi Numminen’s world is turned upside-down - or downside-up, really, since he lives in a hole in the ground. His goth cardigans and aggressive melancholy set him apart from the other gnomes, as does his decision to fight back against their halfling oppressors. Suddenly Offi is the leader of a band of lovable misfits and outcasts - from a gryphon who would literally kill for omelets to a young dwarf herbalist who is better with bees than with his cudgel to an assertive and cheerful teen witch with a beard as long as her book of curses.

Putting the Grand Quest behind them, the party rides onward in search of answers. Between one member's unexpected new condition and the mysteries of the Bridge, their only hope appears to be gaining entrance to Lumal, said to hold the greatest collection of knowledge in all the kingdoms. But when a curious path appears in a seemingly uninhabited forest, the party finds themselves in a place set apart from the kingdoms, and the world at large: a hidden hamlet, filled by unusual people, all of whom have long histories of their own.

When sensible, sophisticated Flora Poste is orphaned at 19, she decides her only choice is to descend upon relatives in deepest Sussex. At the aptly named Cold Comfort Farm, she meets the doomed Starkadders: cousin Judith, heaving with remorse for unspoken wickedness; Amos, preaching fire and damnation; their sons, lustful Seth and despairing Reuben; child of nature Elfine; and crazed old Aunt Ada Doom, who has kept to her bedroom for the last 20 years. But Flora loves nothing better than to organise other people.

"It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains." So begins Pride and Prejudice and Zombies, an expanded edition of the beloved Jane Austen novel featuring all-new scenes of bone-crunching zombie mayhem.

Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.

In the bar-parlour of the Angler’s Rest, Mr Mulliner tells his amazing tales, which hold the assembled company of Pints of Stout and Whiskies and Splash in the palm of his expressive hand. Here you can discover what happened to The Man Who Gave Up Smoking, share a frisson when the butler delivers Something Squishy on a silver salver (‘your serpent, Sir,’ said the voice of Simmons) – and experience the dreadful Unpleasantness at Bludleigh Court.

Abridged novel depicting the sinister affair of the 18th century cow-creamer and the small, brown, leather-covered notebook tests the Wooster soul as it has never been tested before. Friends and relations, in urgent need, queue up to beg for assistance in a variety of troublesome situations, and ruthless enemies stop at nothing in their determination to bring Bertie down.

Mitchell’s novel follows Brian O’Connal, a young boy growing up in Depression-era Saskatchewan. Curious and eager to explore the impossibly vast Canadian prairie, Brian guides the listener through the inner workings of his small, rural town and its quirky characters. As Brian grows up, navigating faith, loss, and his relationships with his grandmother and his friends, we see him evolve alongside the changing landscape of small-town Canadian life.

A satiric novel by Evelyn Waugh, published in 1930. Set in England between the wars, the novel examines the frenetic but empty lives of the Bright Young Things, young people who indulge in constant party-going, heavy drinking, and promiscuous sex. At the novel's end, the realities of the world intrude, with Adam Fenwick-Symes, the protagonist, serving on a battlefield at the onset of another world war.

Flann O'Brien's most popular and surrealistic novel concerns an imaginary, hellish village police force and a local murder.

Weird, satirical, and very funny, its popularity has suddenly increased with the mention of the novel in the TV series Lost.

Set in Ireland just after World War II, The Ginger Man is J. P. Donleavy's wildly funny, picaresque classic novel of the misadventures of Sebastian Dangerfield, a young American ne'er-do-well studying at Trinity College in Dublin. Dangerfield's appetite for women, liquor, and general roguishness is insatiable - and he satisfies it with endless charm.

In volume II of The Flashman Papers, Flashman tangles with femme fatale Lola Montez and the dastardly Otto Von Bismarck in a battle of wits which will decide the destiny of a continent.

In this volume of The Flashman Papers, Flashman, the arch-cad and toady, matches his wits, his talents for deceit and malice, and above all his speed in evasion against the most brilliant European statesman and against the most beautiful and unscrupulous adventuress of the era.

Switters is a contradiction for all seasons: an anarchist who works for the government, a pacifist who carries a gun, a vegetarian who sops up ham gravy, a cyberwhiz who hates computers, a robust bon vivant who can be as squeamish as any fop, a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior). Yet there is nothing remotely wishy-washy about Switters. He doesn't merely pack a pistol. He is a pistol.