Humor Short

Here is a story collection about love, death, humor, and the glue called family. In one narrative, a man wakes up one morning to find the odor of dead fish won't go away, but no one else can smell it. In another, a couple's visit with friends to watch the Academy Awards has the protagonist envying his friends' lawn and lifestyle. In these and 11 other stories, Christopher Meeks balances tragedy and wit.

A collection of the comic master's early stories of perpetually in-the-soup Bertie Wooster and his unflappable valet Jeeves, including their debut in "Extricating Young Gussie" and all 28 stories from "The Inimitable Jeeves" and "Carry On, Jeeves".

An entertaining and surprising ride through an India you thought you knew.

"Cattivi Soggetti", unica opera letteraria di Luciano Salce per la prima volta in audiolibro letto dal figlio Emanuele, attore e regista. Un'antologia di racconti, di epoche differenti e umori diversi. "Cattivi soggetti" è ovviamente un titolo a doppio uso. Sono cattivi soggetti certi personaggi poco raccomandabili, ma anche soggetti cinematografici cattivi, cioè non piaciuti, non realizzati, cestinati, restituiti (quasi mai) dai produttori ai quali erano stati proposti. E una loro origine cinematografica si può ritrovare nel gusto per l'intreccio, la trovata, la situazione.

By turns humorous and heartbreaking, this debut collection offers weird and wonderful stories that illuminate the hidden truths of life.

Welcome to the peculiar and headlong world of Brian Doyle's fiction, where the odd is happening all the time, reported upon by characters of every sort and stripe. Swirling voices and skeins of story, laughter and rage, ferocious attention to detail and sweeping nuttiness, tears and chortling - these stories will remind listeners of the late giant David Foster Wallace, in their straightforward accounts of anything-but-straightforward events and of modern short story pioneer Raymond Carver, a bit, in their blunt, unadorned dialogue.

Während Fußballweltmeisterschaften versuchen sogar Deutsche, zu Brasilianern zu werden. Spätestens nach dem dritten Caipirinha in praller Sonne spricht man zumindest schon mal so wie Ailton: "Ailton nicht dick, Ailton schießt Tor, wenn Ailton Tor, dann dick egal." Ein Satz, der so quasi auch für mich gilt. So viel Weisheit wie bei Ailton findet man nicht alle Tage. ‚Ailton gut, guter Tag, Ailton nicht gut, morgen neuer Tag.‘ Daran sieht man auch, wirklich große Philosophie braucht keine Verben.

Imagine being famous. Being recognized on the street, adored by people who have never even met you, known the world over. Wouldn’t that be great? But what if, one day, you got stuck in a country where celebrity means nothing, where no one spoke your language and you didn’t speak theirs, where no one knew your face (no book jackets, no TV) and you had no way of calling home? How would your fame help you then? What if someone got hold of your cell phone? What if they spoke to your girlfriends, your agent, your director, and started making decisions for you?

Früher marschierten sie im Stechschritt, heute besuchen sie Bauchtanzkurse: Die Deutschen haben sich ganz schön verändert - nur mit Gefühlen haben sie es noch immer nicht so. Moritz Netenjakob erzählt die lustigsten Geschichten aus dem Alltag - zum Staunen, Wiedererkennen und Lachen. Dabei gelingt ihm das Kunststück, exakte Alltagsbeobachtung, beißende Satire und warmherzige Figurenzeichnung zu einem Panoptikum deutscher Befindlichkeiten zu verweben, das vor allem eins ist: Sehr, sehr komisch.

A smart, deeply satisfying romantic comedy about a woman's obsession with the return of her fiancé's ex. On the Delta Shuttle between New York and Washington, Elise finds herself sitting next to Donald—tall, with dark wavy hair, a big easy smile. She’s left the world of women's magazines in Manhattan for graduate school in D.C. He’s left investment banking to become a teacher. They are both unattached. They exchange stories. They fall in love. One year later they’re headed for an April wedding. Storybook finish? Not quite.

Since its earliest days, The New Yorker has been a tastemaker: literally. As the home of A. J. Liebling, Joseph Wechsberg, and M. F. K. Fisher, who practically invented American food writing, the magazine established a tradition that is carried forward today by irrepressible literary gastronomes, including Calvin Trillin, Bill Buford, Adam Gopnik, Jane Kramer, and Anthony Bourdain. Now, in this indispensable collection, The New Yorker dishes up a feast of delicious writing on food and drink.

Kate and Michael, twenty-something housemates working at the same Trader Joe’s supermarket, are thoroughly screwed when people start turning into zombies at their house party in the Oakland hills. The zombie plague is a sexually transmitted disease, turning its victims into shambling, horny, voracious killers.

Meet smart-aleck Southampton attorney Jackie Swaitkowski. Her business relies on constant movement of Hamptons' real estate market. After making an odd request to evict his sister-in-law from his home, one of her clients turns up dead. Jackie would have expected that to be the end of it, but an envelope found on the corpse contains an item so unusual that she finds herself working on something bigger, and more dangerous, than real estate.

Twisty scares with heart. Ghosts, sea monsters, and a rest home for troublesome witches all feature in this collection of paranormal stories set in Wellington, New Zealand. By turns spooky and laugh-out-loud funny, these tales stew with malevolence and mischief. Climb aboard the ghost bus for a wild ride of sci-fi, fantasy, horror, and humor, and hop off a little more in love with Aotearoa's capital city.

Relatos polisémicos es un conjunto de artículos, o relatos breves, con los que el autor, Miguel Vigil, se desahoga o pretende confundir al lector; ¿quién lo sabe?, si él mismo lo desconoce. El caso es que aquí están, todos juntos en este libro que nunca será un bbeesstt sseelllleerr ((ssuuppeerrvveennttaass, en español, pero en inglés parece más culto)) y que si cometes, lector, la imprudencia de abrirlo con la insana curiosidad de leerlo acabarás haciendo de él, tu libro de cabecera. El que avisa no es traidor. Advertido quedas.

Chuckle along with the best 19th-century humorists, who provide you with tall tales, puns, and witty ripostes. No guarantees of political correctness, but they're sure to tickle your 21st-century funny bone! Beginning with the piece that made Mark Twain famous -- "The Notorious Jumping Frog of Calaveras County" -- and ending with his fanciful "How I Edited an Agricultural Paper," this anthology collects several of Twain's own pieces in addition to tall tales, fables, and satires by 14 of Twain's contemporaries.

Okano, a convenience store employee with a troubled past, is but one of the many unforgettable characters found in this collection of four stories. Among the others are three boys facing a frightening lesson in mortality, a woman using garbage to fill a hole in her heart, and a nurse struggling to cope with the oft-brutal cycle of birth, life, and death. Remaining constant even as it fades in and out of view is the great Mount Fuji, one of Japan’s Three Holy Mountains. It serves as the anchor for these characters’ lives, and for Randy Taguchi’s Fujisan, an exploration of redemption, discovery, loss, and remembrance.

A freight train blinks through time. A tree branch crushes a car. A scientist makes a confession. These stories and more unfold within. Can Edward Norbery escape the wrath of his family’s curse? What will happen when Anna finds a piano while grocery shopping at Costco? And why have soldiers flooded the streets of a quiet suburb on Thanksgiving Day?

Michigan's Upper Peninsula is blessed with a treasure trove of storytellers, poets, and historians, all seeking to capture a sense of Yooper Life from settler's days to the far-flung future. Since 2017, the U.P. Reader offers a rich collection of their voices that embraces the U.P.'s natural beauty and way of life, along with a few surprises.

The thirteen stories in Chris Tarry’s richly imagined debut, How To Carry Bigfoot Home, lay bare the insurmountable forces that determine who we are and who we become. From an out-of-work dragon-slaying father in “Here Be Dragons” to a family arguing aboard a rocket ship in “Topics in Advanced Rocketry,” the stories use fantastic settings, blazing wit, and imaginative circumstances to explore very human truths. The stories work to reconcile the public self with the private heart. To contemplate the monsters we carry home and lay bare for the ones we love the most.