Indian Literature

रवीन्द्रनाथ टैगोर का यह उपन्यास बीसवीं सदी के प्रारम्भिक वर्षों के बंगाल पर केन्द्रित है और उस समय के समाज, राजनीति और धर्म की वास्तविक तस्वीर प्रस्तुत करता है।.

There’s only one item left on Deepa Josyula's high school bucket list: finding the perfect boyfriend. But when her meticulously planned Homecoming proposal crashes and burns thanks to Vik Mehta—both neighbor and long-term nemesis ever since he started their neighborhood prank war—she’s not sure how she’s going to finish the list. To make things even worse, she’s stuck working with Vik on a Student Council committee. So when her grandmother gifts her a jasmine flower and tells her to make a wish, Deepa doesn’t see the harm.

Ten-year-old Geetanjali doesn’t mind singing, but she knows she’ll never be as good as her mother, Aai, or grandmother, Aaji, famous classical singers from India whose celebrity has followed the family all the way to their small town of Deadwood, Michigan, where Geetanjali lives with her aai and her father, Baba.

Payal Mehta has had a crush on popular, athletic, all-around perfect Jonathan Slate ever since he smiled at her in freshman-year Spanish class. At a party during spring break of her junior year, Payal finally works up the courage to ask Jon to hang out. However, her romantic plans are derailed when he vomits on her Keds. Twice. But when Jon offers to take her out to lunch as an apology, Payal is convinced this is the start of their love story.

Lena Sharma is a successful San Francisco restaurateur. An immigrant, she’s cultivated an image of conservatism and tradition in her close-knit Indian community. But when Lena’s carefully constructed world begins to crumble, her ties to her daughter, Maya, and son, Sameer - both raised in thoroughly modern California - slip further away.

தமிழகத்தில் படித்த பெண்கள் படும் அவலத்தை இந்நாவலில் சித்தரித்துள்ளார் திருமதி ராஜம் கிருஷ்ணன். நம் நாட்டு பண்பாட்டை கைவிட இயலாமலும், மேலை நாட்டு நாகரிகத்தையும் முழுமையாகப் பின்பற்ற இயலாமலும் குழம்பித் தவிக்கும் பெண்களின் நிலையை விளக்குகிறது. இந்த சூழலில் சிக்கித் தவிக்கும் பெண்கள் செல்ல வேண்டிய பாதையையும் தெளிவாக்குகிறது இந்நாவல்.

Arise, Awake is the story of young entrepreneurs who started a business while studying in college or right after graduation, turning their backs on lucrative placements to pursue dreams of their own. The ability to start a business is not defined by age or education. It takes energy and passion, an idea and an Internet connection. Your first 'office' could be your very own hostel room.

'Indian-Australian' is not a one-size-fits-all descriptor. Given the depth and richness of diversity of the Indian subcontinent, it is fitting that its diaspora is similarly varied. Growing Up Indian in Australia reflects and celebrates this vibrant diversity. It features contributions from Australian-Indian writers, both established and emerging, who hail from a wide range of backgrounds, religions and experiences. This colorful, energetic anthology offers reflections on identity, culture, family, food and expectations, ultimately revealing deep truths about both Australian and Indian life.

Nikhil is a passive landowner. His houseguest is Sandip, a headstrong anti-imperialist. Between them is Nikhil’s wife, Bimala, dutiful to her conventional husband yet drawn to the fiery independence and bold flirtations of the charismatic Sandip. As Bimala questions her role as a woman and the possibilities for her life outside marriage, the three undergo an emotional struggle that will change their lives forever—just as their country undergoes a radical upheaval of its own.

With direct access to the top Maoist leadership, Rahul Pandita provides an authoritative account of how a handful of men and women, who believed in the idea of revolution, entered Bastar in Central India in 1980 and created a powerful movement that New Delhi now terms India's biggest internal security threat. It traces the circumstances due to which the Maoist movement entrenched itself in about 10 states of India, carrying out deadly attacks against the Indian establishment in the name of the poor and the marginalised.

Billesur Bakriha is a masterpiece of Hindi literature by Suryakant Tripathi Nirala. The book tells the story of Billesur, a goat-herder who struggles to find his place in society. He faces discrimination and poverty and is constantly seeking a way to better his life. Along the way, he encounters love, loss, and the harsh realities of life. This audiobook brings the rich and evocative language of Hindi literature to life, as the story is narrated by a skilled voice actor. Billesur Bakriha is a must-listen for anyone who appreciates thought-provoking and beautifully written literature.

Khushwant Singh's Big Book of Malice brings together some of his nastiest and most irreverent pieces. Witty, sharp, and brutally honest, this collection is certain to delight and provoke listeners of all ages.

Sita has been sent to Valmiki's ashram at Rama's command never to return. This extraordinary novel is her story, she who as much as Rama, is at the heart of the Ramayana, one of the greatest living epics. It is also the story of Lakshmana, crushed by guilt on Sita's abduction of Soorpanakka shocked at Ravana's being struck by love, alien to the rakshasa's code and of Rama's turmoil when confronted by public gossip about Sita, his beloved wife. Through the remembrances of these and other characters, Sita comes alive as a figure of womanhood.

While it lived, the tamarind tree stood at the crossroads of a small village in Southern India. For more than fifty years it was a benevolent observer, offering shade without discrimination. It bore witness to laughter and tears, to tragedy and simple pleasures, and to the history of the village itself as it transformed from the old ways of bullock-led carts to a bustling community of social, political, economic, and ecological change.

रवीन्द्रनाथ टैगोर का उपन्यास चोखेर बाली हिन्दी में ‘आँख की किरकिरी’ के नाम से प्रचलित है। प्रेम, वासना, दोस्ती और दाम्पत्य-जीवन की भावनाओं के भंवर में डूबते-उतरते चोखेर बाली के पात्रों-विनोदिनी.

1919 में प्रकाशित उपन्यास सेवासदन मूलतः उर्दू में लिखा गया था और इसका नाम था, बाज़ारे-हुस्न। इससे पहले मुंशी पे्रमचन्द ने लघु उपन्यास ही लिखे थे और यह उनका पहला महत्त्वपूर्ण उपन्यास था।.

In Calcutta’s notorious red-light district, Lalee aspires to a better life. Her unfailingly loyal client Tilu Shau has dreams too. A heady romantic and marginal novelist, Tilu is in love with the indifferent Lalee and wants to liberate her from her street life with marriage. But when a fellow sex worker and young mother is brutally murdered, the solicitous madam of the Blue Lotus invites Lalee to take the woman’s place “upstairs” as a high-end escort.

Confident fashionista Jia Deshpande spends her days writing cliché-ridden listicles for Mimosa, Mumbai’s top women’s magazine. When she can, Jia dishes about the messy truth of real love on her anonymous blog, attends her family’s weekly game nights, and ignores her true feelings for her childhood friend. If that wasn’t enough, Jia needs to successfully set up a coworker with her perfect match to get the green light for her new matchmaking column. Thankfully, organizing meet-cutes has never been difficult for her.

Following childhood trauma, Susan pursued ever-increasing social and emotional isolation, eventually finding herself living in the Montana wilderness, dissatisfied and uncertain why. Shouldering her backpack, she heads into the woods seeking inspiration, maybe answers. The adventure derails as tragedy forces her to acknowledge festering wounds, confront the scars beneath, and seek catharsis, forgiveness. My Father's Indian: How a Butterfly Split the Oak is a touching amalgamation of the poignant, amusing, and unpredictable, yet ultimately a tale of friendship.

Das Panchatantra gilt als das wichtigste literarische Werk Indiens. Das Buch besteht aus fünf Teilen, die allesamt wiederum aus inein- ander verwobenen, moralischen Fabeln und Gleichnissen bestehen. Die Übersetzung von Dr. Ludwig Fritze ist an vielen Stellen Basis dieser Neufassung, insbesondere in Form der gereimten Zeilen. Die alten Schriften in Pali und Sanskrit waren allesamt in Doppel- versen gefasst, was einerseits das Rezitieren vereinfachte, anderer- seits blieben sie dadurch besser in Erinnerung.