Indigenous American Fiction

Does time heal all wounds? Or do some last forever? Pennsylvania, 1971: Graham Davidson is a young man with survivor’s guilt after the death of three siblings. Estranged from his father and seeking a direction in his life, Graham learns about vision quests from a Crow Indian. He secures seasonal employment in Yellowstone National Park and embarks on a spiritual journey. Wyoming Territory, 1871: Under a full moon at a sacred thermal area, Graham finds himself in Yellowstone a century earlier - one year before it was established as a national park.

Told in a series of voices, Calling for a Blanket Dance takes us into the life of Ever Geimausaddle through the multigenerational perspectives of his family as they face myriad obstacles. His father’s injury at the hands of corrupt police, his mother's struggle to hold on to her job and care for her husband, the constant resettlement of the family, and the legacy of centuries of injustice all intensify Ever’s bottled-up rage. Meanwhile, all of Ever’s relatives have ideas about who he is and who he should be.

On the Flathead Indian Reservation, summer is ending, and Louise White Elk is determined to forge her own path. Raised by her Grandmother Magpie after the death of her mother, Louise and her younger sister have grown up into the harsh social and physical landscape of western Montana in the 1940s, where Native people endure boarding schools and life far from home. As she approaches adulthood, Louise hopes to create an independent life for herself and an improved future for her family—but three persistent men have other plans.

Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside”. Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay”.

Eagle Voice Remembers is John Neihardt's mature and reflective interpretation of the old Sioux way of life. He served as a translator of the Sioux past, whose audience has proved not to be limited by space or time. Through his writings, Black Elk, Eagle Elk, and other old men who were of that last generation of Sioux to have participated in the old buffalo-hunting life and the disorienting period of strife with the U.S. Army found a literary voice.

Missing and Murdered Indigenous Women and Girls is relevant in the news today, rightfully so with the staggering statistics of racism, indifference, and the lack of historical pursuit for justice. This novella is fictionalized accounts of what our Native American women and girls lived through and died by the hands of assailants of all backgrounds that think indigenous women are invisible.

Indir is a Dreamer, descended from a long line of seers; able to see beyond reality, she carries the rare gift of Dreaming truth. But when the beloved king dies, his son has no respect for this time-honored tradition. King Alcan wants an opportunity to bring the Dreamers to a permanent end—an opportunity Indir will give him if he discovers the two secrets she is struggling to keep. As violent change shakes Indir’s world to its core, she is forced to make an impossible choice: fight for her home or fight to survive.

She was named Omakakiins, or Little Frog, because her first step was a hop. Omakakiins and her family live on an island in Lake Superior. Though there are growing numbers of white people encroaching on their land, life continues much as it always has. But the satisfying rhythms of their life are shattered when a visitor comes to their lodge one winter night, bringing with him an invisible enemy that will change things forever—but that will eventually lead Omakakiins to discover her calling.

This carefully researched exploration of Native American culture investigates the complex, often misunderstood histories of hundreds of indigenous peoples. Author James Wilson has drawn from ethnographic and archaeological studies, historical texts, and the rich written and oral traditions of Native Americans to complete this important work.

While back on tribal land, Mud Sawpole uncovers an illegal fracking operation underway that threatens the Kiowas’ ancestral homeland. But there’s an even greater threat: a local businessman involved in artifact thefts is murdered and a respected tribe elder faces accusation of the crime. After being roped in by her cousin, Denny, they begin to investigate the death while also pursuing evidence to permanently stop frackers from destroying Kiowa land, water, and livelihoods. When answers evade her, Mud embraces Kiowa tribal customs to find the answers that she seeks.

Elinor Hanson, a 40-something former model, is struggling to reinvent herself as a freelance writer when she receives an unexpected assignment. Her mentor from grad school offers her a chance to write for a prestigious magazine about the Bakken oil boom in North Dakota. Elinor grew up near the Bakken, raised by an overbearing father and a distant Korean mother who met and married when he was stationed overseas. After decades away from home, Elinor returns to a landscape she hardly recognizes, overrun by tens of thousands of newcomers.

A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author’s encounters with gun violence.

Based upon a 10,000 year old oral tradition, these stories reflect three essential elements of the cumulative wisdom of Paula Underwood's Native American ancestors. "Who Speaks for Wolf" deals with the human impact on the Earth, "Winter White and Summer Gold" deals with planning for the future, "Many Circles, Many Paths" deals with living together in peace.

On an island at the edge of a wide, wild sea, a girl and her grandmother gather gifts from the earth. Salmon from the stream, herring eggs from the ocean, and in the forest, a world of berries. Through the seasons, they sing to the land as the land sings to them. Brimming with joy and gratitude, in every step of their journey, they forge a deeper kinship with both the earth and the generations that came before, joining in the song that connects us all.

This freewheeling black comedy features a bizarre cast of characters, including a Japanese man with a ball floating six inches in front of his head, an American CEO with three arms, and a Brazilian peasant who discovers the art of healing by tickling one’s earlobe with a feather. By the end of this hilarious tale, they each have risen to the heights of wealth and fame, before arriving at disasters—both personal and ecological— that destroy the rain forest and all birds of Brazil.

After a security guard is found dead and another wounded at the Children's Museum of Science and History in Norman, Oklahoma, Detective Monique Blue Hawk and her partner Chris Pierson are summoned to investigate. They find no fingerprints, no footprints, and no obvious means to enter the locked building.

In this enthralling narrative, professor and award-winning author Jeffrey Ostler recounts the Lakota Sioux’s loss of their spiritual homeland and their remarkable legal battle to regain it. Moving easily from battlefields to reservations to Supreme Court chambers, Ostler captures the strength that bore the Lakotas through the worst times and kept alive the dream of reclaiming their cherished lands.

Originally published in 1891, Wynema is the first novel known to have been written by a woman of American Indian descent. Set against the sweeping and often tragic cultural changes that affected southeastern native peoples during the late 19th century, it tells the story of a lifelong friendship between two women from vastly different backgrounds - Wynema Harjo, a Muscogee Indian, and Genevieve Weir, a Methodist teacher from a genteel Southern family.

With heart, pathos, humor, and insight, twenty renowned writers, performers, athletes, and activists explore what it means to be Native American today. Through a series of essays and poems, these luminaries give voice to their individual experiences while shedding light on the depth and complexity of modern Native American identity, resiliency, and joy.

mother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.