Indigenous Australia

In the past the elders had encyclopaedic memories. They could name all the animals and plants across the landscape and the stars in the sky, too. Yet most of us struggle to memorise more than a short poem. Using traditional Aboriginal Australian songlines as the key, Lynne Kelly has identified the powerful memory technique used by indigenous people around the world.

The film Rabbit-Proof Fence is based on this true account of Doris Pilkington's mother Molly, who as a young girl led her two sisters on an extraordinary 1,600 kilometer walk home. Under Western Australia's invidious removal policy of the 1930s, the girls were taken from their Aboriginal families at Jigalong on the edge of the Little Sandy Desert, and transported halfway across the state to the Native Settlement at Moore River, north of Perth. Here Aboriginal children were instructed in the ways of white society and forbidden to speak their native tongue.

In 1769, Captain James Cook’s historic expedition would lead to an English claim on Australia, but before he reached Australia, he sailed near New Zealand and spent weeks mapping part of New Zealand’s coast. Thus, he was one of the first to observe and take note of the indigenous peoples of the two islands.

What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart - sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect.

This book invites you to step into the magical world of Aboriginal Dreamtime and to share in the world's oldest living culture - its ancient knowledge and spiritual wisdom. Inside are Dreamtime concepts that everyone can understand. Come on a journey with Aboriginal elder Aunty Munya as she guides you in discovering your purpose in life and how to walk in the footsteps of our ancestors. Learn what it means to truly belong and be family to everyone and everything.

In this collection of deeply insightful and powerful essays, Chelsea Watego examines the ongoing and daily racism faced by First Nations peoples in so-called Australia. Rather than offer yet another account of ‘the Aboriginal problem’, she theorises a strategy for living in a society that has only ever imagined Indigenous peoples as destined to die out. Drawing on her own experiences and observations of the operations of the colony, she exposes the lies that settlers tell about Indigenous people.

When 17-year-old Jonah arrives in a new town – Patience – with his dad and younger brothers, it feels like a foreign place. A new town means he needs to make new friends - which isn't always easy. Especially when he's wrestling with his body image, and his memories of his mother.

From a young age, Victor Steffensen has had a passion for traditional cultural and ecological knowledge. This was further developed after meeting two Elders, who were to become his mentors and teach him the importance of cultural burning. Developed over many generations, this knowledge shows clearly that Australia actually needs fire. Steffensen's story is unassuming and honest, while demonstrating the incredibly sophisticated and complex cultural knowledge that has been passed down to him, which he wants to share with others.

At just ten years old, Vanessa Turnbull-Roberts was forcibly removed – stolen – from her family, community and kinship systems. After eight years in various out-of-home care placements, Vanessa fled the system, reconnected with kin and returned to country for the very first time.

Soon after Billy Griffiths joins his first archaeological dig as camp manager and cook, he is hooked. Equipped with a historian’s inquiring mind, he embarks on a journey through time, seeking to understand the extraordinary deep history of the Australian continent. Deep Time Dreaming is the passionate product of that journey. It investigates a twin revolution: the reassertion of Aboriginal identity in the second half of the 20th century and the uncovering of the traces of ancient Australia.

Bruce Pascoe has collected a swathe of literary awards for Dark Emu, and now he has brought together the research and compelling first-person accounts in a book for younger listeners. Using the accounts of early European explorers, colonists and farmers, Bruce Pascoe compellingly argues for a reconsideration of the hunter-gatherer label for pre-colonial Aboriginal Australians. He allows the listeners to see Australia as it was before Europeans arrived.

According to the Australian government’s website, at the time of first contact with Europeans, there were some 500 distinct Indigenous nations, speaking different languages and following their own religious and cultural practices. As with all human societies, that of the Indigenous Australians is abounding in stories. Stories of how the world came to be the way it is, stories of heroism and perfidy, stories about animals and birds, and stories about love and hate all have parts to play in the wide array of myths, legends, and tales created by Indigenous Australians.

In 1769, Captain James Cook’s historic expedition in the region would lead to an English claim on Australia, but before he reached Australia, he sailed near New Zealand and spent weeks mapping part of New Zealand’s coast. Thus, he was also one of the first to observe and take note of the indigenous peoples of the two islands.

It is a misconception that indigenous Australians meekly accepted the invasion of their country by the British, for they did not. They certainly resisted, but as far as colonial wars during that era went, the frontier conflicts of Australia did not warrant a great deal of attention. Indigenous Australians were hardly a warlike people, and without central organization or political cohesion beyond scattered family groups, they succumbed to the orchestrated advance of white settlement with passionate but futile resistance.

Gundagai, 1852. The powerful Murrumbidgee River surges through town leaving death and destruction in its wake. It is a stark reminder that while the river can give life, it can just as easily take it away. Wagadhaany is one of the lucky ones. She survives. But is her life now better than the fate she escaped? Forced to move away from her miyagan, she walks through each day with no trace of dance in her step, her broken heart forever calling her back home to Gundagai.

Jamie lives in Dalton's Bay with Aunty Dawn and Uncle Bobby. He spends his downtime hanging out with his mates, Dally and Lenny. Mark Cassidy and his white mates - the Footy Heads - take every opportunity they can to bully Jamie and his friends. On Lenny's last night in town before moving to Sydney, after another episode of racist harassment, Jamie, Dally and Lenny decide to retaliate by vandalising Mark Cassidy's car. And when they discover the keys are in the ignition… Dally changes the plan.

Harley, a man of Nyoongar ancestry, finds himself at a difficult point in the history of his country, family and self. As the apparently successful outcome of his white grandfather's enthusiastic attempts to isolate and breed the ‘first white man born', he wants to be a failure. But would such failure mean his Nyoongar ancestors could label him a success? And how can the attempted genocide represented by his family history be told?

“I love food” Nakkiah Lui says, and in the next breath whispers “so give us back our land”. In First Eat, a confrontational, raw and highly personal exploration of food politics, power and body sovereignty, Nakkiah Lui asks how our meals would look different if First Nations people owned the land from which the food came. First Eat is about more than just food, it’s an aural feast for a rich future.

From one of Australia's leading Indigenous journalists comes a collection of fierce and powerful essays proving why the media need to believe Black witnesses and showcasing ways that journalism can be used to hold the powerful to account and make the world a more equitable place. Black Witness is the essential collection of First Nations journalism that we need right now – and always have.

Inside Cardboard Box 39 at the South Australian Museum’s storage facility lies the forgotten skull of an Aboriginal man who died 85 years before. His misspelled name is etched on the crown, but the many bones in boxes around him remain unidentified. Who was Yokununna, and how did he die? His story reveals the layered, exploitative White Australian mindset that has long rendered Aboriginal reality all but invisible.