Indigenous Fiction

One Good Story, That One is a collection steeped in native oral tradition and shot through with Thomas King's special brand of wit and comic imagination. These highly acclaimed stories conjure up Native and Judeo-Christian myths, present-day pop culture, and literature while mixing in just the right amount of perception and experience.

The film Rabbit-Proof Fence is based on this true account of Doris Pilkington's mother Molly, who as a young girl led her two sisters on an extraordinary 1,600 kilometer walk home. Under Western Australia's invidious removal policy of the 1930s, the girls were taken from their Aboriginal families at Jigalong on the edge of the Little Sandy Desert, and transported halfway across the state to the Native Settlement at Moore River, north of Perth. Here Aboriginal children were instructed in the ways of white society and forbidden to speak their native tongue.

In this followup to his hugely popular Midnight Storm Moonless Sky: Indigenous Horror Stories, Blackfoot storyteller Alex Soop plunges us again into enthralling tales that mix reality with dark terror. Within its stories, Whisper at Night and They Will Come reveals ancient theories of the paranormal, post apocalyptic scenarios, impossible wells of grief, and monstrous phobias. Soop scares the wits out of listeners, all the while uncovering overlooked social anxieties and racism affecting Indigenous Peoples across North America.

Story is told by a narrator who is a psychologist in Indian country. What appears to be a consultation with a patient ends up being a meeting with his teacher, Tarrence. Tarrence proceeds to take the narrator into a dreamtime journey that melts the worldview held by the storyteller. The dream leads the narrator to a place in which the energy generated by ancient dreamers must be balanced. The lack of balance brought on by the power dreamers and their ceremony resulted in the atomic bomb.

Mink is a witness, a shape shifter, compelled to follow the story that has ensnared Celia and her village, on the West coast of Vancouver Island in Nuu’Chahlnuth territory. Celia is a seer who—despite being convinced she’s a little “off”—must heal her village with the assistance of her sister, her mother and father, and her nephews. While mink is visiting, a double-headed sea serpent falls off the house front during a fierce storm. The old snake, ostracized from the village decades earlier, has left his terrible influence on Amos, a residential school survivor.

Blackfoot storyteller Alex Soop plunges us into a shocking well of imagination in this collection of short stories, Midnight Storm Moonless Sky. From hauntings on the Highway of Tears to fearful gatherings of ghosts and the sorrows of racism, Soop combines the social anxieties of Indigenous life with spellbinding flights and frights of speculative fiction. Through these enthralling stories of reality mixed with terror, listeners get a wicked glimpse into the genre of Indigenous horror.

In this enthralling narrative, professor and award-winning author Jeffrey Ostler recounts the Lakota Sioux’s loss of their spiritual homeland and their remarkable legal battle to regain it. Moving easily from battlefields to reservations to Supreme Court chambers, Ostler captures the strength that bore the Lakotas through the worst times and kept alive the dream of reclaiming their cherished lands.

What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart - sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect.

Autobiography as Indigenous Intellectual Tradition critiques ways of approaching Indigenous texts that are informed by the Western academic tradition and offers instead a new way of theorizing Indigenous literature based on the Indigenous practice of life writing.

Catalina de Cerrato is being raised by her widowed father, Don Alonso, in 1551 Guatemala, scarcely thirty years since the Spanish invasion. A ruling member of the oppressive Spanish hierarchy, Don Alonso holds sway over the newly relegated lower class of Indigenous communities. Fiercely independent, Catalina struggles to honor her father and her late mother, a Maya noblewoman to whom Catalina made a vow that only she can keep: preserve the lost sacred text of the Popol Vuh, the treasured and now forbidden history of the K’iche’ people.

The Raven is as much a paradoxical creature as he is important in the myths of many native cultures. The central character of these stories, the Raven is considered the benevolent creator, filling the world with beauty and harmony, the master mind behind all that is good and looked upon with warm admiration. On the other hand, he is often viewed as a malevolent conniving, scheming trickster with self-gratification as his only goal.

The story of how I, Julian Carter, and my precious two-year old son, Stephen, left Atlanta Georgia and found ourselves on a white sailboat, tossed about like a cork on a raging sea off of Australia's northern tip in 1963, is harrowing. But it pales in comparison to what happened deep in the jungle where I was taken as a slave by a savage tribe unknown to the world. Some places dwell in darkness so deep that even God seems to stay away.

In 1851, at a remote village in the Scandinavian tundra, a Lutheran minister known as Mad Lasse tries in vain to convert the native Sámi reindeer herders to his faith. But when one of the most respected herders has a dramatic awakening and dedicates his life to the church, his impetuous son, Ivvár, is left to guard their diminishing herd alone. By chance, he meets Mad Lasse’s daughter Willa, and their blossoming infatuation grows into something that ultimately crosses borders.

A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author’s encounters with gun violence.

In Asalin, fae rule and witches like Wyatt Croft…don't. Wyatt's betrothal to his best friend, fae prince Emyr North, was supposed to change that. But when Wyatt lost control of his magic one devastating night, he fled to the human world. Now a distant Emyr has hunted him down. Despite transgender Wyatt's newfound identity and troubling past, Emyr has no intention of dissolving their engagement. In fact, he claims they must marry now or risk losing the throne. Jaded, Wyatt strikes a deal with the enemy. But as he gets to know Emyr, Wyatt realizes the boy he once loved may still exist.

When Nathan goes to visit his grandma, Nali, at her mobile summer home on the Navajo reservation, he knows he’s in for a pretty uneventful summer, with no electricity or cell service. Still, he loves spending time with Nali and with his uncle Jet, though it’s clear when Jet arrives that he brings his problems with him. One night, while lost in the nearby desert, Nathan finds someone extraordinary: a Holy Being from the Navajo Creation Story - a Water Monster - in need of help.

The Narrows of Fear (Wapawikoscikanik) navigates the unsettling, but necessary. When love of, and respect for, culture goes awry, it is our indigenous women who bring us back to what is important. This novel is an interweaving of stories centered on a range of characters, both male and female, though the women, for the most part, are the healers. Though several were abused both in their own community and in residential schools, these women are smart and loving and committed to helping one another.

In this moving middle-grade novel drawing upon Umpqua author Charlene Willing McManis's own tribal history, Regina must find out: Who is Regina Petit? Is she Indian? Is she American? And will she and her family ever be okay?

Does time heal all wounds? Or do some last forever? Pennsylvania, 1971: Graham Davidson is a young man with survivor’s guilt after the death of three siblings. Estranged from his father and seeking a direction in his life, Graham learns about vision quests from a Crow Indian. He secures seasonal employment in Yellowstone National Park and embarks on a spiritual journey. Wyoming Territory, 1871: Under a full moon at a sacred thermal area, Graham finds himself in Yellowstone a century earlier - one year before it was established as a national park.

Whirlwind, the twin brother of Stone, disappears during a raid into northeastern New Spain. So Stone brings together Cheyenne, Kiowa, and Gataka warriors to go after his missing brother - but there are many things between earth and sky that oppose his quest.