Indigenous Politics

In the autumn of 1878, a band of Cheyenne Indians set out from Indian Territory, where they had been sent by the US government, to return to their homeland in Yellowstone country. Mari Sandoz tells the saga of their heartbreaking fifteen-hundred-mile flight.

Tiki is a God who in the dim long ago helped to build the world, and the whose carved image is now supporting the middle pillar of the house. His eyes of pawa-shell, which once commanded in the Ten Heavens and were full of fire and wisdom, glisten out of the silent twilight; they stare far, far into the Darkness, which Hine-nui-te-po is slowly spreading over the world; Hine-nui-te-po, the Great Mother of Night, who at one time was young and beautiful, and gave Life to Nature.

The tragedy of our Indian policies demands reexamination immediately - not only because they make the lives of millions of American citizens harder and more dangerous - but also because they represent a microcosm of everything that has gone wrong with modern liberalism. They are the result of decades of politicians and bureaucrats showering a victimized people with money and cultural sensitivity instead of what they truly need-the education, the legal protections, and the autonomy to improve their own situation.

In the 1950s, a young Ngāhuia is fostered by a family who believe in hard work and community. Although close to her kuia, she craves more: she wants higher education and refined living. But whānau dismiss her dreams. To them, she is just a show-off, always getting into trouble, talking back and running away. In this fiery memoir about identity and belonging, Ngāhuia te Awekōtuku describes what was possible for a restless working-class girl from the pā.

In a world that requires knowledge and wisdom to address developing crises around us, The Gatherings shows how Indigenous and non-Indigenous peoples can come together to create meaningful and lasting relationships.

“I love food” Nakkiah Lui says, and in the next breath whispers “so give us back our land”. In First Eat, a confrontational, raw and highly personal exploration of food politics, power and body sovereignty, Nakkiah Lui asks how our meals would look different if First Nations people owned the land from which the food came. First Eat is about more than just food, it’s an aural feast for a rich future.

David E. Stuart incorporates extensive new research findings through groundbreaking archaeology to explore the rise and fall of the Chaco Anasazi and how it parallels patterns throughout modern societies in this new edition.

Drawing on archeological and ethno-historical evidence, Irving Rouse sketches a picture of the Tainos-the first people Columbus encountered when he arrived in the Americas-as they existed during the time of Columbus, contrasting their customs with those of their neighbors. He then moves backward in time to the ancestors of the Tainos-two successive groups who settled the West Indies and who are known to archeologists as the Saladoid peoples and the Ostionoid peoples.

This volume will revise the way we look at the modern populations of Latin America and North America by providing a totally new view of the history of Native-American and African-American peoples throughout the hemisphere. Africans and Native Americans explores key issues relating to the evolution of racial terminology and European colonialists' perceptions of color, analyzing the development of color classification systems and the specific evolution of key terms such as black, mulatto, and mestizo, which no longer carry their original meanings.

The belief that all life-forms are interconnected and share the same breath - known in the Rarámuri tribe as iwigara - has resulted in a treasury of knowledge about the natural world, passed down for millennia by native cultures. Ethnobotanist Enrique Salmon builds on this concept of connection and highlights 80 plants revered by North America's indigenous peoples. Salmon teaches us the ways plants are used as food and medicine, the details of their identification and harvest, their important health benefits, plus their role in traditional stories and myths.

A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author’s encounters with gun violence.

Speaking from the cultural viewpoint of the Lakota of the northern Plains, the author discusses the evolution of native cultures to fit within the environment and adapt to it, as opposed to changing it drastically or wholesale to fit human needs and comforts. He suggests that changing our contemporary thinking in relating to the earth in a less harmful way does not mean a drastic change in lifestyles....

Settler capitalism has been so effective that the very identities of Indigenous people have been usurped, misconstrued, and weaponized. In Who Gets to Be Indian?, scholar and writer Dina Gilio-Whitaker (Colville Confederated Tribes) explores how ethnic fraud and the commodification of Indianness has resulted in mass confusion about what it means to be Indigenous in the United States.

Long before it came to be known as Duluth, the land at the western tip of Lake Superior was known to the Ojibwe as Onigamiising, "the place of the small portage." There the Ojibwe lived in keeping with the seasons, moving among different camps for hunting and fishing, for cultivating and gathering, for harvesting wild rice and maple sugar. In Onigamiising Linda LeGarde Grover accompanies us through this cycle of the seasons, one year in a lifelong journey on the path to Mino Bimaadiziwin, the living of a good life.

Dr. Paul Callaghan belongs to the land of the Worimi people who live north of Sydney along the east coast of Australia. Raised to live the western way, Paul found himself mired in deep depression—struggling to find meaning while raising a family and working as a senior education executive. Desperate to break free of his restlessness, he made a drastic change: He “went bush” and connected with his elders to “walk Country” and learn Aboriginal traditions. Twenty years later, Paul is an expert healer and spiritual guide eager to share the wisdom of his ancestors and the insights he discovered.

Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

Pine Ridge Indian Reservation is home to the original people of this land, yet it is also one of the poorest communities in America. Through intimate and vulnerable memoir, Lakota twin sisters Sarah Eagle Heart and Emma Eagle Heart-White recount growing up on the reservation and overcoming enormous odds, first as teenage girls in a majority-white high school, and then battling bias in their professional careers. Woven throughout are self-help strategies centering women of color, that combine marginalized histories, psychological research on trauma, and perspectives on decolonial therapy.

Feared by settlers and natives alike, the Shawnee tribe have been misunderstood by people throughout history. Who were these conservative people? What was their daily life like? How were their villages organized? This informative book will answer these questions and more in the first volume of the We are Shawnee series.

This carefully researched exploration of Native American culture investigates the complex, often misunderstood histories of hundreds of indigenous peoples. Author James Wilson has drawn from ethnographic and archaeological studies, historical texts, and the rich written and oral traditions of Native Americans to complete this important work.

From the ancient indigenous narratives of "The Dreamtime" in Australia to the classical founding tales of some of the greatest empires of Western antiquity, these accounts are at once creative works of art as well as valuable sources of early history and sociology. Terri-ann White has brought together a range of fascinating stories from around the world. Each reflects familiar and universal themes such as humor, fear, lust, familial love, romantic love, mortality, a reverence for the divine, and a preoccupation with the meaning of life.