Ireland Historical Fiction

A reckless warrior, Kieran Broderick was half-Irish, yet bound to fight for the English crown. So when King Henry decreed that he take an Irish wife to quell rebellion there, he had little choice. Newly dubbed the earl of Kildare, Kieran travels to Langmore Castle, seat of the lawless O'Shea family, to choose a bride. When he picks Maeve, a fetching lass who seems sweetly submissive, he soon learns she's a fiery, clever woman. When she refuses to allow him into her bed or her heart, he finds himself fighting the most daunting battle of his life.

The Dolan brothers live by their wits, jumping freight trains, and lining up for day work at crooked job agencies. While 16-year-old Rye yearns for a steady job and a home, his dashing older brother Gig dreams of a better world, fighting alongside other union men for fair pay and decent treatment. Enter Ursula the Great, a vaudeville singer who performs with a live cougar, and who introduces the brothers to a far more dangerous creature: A wealthy mining magnate who will stop at nothing to keep his wealth and his hold on Ursula.

When farmers cutting turf in an Irish peat bog make a grisly discovery, the perfectly intact body of a young woman with long red hair, archaeologist Cormac O'Callaghan and pathologist Nora Gavin are thrown together by their shared scientific interest in human remains. Because of the preservative effect of the bog, it is difficult to tell whether the body has lain there for two decades, two centuries, or two millennia.

Jack and Annie are off in search of another story in jeopardy, this time at a monastery in ancient Ireland. Trouble arrives when Vikings land, and Jack and Annie must find a way to escape!

On the mist-shrouded Isle of Hibernia, now known as Ireland, 26 years have passed since the murder of the high king, Fiacha Finnolach. The usurper Elim of Ulster’s promises of peace and prosperity have come to naught, as drought and famine afflict the land. Across the Irish Sea, the Roman Governor of Britannia, Julius Agricola, is met with an intriguing proposition. Fiacha’s son, Tuathal Techtmar, born when his pregnant mother fled into exile, has grown to manhood. He seeks the aid of Rome in avenging his father and becoming High King of Hibernia.

The Abbey of Imleach, in the southwest Irish kingdom of Muman, now rivals Armagh as the centre of the faith in Ireland. For the founder of the abbey was none other than St Ailbe, the man who brought Christianity to Muman, converted its king and baptised him at Cashel in AD448. But now, calamity has struck the community of the abbey. Not only has an elderly monk suddenly disappeared, but the holy relics of St Ailbe have also vanished. These sacred relics are not just the concern of the abbey's community but are a priceless icon and political symbol of the entire kingdom....

The Yellow House delves into the passion and politics of Northern Ireland at the beginning of the 20th century. Eileen O'Neill's family is torn apart by religious intolerance and secrets from the past. Determined to reclaim her ancestral home and reunite her family, Eileen begins working at the local mill, saving her money and holding fast to her dream. As war is declared on a local and global scale, Eileen cannot separate the politics from the very personal impact the conflict has had on her own life.

TOOTS is the unforgettable tale of one woman's path to self-discovery. From the time she traveled from the shores of her home in Ireland and crossed the sea to America at the age of ten, Annie Smith worked to support herself. And just when she thinks her life is settled, and it's as good as it gets, she unexpectedly meets a handsome homesteader who sweeps her off to the plains of Nebraska for a life she never could have imagined.

AD 664: Sister Fidelma finds herself in the seaport of Genua, en route from Rome back to her native Cashel. Her old teacher, Brother Ruadán, lies dying in the abbey of Bobium - an isolated abbey in a disturbed country where even the Christians are in bloody conflict with one another and the worship of the pagan gods often prevails. Fidelma is determined to see Brother Ruadán before he dies. But from the moment she enters the beautiful valley of the Trebbia, there is danger on every side.

Lion of Ireland was the breathtaking chronicle of Brian Boru, the Great King who led the bickering chiefs of Ireland in 1014 to unity under his reign. Now, with all the fire and brilliance for which her writing is known, Morgan Llywelyn takes us there, to the battlefield where Brian died, and to Brian's 15-year-old son, Donough, whose mother is the voluptuous and treacherous Gormlaith, with her lust for life and power undiminished by age: Donough, the son who is determined to make the High Kingship of Brian Boru's Ireland his own.

Jack and Annie are on their third mission to find (and inspire!) creative people to bring happiness to others through the arts (Mozart and Louis Armstrong so far). Set in Ireland, in this story Jack and Annie meet an Irish girl and go on a magical adventure that changes the girl's life. She grows up to be Lady Gregory, who helped bring back the Irish legends, started a theater, and helped the Irish people regain both their heritage and their pride.

It is AD 670, and Bishop Leodegar has called the church leaders together for an emergency meeting. But a fierce row breaks out, and the assembly descends into chaos. Later that evening one of the delegates is discovered murdered, his skull brutally smashed. Sister Fidelma and her companion, Brother Eadulf, unwittingly find themselves in the middle of a shocking murder investigation involving the most powerful religious leaders in the land. The disappearance of women and children and rumours of a slave trade indicate malevolent forces at work.

Sister Fidelma has been sent by her brother, king of Cashel, to Laisre, chieftain of Gleann Geis - the 'forbidden valley' - to negotiate permission to build a Christian church and school in his territory, replacing the pagan Druidic sanctuaries. Laisre is known to be hostile to the new religion, and Fidelma knows her mission will be no easy task. Entering Gleann Geis with the Saxon Brother Eadulf, she comes across the naked, slain bodies of thirty-three young men, positioned in a sunwise circle.

Arriving home from a pilgrim voyage, Sister Fidelma hears that her faithful Saxon companion, Brother Eadulf, is under sentence of death for murder. She hastens to the capital of Laigin, where he is being held, determined to appeal against the sentence. The crime took place at the abbey of Fearna, where Fidelma clashes with the sinister Abbess Fainder. The evidence against Eadulf seems overwhelming - can he actually be guilty? Will Fidelma's emotional involvement blind her in her desperate search for the truth?

When Nepommuck is found with a dagger in his back, Henry Higgins becomes Scotland Yard’s prime suspect. However, Eliza learns that most of Nepommuck’s pupils had a reason to murder their blackmailing teacher. As another suspect turns up dead and evidence goes missing, Eliza and Higgins realize the only way to clear the Professor’s name is to discover which of Nepommuck’s many enemies is the real killer.

February, AD 668, and Cashel is full of distinguished visitors. Under the old Irish custom, Fidelma of Cashel and Eadulf of Seaxmund's Ham, having been joined together for a year and a day, are to be married. But on the eve of the ceremony, the pious Abbot Ultán is found murdered in his chamber. Worse still - one of the most distinguished guests, the King of Connacht, is seen fleeing from the scene and charged with the murder. He demands his right to appoint Fidelma in his defence.

January, 1932: Ben MacCarthy and his father watch a vagabond variety revue making a stop in the Irish countryside. Ben's father, mesmerized by Venetia Kelly, the troupe's magnetic headliner, makes a fateful decision: to abandon his family and set off on the road with Miss Kelly and her caravan. Ben's mother, shattered by the desertion, exhorts "find him and bring him back", thereby sending the boy on a Homeric voyage into manhood.

Ireland. AD 672. The Feast of Beltaine is approaching, and the seven senior princes of the kingdom of Muman are gathering at Cashel to discuss King Colgú's policies. Just days before the council meets, Brother Conchobhar, the keeper of the sacred sword, is found murdered. Sister Fidelma and her brother, Colgú, fear that the killer had been trying to steal the sword that symbolises the king's authority to rule.

It’s 1849 on the west coast of Ireland. Resilient Honora O’Donoghue is accustomed to fending for herself and to reading the language of the natural world. It was always said she’d been marked for something different, but it’s not until she suffers devastating losses in a country gripped by the Famine that Honora begins to understand how that difference will save her. With the hope of a better life in America calling, Honora keeps moving toward her freedom.

A servant has been murdered and the baby in her charge abducted. Fidelma of Cashel has solved even more horrendous crimes in her career as an advocate of the ancient Brehon Courts of Ireland. But this case is different. For both Sister Fidelma and her companion, Brother Eadulf of Saxmund's Ham, the case is unique because of the personal emotions involved. The baby who has been abducted is their own son. What is the motive for their crime? Could someone seeking vengeance on Fidelma and Eadulf have done the deed? They have made a lot of enemies in their pursuit of justice.