Ireland Historical Fiction

Bytown, 1836: The lawless cesspool that will become the city of Ottawa is beginning to reek of more than just swamp water. Rife with squalor, corruption, and organized crime, class injustice divides the town more starkly than the canal that bisects it, cutting off its Irish poor—who are ready to fight back. On a homestead in the woods near Bytown, a domestic drama is also reaching a fever pitch

Born into a respected Irish-Anglo family in 1860, Charles loves his native land and its long-suffering but irrepressible people. As a healer, he travels the countryside dispensing traditional cures while soaking up stories and legends of bygone times - and witnessing the painful, often violent birth of land-reform measures destined to lead to Irish independence. At the age of 40, summoned to Paris to treat his dying countryman - the infamous Oscar Wilde - Charles experiences the fateful moment of his life.

This is the tale of the coming of the Irish to Ireland, and of the men and women who made that emerald isle their own.

Summer comes to Ireland, and an uneasy peace holds at Loch Garman. The Northmen, eager to get to sea, work relentlessly on their ships, with the aid of their unlikely allies, the Irish, who are just as eager to see them go. But not everyone is willing to just let them sail away. Certain that God demands the heathens be punished, the one-eyed warrior turned monk Brother Becc is determined that Thorgrim and his men will not simply go free. And when another band of raiders arrives, Becc finds the excuse he needs to take action.

Born in the slums of Dublin in 1901, his father a one-legged whore-house bouncer and settler of scores, Henry Smart has to grow up fast. By the time he can walk he's out robbing, begging, often cold, always hungry, but a prince of the streets. At 14, already six-foot-two, Henry's in the General Post Office on Easter Monday 1916, a soldier in the Irish Citizen Army, fighting for freedom.

Having escaped capture in London, Bridget and Cormac flee to Ireland with their daughter, Emily. Their homecoming is bittersweet as they embark upon the daunting task of searching for Cormac’s family, who have been missing for over seven years. Their journey takes them back to the familiar surroundings of the Oakleigh Estate in Carlow, but their childhood home has become a different place to the one they remember. As they confront the consequences of Bridget’s embittered mother’s actions, they must also come to terms with an agonizing choice between family and duty.

Edward Rutherfurd has introduced millions of readers to the human dramas that are the lifeblood of history. From his first best seller, Sarum, to the number-one best seller London, he has captivated audiences with gripping narratives that follow the fortunes of several fictional families down through the ages. The Princes of Ireland, a sweeping panorama steeped in the tragedy and glory that is Ireland, epitomizes the power and richness of Rutherfurd's storytelling magic.

The Dolan brothers live by their wits, jumping freight trains, and lining up for day work at crooked job agencies. While 16-year-old Rye yearns for a steady job and a home, his dashing older brother Gig dreams of a better world, fighting alongside other union men for fair pay and decent treatment. Enter Ursula the Great, a vaudeville singer who performs with a live cougar, and who introduces the brothers to a far more dangerous creature: A wealthy mining magnate who will stop at nothing to keep his wealth and his hold on Ursula.

Somewhere in the shadowy borderland between myth and history lies the territory of Finn Mac Cool. Mightiest of the Irish heroes, leader of the invincible army of Fianna, he was a man of many faces: warrior, poet, lover, creator, and destroyer. Finn Mac Cool is a man taken from one of the lowest classes of Irish society, driven by ambition and strength to rise above his birth and bring new respect and status to his people. He had it all and lost it all, but in the end he gained immortality. Finn Mac Cool is a novel of sweeping historical grandeur and awesome adventure.

From New York Times bestselling author Owen King, who “writes with witty verve” (Entertainment Weekly) comes a “richly imagined” (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine.

The Yellow House delves into the passion and politics of Northern Ireland at the beginning of the 20th century. Eileen O'Neill's family is torn apart by religious intolerance and secrets from the past. Determined to reclaim her ancestral home and reunite her family, Eileen begins working at the local mill, saving her money and holding fast to her dream. As war is declared on a local and global scale, Eileen cannot separate the politics from the very personal impact the conflict has had on her own life.

The Abbey of Imleach, in the southwest Irish kingdom of Muman, now rivals Armagh as the centre of the faith in Ireland. For the founder of the abbey was none other than St Ailbe, the man who brought Christianity to Muman, converted its king and baptised him at Cashel in AD448. But now, calamity has struck the community of the abbey. Not only has an elderly monk suddenly disappeared, but the holy relics of St Ailbe have also vanished. These sacred relics are not just the concern of the abbey's community but are a priceless icon and political symbol of the entire kingdom....

The year 1921 is the year of the Irish Civil War and the year of the separation of Ireland into two nations, south and north. The central character is Henry Mooney, a journalist (based upon the author's grandfather), who struggles for truth in his reporting during the terrible conflict, and falls in love with an Englishwoman in Ireland in the midst of political and military horrors.

For centuries the Túatha Dé Danann lived in peace on an island where time flowed more slowly and the seasons were gentle - until that peace was shattered by the arrival of invaders. The Gaels, the Children of Milesios, came looking for easy riches and conquest, following the story of an island to the west where their every desire could be granted. They had not anticipated that it would already be home to others, and against the advice of their druids, they began to exterminate the Túatha Dé Danann.

Driven ashore on the coast of Ireland, their longships nearly wrecked by the gods who seem unwilling to let them leave, Thorgrim Night Wolf and his band of Northmen once again face a fight for their survival. Helpless without their ships, they must find some refuge in that hostile country and begin the laborious work of making the vessels seaworthy again. But for all the shipbuilding skills that Thorgrim and the others possess, there is one thing they cannot do - weave cloth to replace the sails shredded in the gale that drove them ashore.

In 1972, Morgan Llywelyn tells the story of Ireland from 1950-1972 as seen through the eyes of young Barry Halloran, son and grandson of Irish revolutionaries. Northern Ireland has become a running sore, poisoning life on both sides of the Irish border. Following family tradition, at 18, Barry joins the Irish Republican Army to help complete what he sees as "the unfinished revolution". But things are no longer as clear cut as they once were.

A Cottage in Donegal opens in 1919 with a rural Irish woman writing about her husband’s death and burial. In the depth of her grief, as Mary is all alone in their bedroom for the first time in over 50 years, she feels the intense need to record everything so that she will not forget him. Almost 10 years later, she finds the account that she wrote of those long, heart rending days at the bottom of her own knitting basket. She decides to write the story of her life so that her posterity will appreciate the strong legacy that was passed on to them.

In mid-nineteenth-century Ireland, a small girl arrives on the same dock her mother departed from six years earlier. Laoise Hogan is alone, traumatized, and bearing letters from her mother addressed to the man who abandoned them. Sir Lucius O’Brien, 5th Baronet, 13th Baron Inchiquin, is summoned to Dublin by an orphan society. He finds himself face to face with a small girl whose haunted face looks eerily similar to his brother's.

The struggle of the Irish people for independence is one of the compelling historical dramas of the 20th century. 1949 tells the story of Ursula Halloran, a fiercely independent young woman who comes of age in the 1920s. The tragedy of Irish civil war gives way in the 1920s to a repressive Catholic state led by Eamon De Valera. Married women cannot hold jobs, divorce is illegal, and the IRA has become a band of outlaws still devoted to and fighting for a Republic that never lived.

In the mid-nineteenth century, Ciarán McCrohan moves to the small remote island of Inishean to take over the position of lighthouse keeper. But there is one catch: he needs a wife. On the edge of Europe, shielded from the potato blight and ensuing famine that rages in Ireland, two young people find refuge both in their small community and in each other. Almost two centuries later, Josh O’Brien’s happy life in Ireland is threatened, despite the efforts of his new family. But there is someone who will stand above the others to secure his future.