Irish American

1943: Europe is at war - but neutral Ireland is isolated from the storm. In a sleepy coastal village south of Dublin, eighteen-year-old Aileen Sweeney meets soldier Niall O’Rourke at a dance, and the spark between them soon ignites a powerful love. But when Niall makes a life-changing and contentious decision, Aileen’s hopes and dreams fall apart. In an instant Niall is transformed from dashing suitor to social outcast, and the fallout leaves each of them navigating the consequences alone. Putting her innocence behind her, Aileen must make her own tough choices.

AVA : 22 ans, mal dans sa peau, récemment installée à Hong Kong. Enseigne la grammaire anglaise à de riches écoliers pour un salaire de misère, a un fort accent irlandais et déteste ses colocataires. JULIAN : Banquier. Anglais. Cynique. Aime plutôt bien Ava, la couvre de cadeaux et lui propose très vite de s'installer dans la chambre d'amis de son luxueux appartement de fonction. EDITH : Ambitieuse et brillante. Avocate. Rencontre Ava alors que Julian est à l'étranger. Et c'est là que tout devient plus excitant.

In the village of Iping, a strange man arrives at a local inn wrapped in bandages. He refuses to leave his room where he is carrying out experiments to make himself invisible. The stranger's success has grave implications for everyone. When he realises that he cannot reverse the experiment, he is gradually driven insane.

Anna Hall was a beautiful and skilled Second World War air force operative, guiding RAF pilots during the Battle of Britain - before a bomb killed her sister and left her disfigured. In the aftermath, haunted by her failure to keep her sister safe, Anna retreats to a posting in the countryside - until a chance encounter spins her life in a new direction.

Susan has everything she ever wanted. A loving husband, an angelic daughter and the cottage of her dreams in County Cork. Her picture-perfect life seems too good to be true. And it is. At a housewarming party with their new neighbours, her daughter Amelia goes missing. As friends become suspects, Susan’s life spirals out of control. And when Amelia’s yellow cardigan is dredged from the lake, every parent’s worst nightmare suddenly seems horribly real. In the aftermath of Amelia’s disappearance Susan and her husband Paul are not themselves. Someone is hiding something.

Kate and Scott’s marriage has always been a lot of fun, with alcohol at the heart of it. After all, what’s more entertaining than a good laugh and a large drink…or six? But recently, those relaxing drinks have become more crutch than comfort - and the couple have almost forgotten how to talk to each other sober. Then their teenage daughter Holly uploads a video of their humiliating drunken escapades, which gets picked up by YouTube superstar PinkyPud - and goes horrifyingly viral.

Becky’s father is not just absent: he’s a total mystery, a hole in her life. He died before she was born and for her mother, Laura, the subject is strictly off-limits. When Laura books a spontaneous trip to Greece, Becky decides to join her, determined to get closer to her mother - and to the truth. But as they make their way to the island of Santorini, it becomes clear that this holiday is not as impulsive as Becky thought. Laura’s hiding something from her daughter - and she’s been hiding it for Becky’s whole life.

As a widowed mother of three, new love seems impossible for Freya - until she meets Duncan, and suddenly she feels alive again. While Freya’s older children are less than welcoming, six-year-old Sophie helps Duncan find his place in the family - but even Sophie harbours fears that threaten to overshadow any chance of a new start. The past is hard to leave behind when pictures of Freya’s idolised late husband hang in every room, and the more Duncan tries to find the source of Sophie’s anxiety, the more he is convinced that Reuben was not the perfect husband and father Freya remembers.

Devastated by a broken engagement, Stella Jackson leaves her old life behind for a new start in rural Scotland. But when she arrives in the remote coastal village of Arisaig, nothing is what she expected. At the edge of Arisaig sits Munro House; grand, imposing and said to be cursed by a string of tragic deaths. No less intriguing is its eccentric and handsome young owner, Jamie Munro, who hires Stella as his assistant while he pursues a seemingly impossible aim.

Morton Hall, with its beautiful, ruined grounds and its reclusive mistress, Emilia Morton, is full of mysteries. For freelance editor Anne Marie, the wild garden has become a serene and secret refuge from her loveless marriage. The only other regular visitor is Cape, the hall's part-time gardener, who is forbidden to tend to anything except the magnificent maze or to meet his enigmatic employer. When Emilia dies, Cape and Anne Marie are astonished to find themselves among an unlikely group of villagers named in her strange will.

1984. Bessie is a confident sixteen-year-old girl with the world at her feet, dreaming of what life will bring and what she’ll bring to this life. Then everything comes crashing down. Her bright and trusting smile is lost, banished by shame - and a secret she’ll carry with her for the rest of her life. 2021. The last thirty-seven years have not been easy for Bess. At fifty-three she is visibly weary, and her marriage to Mario is in tatters. Watching her son in newlywed bliss - the hope, the trust, the joy - Bess knows it is time to face her own demons.

The Beetle tells the tale of an evil, ancient Egyptian spirit seeking revenge on an up-and-coming British politician, Paul Lessingham. The shape-shifting creature that pursues Lessingham is possessed of hypnotic powers and takes different forms, both male and female, as well as morphing into a beetle - a figure that induces terror in its victims.

Fifteen-year-old Esperance Darbois, the only daughter of philosophy professor François Darbois, is determined to become a woman of the stage. But becoming an actress will sully the respectability of the Darbois family, damage her marriage prospects, and harm her father’s distinguished reputation.

Белый клык - приключенческая повесть Джека Лондона, главным героем которой является волк по кличке Белый Клык. Впервые произведение было опубликовано в нескольких номерах журнала The Outing Magazine с мая по октябрь 1906 года.

После долгих лет напряженной работы, в 1950 году, после десятилетнего перерыва, увидел свет роман Эрнеста Хемингуэя "За рекой в тени деревьев". Критика назвала роман неудачным, слишком сентиментальным, манерным.

Увлекательная история о приключениях человека, чудом выжившего после кораблекрушения и волею судьбы оказавшегося на острове, который он посчитал необитаемым, появилась на свет в 1719 году. Эта книга стала первым романом шестидесятилетнего публициста и коммерсанта Даниэля Дефо.

Роман "Зеленые холмы Африки" увидел свет в 1935 году и еще больше упрочил славу писателя. Книга стала очередной отметкой в его послужном списке настоящего мужчины. Эта автобиографическая история основана на воспоминаниях Хемингуэя о сафари в африканских степях.

Впервые дебютный роман Эрнеста Хемингуэя "Фиеста" был опубликован в 1926 году, в США. И кто знает, не напиши Хемингуэй свою "Фиесту", возможно праздник Святого Фермина, проходящий с 6 по 14 июля в Памплоне, и не стал бы таким популярным событием, каким является сегодня.

Rainbow Valley was written in 1919 by L. M. Montgomery for the series that began with Anne of Green Gables. Anne and Gilbert's children are growing up! Their new friends, the Merediths, live in the Manse nearby. When the Merediths aren't playing in the graveyard or riding pigs through town, they meet up with the Blythes to play, fish, and study insects in Rainbow Valley!

The late 16th-century penal debt bond, which allowed an unsatisfied creditor to seize the body of his debtor, set in motion a series of precedents that would shape the legal, philosophical, and moral issue of property-in-person in England and America for centuries. Focusing on this historical juncture at which debt litigation was not merely an aspect of society but seemed to engulf it completely, Of Bondage examines a culture that understood money and the body of the borrower as comparable forms of property that impinged on one another at the moment of default.