Irish Literary Fiction

In An Irish Country Christmas, the third book in Patrick Taylor's Irish Country Books, Barry Laverty, M.B., is looking forward to his first Christmas in the cozy village of Ballybucklebo, at least until he learns that his sweetheart, Patricia, might not be coming home for the holidays. That unhappy prospect dampens his spirits somewhat, but Barry has little time to dwell on his romantic disappointments. Christmas may be drawing nigh, but there is little peace to be found on earth, especially for a young doctor plying his trade in the emerald hills and glens of rural Ireland.

Barry Laverty, M.B., can barely find the village of Ballybucklebo on a map when he first sets out to seek gainful employment there, but already he knows that there is nowhere he would rather live than in the emerald hills and dales of Northern Ireland. The proud owner of a spanking-new medical degree and little else in the way of worldly possessions, Barry jumps at the chance to secure a position as an assistant in a small rural practice. At least until he meets Dr. Fingal Flahertie O'Reilly.

Love is in the air in the colourful Ulster village of Ballybucklebo, where Dr. Fingal Flahertie O'Reilly has finally proposed to the darling of his youth, Kitty O'Hallorhan. There's a wedding to be planned, but before O'Reilly can make it to the altar, he and his young colleague, Barry Laverty, M.B., must deal with the usual round of eccentric patients—and crises both large and small.

Fans of Taylor's bestselling Irish Country novels know Dr. Fingal Flahertie O'Reilly as the irascible senior partner of a general practice in the colorful Irish village of Ballybucklebo. Newly married to his once long-lost sweetheart, he's ready to settle into domestic bliss, but there's always something requiring his attention, be it a riding accident, a difficult patient with a worrisome heart condition, a spot of grouse-hunting, or even some tricky shenanigans at the local dog races.

Celtic mythology, Arthurian romance, and an intriguing interpretation of British history - these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as The Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar.

Before Doctor Barry Laverty joined Doctor Fingal O’Reilly's practice in the colorful Irish village of Ballybucklebo, he was an intern, working long hours, practicing new medical techniques, falling in love, and learning what is most important in the medical field for a family physician - the bonds of family, friendships, and human kindness.

A vicious 15-year-old droog is the central character of this 1963 classic, a frightening fable about good and evil, and the meaning of human freedom. In Anthony Burgess' nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology.

The Man of Property, the first novel in Galsworthy's epic social satire The Forsyte Saga, introduces us to Soames Forsyte, a solicitor and prominent man of his important family. Accustomed to getting whatever he wants, he sets his sights with absolute determination on the beautiful Irene in spite of her pennilessness and her indifference to him.

A moving coming-of-age story set in the 1900s, A Tree Grows in Brooklyn follows the lives of 11-year-old Francie Nolan, her younger brother Neely, and their parents, Irish immigrants who have settled in the Williamsburg section of Brooklyn. Johnny Nolan is as loving and fanciful as they come, but he is also often drunk and out of work, unable to find his place in the land of opportunity.

Fans of Patrick Taylor's bestselling Irish Country novels know Dr. Fingal Flahertie O'Reilly as the irascible senior partner of a general practice in the colorful Irish village of Ballybucklebo. But there was a time, shortly after arriving in Ballybucklebo, that Dr. O'Reilly was not widely accepted by the villagers. This touching short story tells of how O'Reilly, with a little help, began to overcome their objections.

In the 1930s, fresh from a stint in the Royal Navy Reserve, and against the wishes of his disapproving father, Fingal O'Reilly goes to Dublin to study medicine. Fingal and his fellow aspiring doctors face the arduous demands of Trinity College and Sir Patrick Dun's Hospital. The hours are long and the cases challenging, but Fingal manages to find time to box and play rugby—and to romance a fetching, gray-eyed nurse named Kitty O'Hallorhan.

Culture and Anarchy is a series of periodical essays by Matthew Arnold, first published in Cornhill Magazine 1867-68 and collected as a book in 1869. Arnold's famous piece of writing on culture established his High Victorian cultural agenda which remained dominant in debate from the 1860s until the 1950s. According to his view advanced in the book, ‘Culture [...] is a study of perfection’.

In seventh-century Ireland, a scholar priest named Artt has a dream in which God tells him to leave the sinful world behind. With two monks—young Trian and old Cormac—he rows down the River Shannon in search of an isolated spot in which to found a monastery. Drifting out into the Atlantic, the three men find the impossibly steep, bare island known today as Skellig Michael. In such a place, what will survival mean?

This is the story of Kitty Fane, the adulterous wife of a bacteriologist stationed in Hong Kong. When her husband discovers her deception, he exacts a terrible vengeance: Kitty must accompany him to the heart of a cholera epidemic in China.

"Apeirogon", n.m. : figure géométrique au nombre infini de côtés. Rami Elhanan est israélien, fils d'un rescapé de la Shoah, ancien soldat de la guerre du Kippour ; Bassam Aramin est palestinien, et n'a connu que la dépossession, la prison et les humiliations. Tous deux ont perdu une fille. Abir avait dix ans, Smadar, treize ans.

Every woman wants to be Elizabeth Bennet Darcy - beautiful, gracious, universally admired, strong, daring and outspoken - a thoroughly modern woman in crinolines. And every woman will fall madly in love with Mr. Darcy - tall, dark and handsome, a nobleman and a heartthrob whose virility is matched only by his utter devotion to his wife. Their passion is consuming and idyllic - essentially, they can’t keep their hands off each other - through a sweeping tale of adventure and misadventure, human folly and numerous mysteries of parentage.

The narrator is Max Morden, a middle-aged Irishman who, soon after his wife’s death, has gone back to the seaside town where he spent his summer holidays as a child—a retreat from the grief, anger, and numbness of his life without her. But it is also a return to the place where he met the Graces, the well-heeled vacationing family with whom he experienced the strange suddenness of both love and death for the first time.

All the delightful and bizarre inhabitants of Wonderland are here: the White Rabbit and the Cheshire Cat, the hooka-smoking Caterpillar and the Mad Hatter, the March Hare and the Ugly Duchess... and, of course, Alice herself - growing alternately taller and smaller, attending demented tea parties and eccentric croquet games, and observing everything with clarity and rational amazement.

Charles Strickland, a conventional stockbroker, abandons his wife and children for Paris and Tahiti, to live his life as a painter. While his betrayal of family, duty and honour gives him the freedom to achieve greatness, his decision leads to an obsession which carries severe implications.

When Prince Oroonoko's passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko's noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn's visit to Surinam, Oroonoko reflects the author's romantic view of native peoples as noble savages in 'the first state of innocence, before man knew how to sin'.