Japanese Crime Fiction

As a member of a New York Mafia family, Levi Yoder's role is unique: He's a fixer, a solver of problems, a man whose code puts loyalty above all else, yet he's a man with a conscience. In the Inside Man, Levi's search for the kidnapped grandchild of a Japanese mob boss plunges him into a world filled with chaos. When he's falsely accused of a heinous series of crimes, the FBI makes Levi an offer he can't refuse: use his mob connections to help investigate the murders of several undercover agents or find himself in jail awaiting trial, without a way to clear his name.

The war crimes trials at Nuremberg and Tokyo meted out the Allies' official justice; Lord Russell of Liverpool's sensational bestselling books on the Axis' war crimes decided the public's opinion. The Knights of Bushido, Russell's shocking account of Japanese brutality in the Pacific in World War II, describes how the noble founding principles of the Empire of Japan were perverted by the military into a systematic campaign of torture, murder, starvation, rape, and destruction. Notorious incidents like the Nanking Massacre and the Bataan Death March emerge as merely part of a pattern of human rights abuses. Undoubtedly formidable soldiers, the Japanese were terrible conquerors. Their conduct in the Pacific is a harrowing example of the doctrine of mutual destruction carried to the extreme, and begs the question of what is acceptable—and unacceptable—in total war.

In Bullet Train, underworld operative Ladybug was tasked by his handler Maria Beetle with retrieving a suitcase from a high-speed train in Japan. The job did not go according to plan. Will the unluckiest assassin in the world will find things easier this time around? All he has to do is deliver a painting to a hotel guest, a portrait made by his daughter. Easy enough, except when Ladybug makes the delivery, he realizes that the guest is clearly not the guy in the painting. Then he attacks Ladybug, they fight, and the guest ends up dead. How can such simple jobs always go wrong?

In the winter of 1937, the village of Okamura is abuzz with excitement over the forthcoming wedding of a son of the grand Ichiyanagi family. But amid the gossip over the approaching festivities, there is also a worrying rumour - it seems a sinister masked man has been asking questions about the Ichiyanagis around the village. Then, on the night of the wedding, the Ichiyanagi family are woken by a terrible scream, followed by the sound of eerie music - death has come to Okamura, leaving no trace but a bloody samurai sword, thrust into the pristine snow outside the house.

As they do every year, a small group of acquaintances pay a visit to the remote castle-like Water Mill House, home to the reclusive Fujinuma Kiichi, son of a famous artist, who has lived his life behind a rubber mask ever since a disfiguring car accident. This year, however, the visit is disrupted by an impossible disappearance, the theft of a painting, and a series of baffling murders. The brilliant Kiyoshi Shimada arrives to investigate.

Detective Kyochiro Kaga of the Tokyo Police Department has just been transferred to a new precinct in the Nihonbashi area of Tokyo. Newly arrived, but with a great deal of experience, Kaga is promptly assigned to the team investigating the murder of a woman. But the more he investigates, the greater number of potential suspects emerges. It isn’t long before it seems nearly all the people living and working in the business district of Nihonbashi have a motive for murder.

In the wee hours of a 1960s Tokyo morning, a dead body is found under the rails of a train, and the victim's face is so badly damaged that police have a hard time figuring out the victim’s identity. Only two clues surface: an old man, overheard talking in a distinctive accent to a young man, and the word “kameda.” Inspector Imanishi leaves his beloved bonsai and his haiku and goes off to investigate—and runs up against a blank wall. Months pass in fruitless questioning, in following up leads, until the case is closed, unsolved. But Imanishi is dissatisfied.

The winter of 1578, four years prior to the Honno-ji Incident. Araki Murashige has betrayed his ally Oda Nobunaga and holed himself up in Arioka Castle—but a string of unsettling incidents within the castle walls has him at his wit’s end. The desperate warlord’s only hope for solving these mysteries is imprisoned in the castle’s dungeon: a man named Kuroda Kanbei, one of Oda’s most gifted strategists. When all the conflict and intrigue come to a close, what will these two men have gained…and lost?

Acclaimed best-selling novelist Kunihiko Hidaka is found brutally murdered in his home on the night before he’s planning to leave Japan and relocate to Vancouver. His body is found in his office, a locked room, within his locked house, by his wife and his best friend, both of whom have rock solid alibis. Or so it seems.

Kosuke Kindaichi arrives on the remote Gokumon Island bearing tragic news—the son of one of the island’s most important families has died, on a troop transport ship bringing him back home after the Second World War. But Kindaichi has not come merely as a messenger—with his last words, the dying man warned that his three step-sisters’ lives would now be in danger. The scruffy detective is determined to get to the bottom of this mysterious prophesy, and to protect the three women if he can.

Inspired by the real-life Glico-Morinaga kidnapping, an unsolved case which terrorized Japan for two years, Lady Joker reimagines the circumstances of this watershed episode in modern Japanese history and brings into riveting focus the lives and motivations of the victims, the perpetrators, the heroes and the villains. As the shady networks linking corporations to syndicates are brought to light, the stakes rise, and some of the professionals we have watched try to fight their way through this crisis will lose everything—some even their lives.

In near-future Japan, Susie Sakamoto is mourning the loss of her husband and son to a plane crash. Alone in her big modern house, which feels like more of a prison, Susie spends her days drinking heavily and taking her anger out at the only “sentient” thing left in her life: Sunny, the annoying home robot her husband designed. Susie despises Sunny, and sometimes even gets a sinking feeling that Sunny is out to hurt her.

Yutaka Tanaka, señor feudal de la provincia de Sagami, debe vengar la muerte de su padre, asesinado por una banda de samuráis enmascarados. La investigación del crimen lo arroja a los campos de batalla, a las intrigas cortesanas y sus traiciones. Como un príncipe Hamlet perdido entre los pliegues de un país que no llega a comprender, Yutaka enfrentará la fascinación de los autómatas, las maniobras sentimentales de dama Ashikaga y los secretos del sokushinbutsu.

2024年 第22回 開高健ノンフィクション賞受賞作　JAで「神様」と呼ばれた男の溺死。執拗な取材の果て、辿り着いたのは、国境の島に蠢く人間の、深い闇だった。

Japan faces Korea in the World Baseball Classic at Dodger Stadium, and curmudgeonly gardener Mas Arai finds himself embroiled in a murder. A Japanese tabloid writer drops dead on the field, and Mas gave the victim his last drink. It turns out there's more at stake than a baseball championship - international diplomacy depends upon uncovering secrets buried decades ago.

After a brutal murder investigation ripped apart his life, Kosuke Iwata quit both his job as a detective with the Tokyo Police Department and his country, leaving Japan for the hopefully sunnier shores of Los Angeles, California. Iwata sets up shop as a private investigator. Approached by an old contact whose daughter has been murdered and the case laid to rest - unsolved - Iwata agrees to take on the case out of loyalty. But what seems initially like a cold-blooded murder takes a different turn when a homeless witness recalls the murderer’s parting words: “I’m sorry.”

Newly reinstated to the homicide division and transferred to a precinct in Tokyo, Inspector Iwata is facing superiors who don't want him there and is assigned a recalcitrant partner, Noriko Sakai, who'd rather work with anyone else. After the previous detective working the case killed himself, Iwata and Sakai are assigned to investigate the slaughter of an entire family, a brutal murder with no clear motive or killer.

LA gardener Mas Arai returns to Hiroshima to bring his best friend’s ashes to a relative on the tiny offshore island of Ino, only to become embroiled in the mysterious death of a teenage boy who was about the same age Mas was when he survived the atomic bomb in 1945. The boy’s death affects the elderly, often-curmudgeonly, always-reluctant sleuth, who cannot return home to Los Angeles until he finds a way to see justice served.

In the wake of World War II, the Allied forces charged 28 Japanese men with crimes against humanity. Correspondents at the Tokyo trial thought the evidence fell most heavily on 10 of the accused. In December 1948, five of these defendants were hanged, while four received sentences of life in prison. The tenth was a brilliant philosopher-patriot named Okawa Shumei. His story proved strangest of all. Among all the political and military leaders on trial, Okawa was the lone civilian.

Danger awaits best friends on the island of Malta, where one will be accused of murder and the other of being a spy on the run. A missing journalist cannot tell the world he is still alive by becoming a mystery writer's alibi. When Hiromi came back to Paris to settle an old score, she had no idea her target might be hiding on the island of Malta. But, now, she has a chance to redeem her reputation by neutralizing a rogue agent and capturing the mystery writer who hides agency secrets in his novels.