Japanese Internment

During World War II, the United States was battling Japan. In 1942, the president of the United States signed an executive order, forcing more than 100,000 Japanese Americans to leave their homes. These innocent people - many of them US citizens - would spend the next few years imprisoned behind barbed wire fences in what the government called internment camps. Learn more about these courageous heroes, including those who fought for justice and freedom.

Award-winning author of A Room of My Own and A Place Called Morning, Ann Tatlock delivers a soul-searching inspirational story of faith and friendship.

On February 19, 1942, following the Japanese bombing of Pearl Harbor and Japanese Army successes in the Pacific, President Franklin Delano Roosevelt signed a fateful order. In the name of security, Executive Order 9066 allowed for the summary removal of Japanese aliens and American citizens of Japanese descent from their West Coast homes and their incarceration under guard in camps. Amid the numerous histories and memoirs devoted to this shameful event, FDR's contributions have been seen as negligible.

On December 7, 1941—"a date which will live in infamy"—the Japanese navy launched an attack on the American military bases at Pearl Harbor, Hawaii. The next day, President Franklin Roosevelt declared war on Japan, and the US Army officially entered the Second World War. Three years later, on December 18, 1944, President Roosevelt signed Executive Order 9066, which enabled the Secretary of War to enforce a mass deportation of more than 100,000 Americans to what government officials themselves called "concentration camps." None of these citizens had been accused of a real crime.

Less than three months after Japan bombed Pearl Harbor and inflamed the nation, President Roosevelt signed an executive order declaring parts of four western states to be a war zone operating under military rule. The US Army immediately began rounding up thousands of Japanese-Americans, sometimes giving them less than 24 hours to vacate their houses and farms. For the rest of the war, these victims of war hysteria were imprisoned in primitive camps.

Sam Sakamoto doesn't have space in her life for dreams. With the recent death of her mother, Sam's focus is the farm, which her family will lose if they can't make one last payment. There's no time for her secret and unrealistic hope of becoming a photographer, no matter how skilled she's become. But Sam doesn't know that an even bigger threat looms on the horizon.

An engrossing, epic saga of one family’s experiences on both sides of WWII, All Ships Follow Me questions our common narrative of the conflict and our stark notions of victim and perpetrator, while tracing the lasting effects of war through several generations.

The Block Manager is the gripping memoir of Janet, an American-born child of Japanese immigrants. After the attack on Pearl Harbor, Janet's life in California was uprooted when thousands of Japanese Americans on the West Coast - including Janet's family - were forced into internment camps. Because of her brilliant command of English and Japanese, she was assigned the job of block manager. Janet was shuffled between three camps, got married, and had a child while the war raged on.

Cara is on the cusp of adventure. Unlike her best friends, she doesn’t want to go to college, she wants different kinds of challenges. And anyway, home just doesn’t fit anymore. She is growing distant from her friends and hasn’t spoken to her father in eons. To make matters worse, her ex-boyfriend and fellow climber, Nat, has popped back into town after breaking up with her over text. So it’s the perfect time to leave, and she has big plans for a gap year to rock-climb in Patagonia. But when Cara hears that her father is actually missing, things change.

It is 1942, and World War II is raging. In the months since Pearl Harbor, the US has plunged into the war overseas—and on the home front, it has locked up tens of thousands of innocent Japanese Americans in concentration camps, tearing them from their homes on the West Coast with the ostensible goal of neutralizing a supposed internal threat. At each of these camps the government places a white lawyer with contradictory instructions: provide legal counsel to the prisoners, and keep the place running.

From the editor of the award-winning Children of Manzanar, Heather C. Lindquist, and Edgar Award winner Naomi Hirahara comes a nuanced account of the “Resettlement”: the relatively unexamined period when ordinary people of Japanese ancestry, having been unjustly imprisoned during World War II, were finally released from custody. Given $25 and a one-way bus ticket to make a new life, some ventured east to Denver and Chicago to start over, while others returned to Southern California only to face discrimination and an alarming scarcity of housing and jobs.

Phantoms is a fierce saga of American culpability. A Vietnam vet still reeling from war, John Frazier finds himself an unwitting witness to a confrontation, decades in the making, between two steely matriarchs: his aunt, Evelyn Wilson, and her former neighbor, Kimiko Takahashi. John comes to learn that in the onslaught of World War II, the Takahashis had been displaced as once-beloved tenants of the Wilson orchard and sent to an internment camp. What happened to the Takahashi son, Ray, when he returned from service and found that that nowhere was home for a Japanese American?

The mass incarceration of Japanese Americans during World War II is not only a tale of injustice; it is a moving story of faith. In this pathbreaking account, Duncan Ryuken Williams reveals how, even as they were stripped of their homes and imprisoned in camps, Japanese American Buddhists launched one of the most inspiring defenses of religious freedom in our nation's history, insisting that they could be both Buddhist and American.

Akiko "Jane" Thompson, a half-Japanese, half-Caucasian woman in her mid-30s, is attempting to forge a quietly happy life in the Bay Area with her fiance, Shiro. But after a bizarre car accident, things begin to unravel. An intruder ransacks their apartment but takes nothing, leaving behind only cryptic traces of his or her presence. Shiro, obsessed with government surveillance, risks their security in a plot to expose the misdeeds of his employer, the TSA. Jane's mother has seemingly disappeared, her existence only apparent online.

Louis Thorn and Haruto "Harry" Yamada - Eagle and Crane - are the star attractions of Earl Shaw's Flying Circus, a daredevil (and not exactly legal) flying act that traverses Depression-era California. The young men have a complicated relationship, thanks to the Thorn family's belief that the Yamadas - Japanese immigrants - stole land that should have stayed in the Thorn family.

In the spring of 1942, the United States government forced 120,000 Japanese Americans from their homes in California, Oregon, Washington, and Arizona and sent them to incarceration camps across the West. Nearly 14,000 of them landed on the outskirts of Cody, Wyoming, at the base of Heart Mountain. Behind barbed wire fences, they faced racism, cruelty, and frozen winters. Trying to recreate comforts from home, they established Buddhist temples and sumo wrestling pits. Kabuki performances drew hundreds of spectators — yet there was little hope.

Between 1942 and 1945, the U.S. government wrongfully imprisoned thousands of Japanese American citizens and profited from their labor. Japanese American Incarceration recasts the forced removal and incarceration of approximately 120,000 Japanese Americans during World War II as a history of prison labor and exploitation.

This anthology presents a new vision that recovers and reframes the literature produced by the people targeted by the actions of President Franklin D. Roosevelt and Congress to deny Americans of Japanese ancestry any individual hearings or other due process after the Japanese attack at Pearl Harbor. From nearly seventy selections of fiction, poetry, essays, memoirs, and letters emerges a shared story of the struggle to retain personal integrity in the face of increasing dehumanization—all anchored by the key government documents that incite the action.

Fred Korematsu liked listening to music on the radio, playing tennis, and hanging around with his friends - just like lots of other Americans. But everything changed when the United States went to war with Japan in 1941 and the government forced all people of Japanese ancestry to leave their homes on the West Coast and move to distant prison camps. This included Fred, whose parents had immigrated to the United States from Japan many years before. But Fred refused to go.