Journalism History

Using his famed on-the-nose commentary, Twitter legend James Felton has dissected 99 of the most outlandish stories The Sun (for a long time the biggest-selling British newspaper) has run since it became a tabloid in 1969, hoping to answer once and for all whether the press has reflected - or manipulated - the British people over the last 50 years.

In the waning years of the 19th century, women journalists across the United States risked reputation and their own safety to expose the hazardous conditions under which many Americans lived and worked. Inventive writers whose in-depth narratives made headlines for weeks at a stretch, these “girl stunt reporters” changed laws, helped launch a labor movement, championed women’s rights, and redefined journalism for the modern age.

The Civil War involved the entire population in a way paralleled by no other conflict since the Revolution. Photographs of war deaths and almost instantaneous reports from the front by telegraph made the war years difficult for both parents and children. The War of Southern Secession, a civil war, had come to America. It would be one of the most tragic events in the nation's history, resulting from a dispute among its citizens over just what the new country should look like.

Long before the current preoccupation with "fake news", American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant.

On May 7, 1945, journalist Edward Kennedy bypassed military censorship to be the first to break the news of the Nazi surrender executed in Reims, France. While, at the behest of Soviet leaders, Allied authorities prohibited release of the story, Kennedy stuck to his journalistic principles and refused to manage information he believed the world had a right to know. No action by an American correspondent during the war proved more controversial.

The writing of Death of a President, William Manchester's award-winning account of President Kennedy's assassination, is the topic of the title essay in this collection, as it was a controversy like few others, pitting one of the most prominent historians of the day against Jackie Kennedy, the most famous and private widow in the world. The essay provides an insider's account of the struggle to see the book published.

Ben Judah is an acclaimed foreign correspondent, but here he turns his reporter's gaze on home, immersing himself in the hidden world of London's immigrants to reveal the city in the eyes of its beggars, bankers, coppers, gangsters, carers and witch-doctors. From the backrooms of its mosques, Tube tunnels and nightclubs to the frontlines of its streets, Judah has supped with oligarchs and spent nights sleeping rough, worked on building sites and talked business with prostitutes; he's heard stories of heartbreaking failure, but also witnessed extraordinary acts of compassion.

Reporting on China has long been one of the most challenging and crucial of journalistic assignments. Nonetheless, American media coverage of China has profoundly influenced U.S. government policy and shaped public opinion not only domestically but also, given the clout and reach of U.S. news organizations, around the world. This book tells the story of how American journalists have covered China—from the civil war of the 1940s through the COVID-19 pandemic—in their own words.

How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law? Capturing News, Capturing Democracy puts these events in historical and international context-and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding.

William L. Laurence was fascinated with atomic science and its militarization. When the Manhattan Project drew near to perfecting the atomic bomb, he was recruited to write much of the government's press materials that were distributed on the day that Hiroshima was obliterated. That instantly crowned Laurence as one of the leading journalistic experts on the atomic bomb.

Just after midnight on October 9, 2017, as one of the nation's deadliest firestorms swept over California's Wine Country, hundreds of elderly residents from two posh senior living facilities were caught in its path. The frailest were blind, in wheelchairs, or diagnosed with dementia, and their community quickly transformed from a palatial complex that pledged to care for them to one that threatened to entomb them. The rescue of the final 105 seniors left behind on an inflamed hillside depended not on employees, but strangers whose lives intersected in a riveting tale of terror and heroism.

From the New York Times bestselling author of The History of White People and Old in Art School, a finalist for the NBCC Award, comes a comprehensive new collection of essays spanning art, politics, and the legacy of racism that shapes American history as we know it. These essays resist easy answers in favor of complexity, the inescapable sense of our country’s potential thwarted by its failures. This collection will surely solidify Painter’s place among the finest critics and writers of the last half century.

The Allied invasions of Sicily and Italy in 1943 were bloody and pivotal, securing the Mediterranean, capitalizing on the overthrow of Mussolini, and pinning down German troops that could have been used on the Russian Front or in France after D-Day. The men who made the Allied victories in Sicily and Italy possible - soldiers and officers, bombardiers and drivers, doctors and generals - are honored and remembered in these minutes by famed war correspondent Richard Tregaskis.

Addressing the ever-changing, overlapping trajectories of war and journalism, this introduction to the history and culture of modern American war correspondence considers a wealth of original archival material. In powerful analyses of letters, diaries, journals, television news archives, and secondary literature related to the US's major military conflicts of the twentieth century, Mary S. Mander highlights the intricate relationship of the postmodern nation state to the free press and to the public.

Say the name Pulitzer and the minds of many across the world quickly turn to the famous prizes given for excellence in journalism, literature, and music, but these prizes were named after a man believed to have been tormented by some of the choices he had made during his life. Coming to America as a nearly penniless immigrant, he demonstrated that the young nation could be a land of opportunity, and he earned money and fame largely through hard work. Later, as the owner of one of the most powerful papers in the country, he seemed to develop an almost frenzied need to stay on top.

Dark Days in the Newsroom traces how journalists became radicalized during the Depression era, only to become targets of Senator Joseph McCarthy and like-minded anti-Communist crusaders during the 1950s. Edward Alwood, a former news correspondent, describes this remarkable story of conflict, principle, and personal sacrifice with noticeable élan.

First published in 1959 but now offered in a revised and expanded edition, The View from the Ground presents over six decades of Gellhorn's ruminations on political, civil, and social issues and crises, from a lynching in the American South in the 1930s through a recent visit to Cuba to see what is new and what remains the same in a country that is still off limits to most Americans. Gellhorn's ability to get to the truth of a situation makes her writing transcend the short shelf life of most reportage.

The Case of Lizzie Borden and Other Writings is the first and only comprehensive collection of writings by Elizabeth Garver Jordan, the groundbreaking journalist, suffragist, and editor whose fearless reporting on women preceded the #MeToo movement and popularized the true-crime genre.

An esteemed activist invites us to consider the complex idea of abolition as much more than a strategy or a set of tactics—at a deeper level, abolition is an entire political framework, culture, and orientation.

In Bearing Witness, John Carpenter explores how across the world, those who experienced the war tried to make sense of it both during and in its immediate aftermath. The digestion of a cataclysmic event can take generations. But in this fascinating audiobook, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.