Journalism History

All They Will Call You is the harrowing account of "the worst airplane disaster in California's history", which claimed the lives of 32 passengers, including 28 Mexican citizens - farmworkers who were being deported by the US government. Outraged that media reports omitted only the names of the Mexican passengers, American folk icon Woody Guthrie penned a poem that went on to become one of the most important protest songs of the 20th century.

Randy Shilts was the preeminent LGBTQ+ reporter of his generation. He was the first openly gay reporter assigned to a gay beat at a mainstream paper and one of the nation's most influential chroniclers of gay history, politics, and culture. Shilts wrote three seminal works on the community: The Mayor of Castro Street, on the life, assassination, and legacy of Harvey Milk; And the Band Played On, detailing the failure of politics as usual during the early AIDS epidemic; and Conduct Unbecoming, a history of the US military's mistreatment of LGBTQ service members.

In her acclaimed AOL.com, Kara Swisher chronicled the unlikely ascent of a group of underdog entrepreneurs and their influence on American net culture. This book picks up where the previous one left off, investigating AOL's merger with Time Warner and its aftermath. Journalists Swisher and Dickey have an ear for the comic and an appreciation for the larger-than-life personalities that propel the drama. After the merger, a troubled journey lies ahead both for AOL Time Warner and for its competitors.

The Civil War involved the entire population in a way paralleled by no other conflict since the Revolution. Photographs of war deaths and almost instantaneous reports from the front by telegraph made the war years difficult for both parents and children. The War of Southern Secession, a civil war, had come to America. It would be one of the most tragic events in the nation's history, resulting from a dispute among its citizens over just what the new country should look like.

How did such a major international public service media network become intensely politicized by government allies in such a short time, despite having its editorial independence protected by law? Capturing News, Capturing Democracy puts these events in historical and international context-and develops a new analytical framework for understanding government capture and its connection to broader processes of democratic backsliding.

When Miranda Sawyer interviewed Liam Gallagher in 1994, his gag wishing Damon Albarn would die of AIDS became front-page news all over the world. This fascinating pop history, exploring the moment British music suddenly meant everything, explains why. Picking out twenty key songs, delving into the surprising stories behind them and their unlikely creators, UNCOMMON PEOPLE takes us back to when Jarvis Cocker became a national hero, films like Trainspotting were international hits, rave became what everybody did - and it felt like the revolution was happening.

Say the name Pulitzer and the minds of many across the world quickly turn to the famous prizes given for excellence in journalism, literature, and music, but these prizes were named after a man believed to have been tormented by some of the choices he had made during his life. Coming to America as a nearly penniless immigrant, he demonstrated that the young nation could be a land of opportunity, and he earned money and fame largely through hard work. Later, as the owner of one of the most powerful papers in the country, he seemed to develop an almost frenzied need to stay on top.

In Sit Down and Cheer, Martin Kelner traces the development of this relationship from its humble origins in the 1960 Olympics, by way of the first-ever Match of the Day in 1964, through to the financial impact of Sky, right up to the high-tech gadgetry of our present-day viewing. Insightful and very funny, this is an entertaining exploration of two major national pastimes and not to be missed.

The writing of Death of a President, William Manchester's award-winning account of President Kennedy's assassination, is the topic of the title essay in this collection, as it was a controversy like few others, pitting one of the most prominent historians of the day against Jackie Kennedy, the most famous and private widow in the world. The essay provides an insider's account of the struggle to see the book published.

Long before the current preoccupation with "fake news", American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant.

Thanks to one reporter's skill, we can fix the exact moment on November 22, 1963 when the world stopped and held its breath: At 12:34 p.m. Central Time, UPI White House reporter Merriman Smith broke the news that shots had been fired at President Kennedy's motorcade. Most people think Walter Cronkite was the first to tell America about the assassination. But when Cronkite broke the news on TV, he read from one of Smith's dispatches.

John Schulian, a much-honored sportswriter for nearly forty years, takes us back to a time when our greatest athletes stood before us as human beings, not remote gods. In this compelling collection, Schulian paints prose portraits to remind fans of what today's cloistered stars won't share with them. The result is an audiobook guaranteed to stir memories for the generation that was - and to leave subsequent generations wishing they had it so good.

Was the 2000 presidential campaign merely a contest between Pinocchio and Dumbo? And did Dumbo miraculously turn into Abraham Lincoln after the events of September 11? In fact, Kathleen Hall Jamieson and Paul Waldman argue in The Press Effect, these stereotypes, while containing some elements of the truth, represent the failure of the press and the citizenry to engage the most important part of our political process in a critical fashion.

A few weeks after the planes crashed into the World Trade Center on 9/11, journalist Megan K. Stack, a 25-year-old national correspondent for the Los Angeles Times, was thrust into Afghanistan and Pakistan, dodging gunmen and prodding warlords for information. From there, she traveled to war-ravaged Iraq and Lebanon and other countries scarred by violence, witnessing the changes that swept the Muslim world and laboring to tell its stories.

In Lincoln and the Power of the Press, Harold Holzer shows us an activist Lincoln through journalists who covered him from his start to the night of his assassination. In a wholly original way, Holzer shows us politicized newspaper editors battling for power and a masterly president who used the press to speak directly to the people and shape the nation.

The relationship between those who wield power and those whose job it is to tell us what they are doing has always been fraught with tension. Politicians now expect to be on camera and facing aggressive questions from the moment they open their front door to the moment they return home at night. Everything they say and do is instantly broadcast and dissected on 24-hour news channels, blogs, and Twitter. It was not always this way. Live from Downing Street takes us on an absorbing journey through the hard-fought battles for the right to tell the public about the decisions taken on their behalf.

In his #1 New York Times best seller, Bias, Emmy Award-winning journalist Bernard Goldberg created a national firestorm when he exposed the liberal biases of the so-called mainstream media. Now, in his new blockbuster, Goldberg goes even further. He not only takes on Big Journalism, but offers a twelve-step program to help the media elites overcome their addiction to bias.

In February 1943, a group of journalists - including a young wire service correspondent named Walter Cronkite and cub reporter Andy Rooney - clamored to fly along on a bombing raid over Nazi Germany. Seven of the 64 bombers that attacked a U-boat base that day never made it back to England. A fellow survivor, Homer Bigart of the New York Herald Tribune, asked Cronkite if he’d thought through a lede. "I think I’m going to say," mused Cronkite, “that I’ve just returned from an assignment to hell."

When Norman Pearlstine - as editor in chief of Time Inc. - agreed to give prosecutor Patrick Fitzgerald a reporter's notes of a conversation with a "confidential source", he was vilified for betraying the freedom of the press. But in this hard-hitting inside story, Pearlstine shows that "Plamegate" was not the clear case it seemed to be, and that confidentiality has become a weapon in the White House's war on the press - a war fought with the unwitting complicity of the press itself.

An essential document of the first American war of the new century. During this journey into war, Rodgers and his crew embraced the dangers, the numbing fatigue, and the moments of stark fear of the young armored cavalrymen they lived with twenty-four hours each day, an experience that created for them the lifelong bond that only soldiers serving together under fire share.