Journalism Memoir

Long before his finest hour as Britain's wartime leader, Winston Churchill emerged on the world stage as a brazen foreign correspondent, covering wars of empire in Cuba, India, the Sudan, and South Africa. In those far-flung corners of the world, reporting from the front lines between 1895 and 1900, Churchill mastered his celebrated command of language and formed strong opinions about war.

Indiana-born Vivian Gordon fluttered to New York in 1920 looking for fame and fortune. Before long, the flame-haired chorus girl parlayed her youth, beauty, and ambition into more profitable means as a tough and glamorous symbol of Prohibition-era excess. She was a speakeasy owner, blackmailer, high-end escort, extortionist, racketeer, and con woman. But given her dangerously intimate associations, Vivian was also a woman who knew too much and who rightfully feared for her life.

Peter Beard lived an astonishing life. The artist, wildlife photographer, and bon vivant enthralled and inspired both because of his work and his legendary lifestyle. In Twentieth-Century Man, Wallace has rendered this towering figure in all of his contradictions and complexities—a deeply romantic and idiosyncratic personality, beloved by so many, whose sensibilities nonetheless remained firmly rooted in an era characterized by racist and colonialist attitudes. Stirring and visceral, Twentieth-Century Man is the definitive portrait of Peter Beard.

El libro está escrito en primera persona, es la voz siempre del propio poeta la que conversa con él mismo. La voz del narrador debería ser la de un hombre de más-menos 40 años. Deberá ser una voz varonil, profunda, grave. Nunca que lea en tono de declamación, o recitando, debe ser un poco cómo hablaba el poeta. Aquí dejo un video en el que se escucha la voz de Sabines cuándo leyó para su disco Voz Viva de la UNAM. y algo así deberá de ser la voz del narrador.

In the 1970s, Frank Lucas was the king of the Harlem drug trade, bringing in over a million dollars a day. He lived a glamorous life, hobnobbing with athletes, musicians, and politicians, but Lucas was a ruthless gangster. He was notorious for using the coffins of dead GIs to smuggle heroin into the United States, and, before being sentenced to 70 years in prison, he played a major role in the near death of New York City.

In the waning years of the 19th century, women journalists across the United States risked reputation and their own safety to expose the hazardous conditions under which many Americans lived and worked. Inventive writers whose in-depth narratives made headlines for weeks at a stretch, these “girl stunt reporters” changed laws, helped launch a labor movement, championed women’s rights, and redefined journalism for the modern age.

Rather - who has won every prestigious journalism award in his distinguished career - discusses all the big stories from his decades of reporting. This very personal accounting includes (but is certainly not limited to) his dismissal from CBS, the Abu Ghraib story, the George W. Bush Air National Guard controversy, his coverage of the JFK assassination, the origin of "Hurricane Dan", as well as inside stories about all the top personalities Dan has either interviewed or worked with over his remarkable career.

When producer Ira Rosen walked into the 60 Minutes offices in June 1980, he knew he was about to enter television history. His career catapulted him to the heights of TV journalism, breaking some of the most important stories in TV news. But behind the scenes was a war room of clashing producers, anchors, and the most formidable 60 Minutes figure: legendary correspondent Mike Wallace.

This House of Grief is a heartbreaking audiobook by one of Australia's most admired authors. Anyone can see the place where the children died. You take the Princes Highway past Geelong, and keep going west in the direction of Colac. Late in August 2006, soon after I had watched a magistrate commit Robert Farquharson to stand trial before a jury on three charges of murder, I headed out that way on a Sunday morning, across the great volcanic plain.

Before he became a novelist, Michael Connelly was a crime reporter, covering the detectives who worked the homicide beat in Florida and Los Angeles. In vivid, hard-hitting articles, Connelly leads the reader past the yellow police tape as he follows the investigators, the victims, their families and friends, and, of course, the killers, to tell the real stories of murder and its aftermath.

Robert Altman - visionary director, hard-partying hedonist, eccentric family man, Hollywood legend - comes roaring to life in this rollicking cinematic biography, told in a chorus of voices that can only be called Altmanesque.

Veteran White House reporter April Ryan thought she had seen everything in her two decades as a White House correspondent. And then came the Trump administration. In Under Fire, Ryan takes us inside the confusion and chaos of the Trump White House to understand how she and other reporters adjusted to the new normal. She takes us inside the policy debates, the revolving door of personnel appointments, and what it is like when she, as a reporter asking difficult questions, finds herself in the spotlight, becoming part of the story.

Kim Barker is not your typical, impassive foreign correspondent—she is candid, self-deprecating, laugh-out-loud funny. At first an awkward newbie in Afghanistan, she grows into a wisecracking, seasoned reporter with grave concerns about our ability to win hearts and minds in the region. In The Taliban Shuffle, Barker offers an insider’s account of the “forgotten war” in Afghanistan and Pakistan, chronicling the years after America’s initial routing of the Taliban, when we failed to finish the job.

In 1971, Robin Green had an interview with Jann Wenner at the offices Rolling Stone magazine. Green thought she was interviewing for a clerical job like the other girls in the office, a "real job". Instead, she was hired as a journalist. Brutally honest and bold, Robin Green reveals what it was like to be the first woman granted entry into an iconic boys' club. Pulling back the curtain on Rolling Stone magazine in its prime, The Only Girl is a stunning tribute to a bygone era and a publication that defined a generation.

A Day Like Today charts John’s journey from the poverty of his post-war childhood in Cardiff, leaving school at 15, to the summits of broadcasting. Humphrys was the BBC’s youngest foreign correspondent, the first reporter at the catastrophe of Aberfan, an experience that marked him for ever; he was in the White House when Richard Nixon became the first American president to resign, in South Africa during the dying years of apartheid, and in war zones around the globe throughout his career. John was also the first journalist to present the Nine O’Clock News on television.

During his years of reporting from the world's most savage and turbulent regions, Fergal Keane has witnessed the violence of the South African townships and the terror in Rwanda, the most extreme kinds of human behaviour, the horror of genocide, and the bravery of peacekeepers faced with overwhelming odds. As one of the BBC's leading correspondents, he recounts extraordinary encounters on the front lines.

In this candid and revealing audiobook, Mike Wallace tells the behind-the-scenes stories from his remarkable 60-year career. Here are intimate anecdotes, off-camera antics, never-before-told tales, and, most important, Wallace's insights about some unforgettable characters.

Over her four decades of working in newsrooms big and small, Margaret Sullivan has become a trusted champion and critic of the American news media. In this bracing memoir, Sullivan traces her life in journalism and how trust in the mainstream press has steadily eroded.

Becoming a young Wall Street banker is like pledging the world's most lucrative and soul-crushing fraternity. Every year, thousands of eager college graduates are hired by the world's financial giants, where they're taught the secrets of making obscene amounts of money - as well as how to dress, talk, date, drink, and schmooze like real financiers. But they experience something new, too: an industry forever changed by the massive financial collapse of 2008. And as they get their Wall Street educations, they face hard questions about morality, prestige, and the value of their work.

Ellen McGarrahan was a young journalist for The Miami Herald in 1990 when she witnessed the botched execution of convicted killer Jesse Tafero: flames and smoke and three jolts of the electric chair. When evidence later emerged casting doubt on Tafero’s guilt, McGarrahan found herself haunted by his fiery death. Had she witnessed the execution of an innocent man? Decades later, McGarrahan, now a successful private investigator, is still gripped by the mystery and infamy of the Tafero case, and decides she must investigate it herself.