Latin American Art

"Hace tiempo que no leía algo tan bueno. En pana puede leerse como una autobiografía—porque es la biografía de unos autos—o un ménage à trois entre novela, ensayo y poesía, o una exagerada nota al pie acerca del copiloto como un pequeño dios. Martín Cinzano ha escrito un libro inolvidable, muy divertido, melancólico, vertiginoso e introspectivo: callejero, carretero y carrilero." —Alejandro Zambra

"This story is the record of a struggle between two temperaments, two consciences and almost two epochs. It ended, as was inevitable, in disruption. Of the two human beings here described, one was born to fly backward, the other could not help being carried forward. The affection of these two persons was assailed by forces in comparison with which the changes that health or fortune or place introduce are as nothing.

The fascinating Mexican artist Frida Kahlo is remembered for her self-portraits, her dramatic works featuring bold and vibrant colors. Her work brought attention to Mexican and indigenous culture, and she is also renowned for her works celebrating the female form. Brown's story recounts Frida's beloved pets - two monkeys, a parrot, three dogs, two turkeys, an eagle, a black cat, and a fawn - and playfully considers how Frida embodied many wonderful characteristics of each animal.

Jorge Ramos, periodista galardonado con premios Emmy, reconocido presentador del Noticiero Univisión y considerado "la voz de los sin voz" de la comunidad latina, fue expulsado de una rueda de prensa del candidato presidencial Donald Trump en Iowa en el año 2015 tras cuestionar sus planes sobre inmigración.

A dramatized, abridged performance of Alice in Wonderland with Eva Le Gallienne, Bambi Linn, and Margaret Webster.

Follow Europe’s most cunning art thief, forger, and amateur sleuth as she tracks down priceless antiquities and foils nefarious plots.

Jorge Ramos, an Emmy award-winning journalist, Univision's longtime anchorman and widely considered the "voice of the voiceless" within the Latino community, was forcefully removed from an Iowa press conference in 2015 by then-candidate Donald Trump after trying to ask about his plans on immigration. In this personal manifesto, Ramos sets out to examine what it means to be a Latino immigrant, or just an immigrant, in present-day America. With current research and statistics, a journalist nose for a story, and his own personal experience, Ramos shows us the changing face of America.

Half-Cuban, half-Puerto Rican, Luis "DJ Disco Wiz" Cedeño is 100 percent Boogie Down Bronx. Born in the 60s, Wiz struggled in a turbulent and violent relationship with his alcoholic father while trying to protect his mother who was suffering from breast cancer. Raised in the 70s, Wiz learned the code of the streets while hustling with his crew, the East Side Boys.

Thomas Love Peacock is today remembered as the author of seven satirical novels which many regard merely as literary curiosities. However, he was also a man of considerable learning, a skilled poet, and an astute literary critic. This collection includes Recollections of Thomas Love Peacock, an affectionate reminiscence by Sir Edward Strachey; Some Recollections of Childhood, a window into Peacock's early youth; "Four Ages of Poetry", in which he pokes fun at his contemporaries; and "The Last Day of Windsor Forest", an old man's recollection of a memorable episode.

Millie danced to jazz in her Italian neighborhood. Pedro danced to Latin songs in his Puerto Rican neighborhood. It was the 1940s in New York City, and they were forbidden to dance together…until, first, a band and, then, a ballroom broke the rules. Machito and His Afro-Cubans hit the scene with a brand-new sound, blending jazz trumpets and saxophones with Latin maracas and congas creating Latin jazz: music for the head, the heart, and the hips.

Era la década de 1940 en la segregada cuidad de Nueva York. Ya sea que bailaras al sonido de las trompetas y los saxofones en un salón en el barrio italiano o en la calle al son de maracas y congas en el barrio puertorriqueño, generalmente bailabas en el lugar donde vivías y con gente de tu mismo origen. Pero antes de que terminara la década, una nueva sala de baile - el Palladium - acogió a personas de todos los vecindarios.