Latin American Fiction

Santa Evita no es sólo una de las grandes novelas argentinas, sino el relato del episodio más inconcebible y macabro de la vida política nacional. Con las herramientas de la investigación periodística y la prosa de la ficción, Tomás Eloy Martínez persigue y cuenta a través de una galería de personajes extraordinarios el desquiciado calvario del cuerpo embalsamado de Eva Perón, al tiempo que revive los matices más desconocidos de la mujer que signó -incluso desde la muerte - el destino de un país.

George Eliot’s last, most controversial novel opens as the spoiled Gwendolen Harleth, poised at a roulette table about to throw away a small fortune, captivates Daniel Deronda. As their lives become intertwined, they are also transformed by suffering, misfortune, revelations and Daniel’s fascination with the Jewish singer Mirah. Daniel Deronda shocked Victorian readers with its portrayal of the Jewish experience in British society, and remains a moving and epic portrayal of human passions.

Cupid only strikes once. At least that’s what Lissette Alonso believes. Ever since the Most Disastrous Valentine’s Day of All Time™ she has hated all things V-day. But Lizzie’s best friend is having pre-nuptial festivities for a week leading up to her February 14th wedding and Lissette is taking her maid of honor duties seriously, maybe too seriously. Of course of course of course who is the first person she runs into on the way to the wedding? None other than her childhood nemesis, Brian Anderson, the reason for all of her Valentine’s Day hatred.

À l'heure où le régime castriste s'essouffle, "Don Fuego" chante toujours dans les cabarets de La Havane. Jadis, sa voix magnifique électrisait les foules. Aujourd'hui, les temps ont changé et le roi de la rumba doit céder la place. Livré à lui-même, il rencontre Mayensi, une jeune fille "rousse et belle comme une flamme ", dont il tombe éperdument amoureux. Mais le mystère qui entoure cette beauté fascinante menace leur improbable idylle.

Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.

In 1976, Tomás Orilla is a medical student in Buenos Aires, where he has moved in hopes of reuniting with Isabel, a childhood crush. But the reckless passion that has long drawn him is leading Isabel ever deeper into the ranks of the insurgency fighting an increasingly oppressive regime. Tomás has always been willing to follow her anywhere, to do anything to prove himself. Yet what exactly is he proving, and at what cost to them both?

Thirtysomething Flores and her mother, Paula, still live in the same Brooklyn apartment, but that may be the only thing they have in common. It’s been nearly three years since they lost beloved husband and father Martín, who had always been the bridge between them. One day, cleaning beneath his urn, Flores discovers a note written in her mother’s handwriting: Perdóname si te falle. Recuerda que siempre te quise. (“Forgive me if I failed you. Remember that I always loved you.”) But what would Paula need forgiveness for?

Through the sands of the scalding deserts of India, two loafing vagabonds follow a half-scribbled map, heading for a land they hope to conquer.

En el año 2014, Carlos Carballo es arrestado por intentar robar de un museo el traje de baño de Jorge Eliécer Gaitán, líder político asesinado en Bogotá en 1948. Carballo es un hombre atormentado que busca señales para desentrañar los misterios de un pasado que lo obsesiona. Pero nadie, ni siquiera sus amigos más cercanos, sospecha las razones profundas de su obsesión. ¿Qué conecta los asesinatos de Jorge Eliécer Gaitán, cuya muerte partió en dos la historia de Colombia, y de John F. Kennedy?

On a clear, moonlit night in December, police detective Jimmy Vega races to the scene of a reported home invasion in an upscale New York community. As Vega arrives, he spots a Hispanic man who fits the description of the armed intruder running from the victim's estate. Vega chases him into the woods. When the suspect refuses to surrender - and reaches into his pocket - Vega has only seconds to make a life-or-death decision.

Camila is haunted by the death of her sister, Marisol, who was caught by a mudslide during the huracán. Unable to part with Marisol, Camila carries her through town, past the churchyard, and, eventually, to the supposed utopia of Memoria. Urayoán, the idealistic, yet troubled cult leader of Memoria, has a vision for this new society, one that in his eyes is peaceful and democratic. The paradise he preaches lures in the young, including Bayfish, a boy on the cusp of manhood, and Morivivi, a woman whose outward toughness belies an inner tenderness for her friends.

Charlie still likes to think of himself as a normal kid. But what's normal about being a demon-slaying preteen with an encyclopedic knowledge of Hispanic and Latino mythology who can partially manifest nearly any animal trait found in nature? Well, not much. But, Charlie believes he can get used to this new "normal," because being able to sprout wings or morph fins is pretty cool. But there is a downside: It means having to constantly watch his back for La Mano Peluda's sinister schemes. And when the leader of La Liga is kidnapped, Charlie's sure they're at it again.

Akashic Books’ acclaimed series of original noir anthologies has set a high standard for portraying cities and their neighborhoods in all their dark and violent splendor. Now, Mexico City Noir surpasses that standard with phantasmagorical tales of double-dealing, corruption, violence and self-delusion.... This collection is such a varied literary feast.

Paloma has been watching the Grand Vespertilio Show her entire life. Grand, America’s most beloved horror host showcases classic, low-budget and cult horror movies with a flourish, wearing his black tuxedo and hat, but Paloma has noticed something strange about Grand, stranger than his dark make-up and Gothic television set.

Attorney Marc Mendes, the estranged son of a prominent Rabbi and a burned-out lawyer with addiction issues, plots his exit from the big city to a more peaceful life in idyllic Napa Valley. But before realizing his dream, the US government summons his Salvadoran life partner Isaac Perez to immigration court, threatening him with deportation.

A new re-interpretation of the classic mystical poetic work by the English poet and printmaker William Blake, The Marriage of Heaven and Hell is a must-listen for any serious literati or poet - as featured in the movie Dead Man by Jim Jarmusch, starring Johnny Depp.

À Middlemarch, cité imaginaire de la province anglaise, vers 1830, la jeune et intelligente Dorothée aspire à de grandes réalisations. Elle épouse le pasteur Casaubon, beaucoup plus âgé qu'elle et espère aider son mari dans les travaux de recherche pour un livre qui devrait être son chef d'œuvre. Mais Casaubon ne la prend pas sérieux, la néglige. De plus, il prend ombrage de l'amitié qui rapproche Will Ladislaw, son cousin, et Dorothée. Ce mariage se révèle être une erreur.

Después de derrotar al ejército cristiano, las tropas almohades se abren paso a sangre y fuego arrasando todo lo que encuentran en su camino. Diego de Malagón, el humilde hijo de un posadero, es testigo horrorizado del asesinato de su padre y del secuestro de sus hermanas. A duras penas consigue huir a lomos de su inseparable yegua Sabba y alcanzar la ciudad de Toledo donde conoce a Galib, un veterinario mudéjar.

Con una narrativa zigzagueante en su cronología nos acercamos a esa segunda persona a la que Alberto Forcada le habla: con su voz le revive sus andanzas en la escuela, en el barrio, las mudanzas y los amoríos no concretados, la virginidad a medio perder, las escenas en las que atestigua una violencia cotidiana que lo invita a participar constantemente, desde el bullying hasta la delincuencia, con el constante sentimiento de culpa camuflado en complicidad con la inacción.

Tras terminar sus estudios de arquitectura en Europa, Lavinia regresa a Latinoamérica para emprender su camino como mujer independiente. Pero sus planes cambian cuando conoce a Felipe, con quien establece una profunda relación sentimental. A su lado le llega la oportunidad de implicarse en las luchas populares y los movimientos de liberación de la dictadura de su país, conectando de ese modo con Itzá, una indígena que luchó contra los invasores españoles y que ahora despierta reencarnada en un naranjo para acompañar, apoyar e inspirar a Lavinia.