Latin American Fiction

South Korea, 1970s: Sergeant First Class Cecil B. Harvey, a senior NCO in charge of Eighth Army’s classified documents, has long been a friend (willing or unwilling) to Sergeants George Sueño and Ernie Bascom. So when he goes missing with a top-secret document that even a glance at could get an officer court-martialed, Sueño and Bascom take it upon themselves to find him. Meanwhile, Overseas Observer reporter Katie Byrd Worthington is back to make life difficult for top army brass. When she lands in a Korean jail cell, Sueño and Bascom are sent to get her out.

Twelve-year-old Jorge is lonely and resentful after being sent to live with his grandparents. His first day at his new school doesn’t go well after catching the attention of his belligerent principal and the school bullies, so Jorge might be a little desperate for a friend. But the only kid who shares his interest in junk food and games turns out to be a young chupacabra—a legendary monster whose kind is known for being bloodthirsty livestock killers.

Jenny Diski was a fearless writer, for whom no subject was too difficult, even her own cancer diagnosis. Her columns in the London Review of Books - selected here by her editor and friend Mary-Kay Wilmers, on subjects as various as death, motherhood, sexual politics and the joys of solitude - have been described as ‘virtuoso performances’ and ‘small masterpieces'. Why Didn’t You Just Do What You Were Told? is a collective interrogation of the universal experience from a very particular psyche.

Mr. Midshipman Easy is the 1836 novel by Frederick Marryat, a retired Captain in the 19th century Royal Navy. The novel is set during the Napoleonic Wars, in which Marryat himself served with distinction. It was adapted twice into films in 1916 and in 1935 as Midshipman Easy. Captain Frederick Marryat (July 10, 1792 - August 9, 1848) was an English Royal Navy officer, novelist, and a contemporary and acquaintance of Charles Dickens, noted today as an early pioneer of the sea story.

A veces desgarrador, a veces intensamente alegre, La Casa en Mango Street relata la historia de Esperanza Cordero, en cuyo barrio conviven realidades crueles y una belleza severa. Esperanza no quiere pertenecer, ni a su barrio ni a las bajas expectativas que el mundo le ofrece. La historia de Esperanza es la de una joven intentando alcanzar su propio poder e inventar sup propio futuro.

Kate and Scott’s marriage has always been a lot of fun, with alcohol at the heart of it. After all, what’s more entertaining than a good laugh and a large drink…or six? But recently, those relaxing drinks have become more crutch than comfort - and the couple have almost forgotten how to talk to each other sober. Then their teenage daughter Holly uploads a video of their humiliating drunken escapades, which gets picked up by YouTube superstar PinkyPud - and goes horrifyingly viral.

Melissa Trujillo knows suffering. She's tasted it, touched it, injected it. Sobriety is a gift, but it isn't enough to wash away her secrets. Kieran O'Connell knows sacrifice. He's owned it, held it between his fingers, and felt it in his knees. Words are his freedom, and they've begun to fade. Two different worlds. One moment, and the Earth shifts - granting them a path. His eyes meet hers. Her hand fits his. Kieran finds his muse. Melissa finds her new addiction.

The Knight's Tale of medieval wars and chivalry is the first tale told to the pilgrims as they set out to Canterbury. It concerns Theseus, returning from fighting at Thebes, and two brother knights Palamon and Arcite, imprisoned but yearning for their loves. But the real hero of this recording is Richard Bebb who, with the help of Professor Derek Brewer, the leading expert on Chaucerian pronunciation, make the original Middle English not only comprehensible to the modern ear, but exciting.

Era como si hubiéramos alcanzado el punto crítico mínimo de una curva matemática. ¿Tiene presente una parábola? El cero de abajo, el hueco, el abismo. Hasta ahí llegamos. Corre el año 1993. Cuba está en lo más álgido del Período Especial, un profunda crisis económica tras el colapso del bloque soviético. Para Julia, una profesora de matemática que detesta enseñar, La Habana está en su año cero: el punto más bajo, camino a ninguna parte.

Childe Harold's Pilgrimage is a fascinating portrait of 19th-century Europe - disillusioned and ravaged by the wars of the postrevolutionary and Napoleonic eras. Our protagonist, whose breathtaking journey eerily echoes Byron's own life story, forgoes his destiny back home for the exciting unknown - the nature of humanity and the transformative effects of travel burst through the pages in four powerful cantos of Spenserian stanzas. Here is the poem that set Byron on his meteoric rise to fame in London society.

Emma Woodhouse, "belle, intelligente et riche" a vingt-et-un ans. Elle habite la belle demeure de Hartfield, près du gros bourg de Highbury, avec son père âgé, hypocondriaque et veuf, entourée d'amis fidèles, tel Mr. Knightley, son beau-frère, propriétaire du riche domaine voisin de Donwell Abbey. Son ancienne gouvernante, Miss Taylor, vient d'épouser un veuf fortuné, Mr. Weston, dont le fils a été adopté tout jeune par son oncle et sa tante, les Churchill, avec qui il vit à Enscombe, dans le Yorkshire.

Lucia Vega is on a winning streak. Her book has taken the country by storm, and now it's being made into a movie. After years of chasing it, she can finally taste freedom. Reece Carras is one of the most powerful men in Hollywood. Handsome, rich, and generous, he's everything girls like her aren't supposed to dream of. But dream she does. And in his strong arms, she finds a freedom she never even knew existed.

In his best-selling A Planet for Rent, Yoss pays homage to Ray Bradbury's The Martian Chronicles and 334 by Thomas M. Disch. A critique of Cuba in the 90s, after the fall of the Soviet Union and the dissolution of the Warsaw Pact, A Planet for Rent marks the debut in English of an astonishingly brave and imaginative Latin American voice.

The veil between the living and the dead is obscured, chaos becomes panacea, and characters take drastic measures into their own hands. Survivors of all kinds seek strategy and solace: a group of homeless people organize an occupation of vacant condos, a new resident to a disturbing neighbourhood tries to make sense of madness, a dog investigates the sudden disappearance of his owner. The five intertwined vignettes in the title story are set in a Caribbean country where the spectre of the sugar plantation haunts everyone.

On the weekend of her wedding, Clare Hobbes meets an elderly woman named Edith Herron. During the course of a single conversation, Edith gives Clare the courage to do what she should have done months earlier: break off her engagement to her charming - yet overly possessive - fiancé. Three weeks later Clare learns that Edith has died - and has given her another gift. Nestled in crepe myrtle and hydrangea and perched at the marshy edge of a bay in a small seaside town in Delaware, Blue Sky House now belongs to Clare.

Joaquim Maria Machado de Assis (1839-1908) was the greatest writer ever to come from Brazil and one of the masters of nineteenth-century fiction. Susan Sontag calls him "the greatest writer ever produced in Latin America", surpassing even Borges. Harold Bloom says that Machado is "the supreme black literary artist to date". And Allen Ginsburg calls him "another Kafka". And The Posthumous Memoirs of Bras Cubas is his masterpiece, a dazzling, tragic, and profound novel that belongs next to the greatest works of his contemporaries Melville and Dostoevsky.

Lo mucho que te amé es la nueva novela de Eduardo Sacheri. Una historia que nos lleva a la década del 50 en Buenos Aires, en el seno de una familia de origen español. Cuenta la historia de Ofelia, una de las cuatro hermanas Fernández Mollé, una muchacha formal, feliz, a punto de casarse. Pero una tarde su vida cambia abruptamente para convertirse en una maraña de sentimientos encontrados: delicia, inquietud, felicidad, incertidumbre, miedo y mucha culpa.

It's spring in Lake Holly, New York, a time of hope and renewal. But not for immigrants in this picturesque upstate town. Raids and deportations are on the rise, spurring fear throughout the community. Tensions reach the boiling point when the district attorney's beautiful young bride is found hanging in her flooded basement, an apparent victim of suicide. But is she, wonders Vega? If so, where is her undocumented immigrant maid?

Bryan knows what's tight for him - reading comics, drawing superheroes, and hanging out with no drama. But drama is every day where he's from, and that gets him tight, wound up. And now Bryan's friend Mike pressures him with ideas of fun that are crazy risky. At first, it's a rush following Mike, hopping turnstiles, subway surfing, and getting into all kinds of trouble. But Bryan never really feels right acting so wrong, and drama really isn't him. So which way will he go, especially when his dad tells him it's better to be hard and feared than liked?

At eighteen, Soledad couldn't get away fast enough from her contentious family with their endless tragedies and petty fights. Two years later, she's an art student at Cooper Union with a gallery job and a hip East Village walk-up. But when Tia Gorda calls with the news that Soledad's mother has lapsed into an emotional coma, she insists that Soledad's return is the only cure. Fighting the memories of open hydrants, leering men, and slick-skinned teen girls with raunchy mouths and snapping gum, Soledad moves home to West 164th Street.