Latin American Fiction

Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers. In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work.

¿Cuál es la verdadera intención de Ugo Conti cuando decide tomar un vuelo hacia México? Napolitano, hijo de una prostituta, Ugo logra, con total habilidad, entrar a la aristocracia italiana y, por extrañas circunstancias, adopta el nombre y título del príncipe Conti, quien por un defecto de nacimiento permanece internado en un lugar especial.

Ésta es la historia de Gregory Reeves, un gringo que sobrevive en el difícil mundo de los hispanos de California. Gregory quiere llevar a la práctica el peculiar "plan infinito» que se trazó a sí mismo en su infancia. Sin embargo, para conseguirlo debe recorrer un duro camino lleno de obstáculos: la marginación social, el racismo, el brutal contraste entre pobreza y riqueza o la guerra de Vietnam.

An unnamed paralegal, brought back to life through a controversial process, maneuvers through a near-future world that both needs and resents him. As the United States president spouts anti-reanimation rhetoric and giant pharmaceutical companies rake in profits, the man falls in love with lawyer Faustina Godínez. His world expands as he meets her network of family and friends, setting him on a course to discover his first-life history, which the reanimation process erased.

Space-obsessed 12-year-old Paola Santiago and her two best friends, Emma and Dante, know the rule: Stay away from the river. It's all they've heard since a schoolmate of theirs drowned a year ago. Pao is embarrassed to admit that she has been told to stay away for even longer than that, because her mother is constantly warning her about La Llorona, the wailing ghost woman who wanders the banks of the Gila at night, looking for young people to drag into its murky depths.

The Mill on the Floss, first published in 1860, tells the story of Maggie Tulliver and her brother Tom as they grow from children to young adults in the small rural town of St. Ogg's, England. Intelligent and passionate, Maggie yearns to develop her mind and break free of the constraints of her provincial village. Though she loves her brother above anyone else, Tom's rigid, pragmatic personality often conflicts with Maggie's headstrong nature, with increasingly tragic consequences.

Suite au décès de M. Dashwood, sa veuve et ses trois filles se voient contraintes de quitter le Sussex et le domaine familial de Norland. Elles se réfugient dans le Devon, à l'invitation d'un généreux parent, où une nouvelle vie, plus modeste les attend. Les sœurs aînées, Elinor et Maria, l'une plus raisonnable, l'autre plus sentimentale vont vivre leur premiers émois amoureux non sans quelques revers.

When the dead body of a Latino woman is found in a reservoir about 50 miles north of Manhattan, with a photo of a baby in her purse nearby, the police try to determine who the child is and if it is still alive. Along with the photo, they also find a disturbing note in the purse: "Go back to your country. You don't belong here."

En el Madrid de los años inmediatamente posteriores a la Guerra Civil, los destinos de numerosos individuos de varias clases sociales y con diferentes actitudes ante la vida desfilan en una secuencia de breves y fascinantes viñetas narrativas. Con la ciudad como personaje, el conjunto es el retrato de una sociedad en la que el estraperlo, el hambre, la prostitución y el miedo conviven con efímeros destellos de ternura y humor.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

September 11, 1973: Eleven-year-old Alejandro Penda watches from his apartment window as Santiago, Chile falls to a military coup, destroying his family and his childhood. Arriving alone in America, he’s taken in by the Larks: a prominent family in the town of Guelisten. Though burdened by unresolved grief for his disappeared parents, he becomes fiercely loyal to the Larks, eventually marrying one of their daughters, Valerie.

Gilbert Keith Chesterton (1874-1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is best known for his fictional priest-detective Father Brown. In The Club of Queer Trades, narrator 'Cherub' Swinburne and his friends, the eccentric former judge Basil Grant, and Basil's younger brother, private detective Rupert Grant, encounter six curious mysteries, each involving someone who makes a living in an extraordinary and bizarre - in the language of the time a 'queer' - way.

En 1928, Max, gigolo, chasseur de femmes fortunées, fait route vers Buenos Aires à bord du Cap Polonio où il travaille comme danseur mondain, quand il aperçoit une pièce de choix : Mecha Inzunza, épouse richissime d'un célèbre compositeur, qui danse merveilleusement le tango. La passion de Max est immédiate et à Buenos Aires, où il guide le couple dans les cabarets des faubourgs, il noue avec elle une liaison qui tourne mal.

Dissatisfied with his empty, Sisyphus-like existence in New York City, where he has abandoned his creative dreams for a job in corporate advertising, a highly cultured aspiring composer wants nothing more than to tear his life up from the root. He soon finds his escape hatch: a university-sponsored mission to South America to look for indigenous musical instruments in one of the few areas of the world not yet touched by civilization. Retracing the steps of time, he voyages with his lover into a land that feels outside of history.

The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It's a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family's unusual and dramatic lives: especially his father's, his sister Marianella's and his own.

La ficción histórica es un género literario en el que la trama se desenvuelve en un entorno ubicado en el pasado, así que volvamos a una época en la que terminó Californio e inició California. Escucha historias perdidas de vaqueros desesperados que tuvieron que huir para poder sobrevivir. Esta novela se basa en historias reales de amor y tragedia, hermandad y familia. Estos hombres fueron tildados de bandidos y criminales por el nuevo gobierno bajo el cual repentinamente tuvieron que vivir.

Lady Audley is universally adored: Beautiful, kind and charming, she enamors all whom she meets. It is not until the strange disappearance of widower George Talboys that her behavior takes an odd turn. George's friend, Robert Audley, Lady Audley's nephew-in-law, is on the case; an upper-class layabout turned detective, he is determined to get to the bottom of things.

Cuando Héctor Abad Faciolince, autor de El olvido que seremos, leyó esta primera novela, decidió publicarla de inmediato; muy poco después Lumen se sumaría a su entusiasmo. Tras el éxito en Colombia y mientras Francia prepara su traducción, Cómo maté a mi padre llega a los lectores de ambos lados del océano como una de las revelaciones literarias de los últimos tiempos.

L'ambassadeur américain voyage en Angleterre avec sa famille et s'installe dans un chateau hanté.

When Nick’s wife Kerry falls ill and dies, he realises for the first time how fragile his happiness has always been, and how much he’s been taking his good life and wonderful family for granted. Now, he suddenly finds himself navigating parenthood alone, unsure how to deal with his own grief, let alone that of his teenage son, Olly.