Latin American Fiction

The most fearsome enemy he ever faced. Of all the enemies that our hero has shrunk away from, there was one he feared above them all. By his own admission they gave him nightmares into his dotage. It was not the French, the Spanish, the Americans, or the Mexicans. It was not even the more exotic adversaries such as the Iroquois, Mahratta, or Zulus. While they could all make his guts churn anxiously, the foe that really put him off his lunch were the Ashanti.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

Ladydi Garcia Martinez was born into a world where being a girl is a dangerous thing. In the mountains of Guerrero, Mexico, women must fend for themselves, as their men have left to seek opportunities elsewhere. While her mother waits in vain for her husband's return, Ladydi and her friends dream of a future that holds more promise than mere survival, finding humor, solidarity, and fun in the face of so much tragedy. When Ladydi is offered work as a nanny for a wealthy family in Acapulco, she seizes the chance and finds her first taste of love with a young caretaker there.

Barcelona, 1957. Daniel Sempere y su amigo Fermín, los héroes de La Sombra del Viento, regresan de nuevo a la aventura para afrontar el mayor desafío de sus vidas. Justo cuando todo empezaba a sonreírles, un inquietante personaje visita la librería de Sempere y amenaza con desvelar un terrible secreto que lleva enterrado más de dos décadas en la oscura memoria de la ciudad.

In Parson, Texas, a small town ravaged by a devastating hurricane and the Vietnam War, twenty-nine-year-old Lou is diligently renovating a decaying old mansion for Miss Kate, the elderly neighbor who has always been like a mother to her. Mourning her brother’s death in Vietnam, Lou dreams of enjoying a more peaceful future in Parson. But those hopes are crushed when Miss Kate is murdered, and no one but Lou seems to care about finding the killer.

Cowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas. In Cowboy Graves, Arturo Belano - Bolaño's alter ego - returns to Chile after the coup to fight with his comrades for socialism.

It is 1898, and groups of starving Puerto Ricans, los hambrientos, roam the parched countryside and dusty towns begging for food. Under the yoke of Spanish oppression, the Caribbean island is forced to prepare to wage war with the United States. Up in the mountainous coffee region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their small farm from the creditors. When the Spanish-American War and the great San Ciriaco Hurricane of 1899 bring devastating upheaval, the young couple is lured, along with thousands of others, to the sugar plantations of Hawaii.

With 10 stories that move from the barrios of the Dominican Republic to the struggling urban communities of New Jersey, Junot Diaz makes his remarkable debut. Diaz's work is unflinching and strong, and these stories crackle with an electric sense of discovery.

Primavera con una esquina rota es un testimonio directo y dolorido que trata de una sociedad escindida, fracturada por la represión y el autoritarismo, e intenta ser un puente entre dos regiones - el Uruguay bajo la dictadura y el Uruguay del exilio - que constituyen un solo y lacerado país.

Relinquishing thoughts of a materially rewarding life, the respectably educated Felix Holt returns to his native village in North Loamshire and becomes an artisan. He is a forceful young man of honor, integrity, and idealism, burning to participate in political life so that he may improve the lot of his fellow artisans.

The Old Wives' Tale is broken up into four parts, and the lives of two sisters are laid bare: one timid and unassuming, the other romantic and adventurous. From working as children in their family's drapery shop to their later years, Constance and Sophia's journey through life could not be more different. While one travels the world and defies male expectations, the other becomes a dutiful wife and mother.

The brilliant conclusion to the Palliser novels, this touching story follows the elderly Duke of Omnium, the former prime minister of England, as he struggles to overcome his grief at the loss of his beloved wife, Lady Glencora. To complicate matters, he must also deal with the willfulness of his three adult children as he tries to guide and support them - his plans for them are quite different from their own. While his two sons, sent down from university in disgrace, rack up gambling debts, the duke’s only daughter yearns to marry the poor son of a country squire.

Alone in a museum in Paris, Gabriela Wiener confronts her complicated family heritage. She is visiting an exhibition of pre-Columbian artifacts, spoils of European colonialism, many stolen from her homeland of Peru. As she peers at countless sculptures of Indigenous faces, each resembling her own, she sees herself in them—but the man responsible for pillaging them was her own great-great-grandfather, Austrian colonial explorer Charles Wiener.

Space-obsessed 12-year-old Paola Santiago and her two best friends, Emma and Dante, know the rule: Stay away from the river. It's all they've heard since a schoolmate of theirs drowned a year ago. Pao is embarrassed to admit that she has been told to stay away for even longer than that, because her mother is constantly warning her about La Llorona, the wailing ghost woman who wanders the banks of the Gila at night, looking for young people to drag into its murky depths.

Monica a abandonné sa carrière d'avocate pour réaliser son rêve : ouvrir un café sur Fulham Road. Le jour où un de ses clients oublie son carnet sur une table, elle ne peut s'empêcher de le lire. Les premières pages lui révèlent la confession de Julian Jessop, un artiste excentrique, âgé de soixante-dix-neuf ans qui exprime toute sa tristesse et sa solitude depuis la mort de sa femme. Touchée par cette idée de révéler des sentiments intimes à des inconnus, Monica décide de continuer le carnet avant de le déposer dans un bar à vin.

Dans les années trente, Arturo Bandini, fils d'immigrés italiens, quitte le Colorado pour l'Eldorado, Los Angeles, avec son unique roman en poche et un rêve : devenir un écrivain reconnu. Vénérant les femmes et la littérature, il débarque dans une chambre d'hôtel miteuse, prêt à saisir la vie à bras-le-corps. Une errance sublime parmi les laissés-pour-compte du rêve américain.

Blending fact and fiction, Colombiano is a powerful and heart-rending story of revenge and war, set in Colombia. All Pedro Gutiérrez cares about is fishing, playing pool and his girlfriend Camila’s promise to sleep with him on his 16th birthday. But his life is ripped apart when guerrilla soldiers callously execute his father in front of him, and he and his mother are banished from their farm.

The story girl of the title is the 14-year-old Sara Stanley who weaves spellbinding tales that enchant her audience that comes from near and far. These 32 stories range from the humorous and satirical to exotic romances, Scottish folk tales, retellings of Greek myths and poems by Tennyson, to ghost stories. They include the scary "Tale of the Family Ghost", and the bittersweet "The Blue Chest of Rachel Ward".

The stories in This Is How You Lose Her, by turns hilarious and devastating, raucous and tender, lay bare the infinite longing and inevitable weaknesses of our all-too-human hearts. They capture the heat of new passion, the recklessness with which we betray what we most treasure, and the torture we go through - "the begging, the crawling over glass, the crying" - to try to mend what we've broken beyond repair. They recall the echoes that intimacy leaves behind, even where we thought we did not care.

The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It's a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family's unusual and dramatic lives: especially his father's, his sister Marianella's and his own.