Latin American Fiction

One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.

Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights.

This is a selection of works by three famous Irishmen: Oscar Wilde, W. B. Yeats and Bram Stoker. It includes: the short story by Bram Stoker, "Dracula's Guest"; Oscar Wilde's poem "Humanitad" and three versions of his "The Ballad of Reading Gaol"; and finally, an early collection of poetry called The Rose by W. B. Yeats. There is a general introduction by the writer and actor Tim Dalgleish and other additional material.

Peru, the 1980s and 1990s: It was a cruel, bloody and terrifying era. The rebels of Sendero Luminoso ("Shining Path"), founded by philosophy professor, Abimael Guzman, slaughtered vilagers in the mountains and hung dogs from power lines, their carcasses canvases for Maoist slogans. The government responded with a corrosive mix of assasination, bribery and intrigue which brought down the rebel leader but triggered the fall of the president.

Hailed in his lifetime as one of Latin America’s greatest writers, Machado de Assis (1839-1908) was a storyteller known for his wholly innovative narrative techniques and uncanny talent for unraveling the social and political milieu of nineteenth-century Brazil. These signature traits are on full display in Quincas Borba, a novel that sees Machado satirize a rapidly changing Rio de Janeiro. Originally published in 1891, the story begins with the death of its titular character, a mad philosopher infamous for spouting pessimistic theories of “Humanitism”.

Highwire Moon narrates the journeys of a young mother and daughter divided. Serafina is a Mexican-Indian scraping by in Southern California; detained by immigration officials, she tragically lacks the English to tell them that Elvia, her three-year-old, is resting in a nearby car. After her deportation, Serafina tries in vain to return to the States, while Elvia must survive several foster homes, later to be reclaimed by her father. By the time Elvia is fifteen, she’s pregnant and surrounded by drugs.

In 1809, at the age of 18, Henriette Faber enrolled herself in medical school in Paris - and since medicine was a profession prohibited to women, she changed her name to Henri in order to matriculate. She would spend the next 15 years practicing medicine and living as a man. Drafted to serve as a surgeon in Napoleon's army, Faber endured the horrors of the 1812 retreat across Russia. She later embarked to the Caribbean and set up a medical practice in a remote Cuban village, where she married Juana de León, an impoverished local.

Santa Evita no es sólo una de las grandes novelas argentinas, sino el relato del episodio más inconcebible y macabro de la vida política nacional. Con las herramientas de la investigación periodística y la prosa de la ficción, Tomás Eloy Martínez persigue y cuenta a través de una galería de personajes extraordinarios el desquiciado calvario del cuerpo embalsamado de Eva Perón, al tiempo que revive los matices más desconocidos de la mujer que signó -incluso desde la muerte - el destino de un país.

Lala Reyes' grandmother is descended from a family of renowned rebozo, or shawl makers. The striped (caramelo) is the most beautiful of all, and the one that makes its way, like the family history it has come to represent, into Lala's possession. The novel opens with the Reyes' annual car trip, a caravan overflowing with children, laughter, and quarrels, from Chicago to "the other side": Mexico City.

This inspiring biography tells the story of New York City's first Puerto Rican librarian, a woman who championed bilingual literature. When she came to America in 1921, Pura Belpré carried the cuentos folklóricos of her Puerto Rican homeland. Finding a new home at the New York Public Library as a bilingual assistant, she turned her popular retellings into libros and spread story seeds across the land. Today, these seeds have grown into a lush landscape as generations of children and storytellers continue to share her tales and celebrate Pura’s legacy.

Cuando Camila hace una prueba para una obra de teatro, se esfuerza mucho en ensayar para la audición. Así que queda muy decepcionada cuando no la eligen de protagonista. Al aprender su papel y colaborar con el resto del elenco, ¿descubrirá Camila que hay más de una manera de ser una estrella?

Después de leer sobre niños que rompen récords, Camila sueña con romper uno también. Pero, ¿cuál de los récords mundiales debe conquistar? Intenta de varias maneras, pero descubre que no es fácil. ¿Llegará a convertirse en una estrella rompe récords?

South Korea, 1970s: Sergeant First Class Cecil B. Harvey, a senior NCO in charge of Eighth Army’s classified documents, has long been a friend (willing or unwilling) to Sergeants George Sueño and Ernie Bascom. So when he goes missing with a top-secret document that even a glance at could get an officer court-martialed, Sueño and Bascom take it upon themselves to find him. Meanwhile, Overseas Observer reporter Katie Byrd Worthington is back to make life difficult for top army brass. When she lands in a Korean jail cell, Sueño and Bascom are sent to get her out.

Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city. The locals treat the Sanchez women like outsiders, while Carmen's contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen's had enough. They're leaving. Back home in New York, malevolent and unexplainable happenings seem to swarm the Sanchez family.

What if the last man in the world she could be prevailed upon to marry...is her husband? In Jane Austen's Pride and Prejudice, Elizabeth Bennet tells the proud Mr. Fitzwilliam Darcy that she wouldn't marry him if he were the last man in the world. But what if she never said the words? What if circumstances conspired to make her accept Darcy the first time he proposes?

Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there's no going back. Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to search for her brother, she is smuggled into the USA carrying a pair of secret messages - one from her mother and one from the Mexican underworld.

Fed up with her married Miami boyfriend, savvy Dulce has no problem stealing his drug-dealer stash and fleeing to the Caribbean. Between her special skills - and an eye for very rich and/or very smokin' men - Dulce stays a hustle ahead of trouble and makes her new life one endless party in Puerto Rico. Until she's caught in Hurricane Maria - and witnesses both the heartbreaking disaster of climate change, and the international vultures who plunder the tragedy for a financial killing, making shady use of relief funds to devastate the island even more....

What Estrella knows of life comes from her mother, who has survived abandonment by her husband in a land that treats her as if she were invisible, even though she and her children pick the crops of the farms that feed its people. But within Estrella, seeds of growth and change are stirring. And in the arms of Alejo, they burst into a full, fierce flower as she tastes the joy and pain of first love. Pushed to the margins of society, she learns to fight back and is able to help the young farmworker she loves when his ambitions and very life are threatened in a harvest of death.

1984. Bessie is a confident sixteen-year-old girl with the world at her feet, dreaming of what life will bring and what she’ll bring to this life. Then everything comes crashing down. Her bright and trusting smile is lost, banished by shame - and a secret she’ll carry with her for the rest of her life. 2021. The last thirty-seven years have not been easy for Bess. At fifty-three she is visibly weary, and her marriage to Mario is in tatters. Watching her son in newlywed bliss - the hope, the trust, the joy - Bess knows it is time to face her own demons.

When the story opens, the eponymous hero of Rudolfo Anaya's novel is in an ambulance en route to a hospital for crippled children in the New Mexican desert. A poor boy from Albuquerque, 16-year-old Tortuga takes his name from the odd, turtle-shaped mountain that is rumored to possess miraculous curative powers. Tortuga is paralyzed, and not even his mother's fervent prayers can heal him. But under the mountain's watchful gaze, with the support of fellow patients, he begins the Herculean task of breaking out of his shell and becoming whole again.