Latin American Fiction

Une famille. Un secret. Un été tragique. Quatre vies bouleversées à jamais. Voici Le livre audio de cet été. Cornouailles, 1968. Pencraw, un grandiose manoir en ruine dans lequel les Alton élisent domicile l'été. Le temps semble s'y être arrêté et défile sans encombre. Jusqu'au drame qui vient bouleverser leurs vies et arrêter le temps à jamais. Cinquante ans plus tard, avec son fiancé Jon, Lorna roule à la recherche du manoir des Lapins noirs, cette maison où elle a séjourné enfant.

Uprooted from her comfortable life in Bogotá, Colombia, into an ant-infested Miami townhouse, 15-year-old Francisca is miserable and friendless in her strange new city. Her alienation grows when her mother is swept up into an evangelical church, replete with Christian salsa, abstinent young dancers, and baptisms for the dead. But there, Francisca also meets the magnetic Carmen: opinionated and charismatic, head of the youth group, and the pastor’s daughter. As her mother’s mental health deteriorates and her grandmother descends into alcoholism, Francisca falls in love with Carmen.

It is 1898, and groups of starving Puerto Ricans, los hambrientos, roam the parched countryside and dusty towns begging for food. Under the yoke of Spanish oppression, the Caribbean island is forced to prepare to wage war with the United States. Up in the mountainous coffee region of Utuado, Vicente Vega and Valentina Sanchez labor to keep their small farm from the creditors. When the Spanish-American War and the great San Ciriaco Hurricane of 1899 bring devastating upheaval, the young couple is lured, along with thousands of others, to the sugar plantations of Hawaii.

Between the years of 1762 and 1763, James Boswell kept a journal of his time in London. During his time, he met the renowned writer, moralist, and lexicographer Samuel Johnson, with whom Boswell would form a close relationship. This account, told with much detail and candor, was one of the various journals written by Boswell, but it is the journal that has undergone the least amount of censorship, leading it, and the racy material within, to be deemed a best seller upon publication.

Ciudad Augusta: Uma distopia latino-americana é uma ficção que tem como pano de fundo um evento real: o movimento ¡Evade!, contra a desigualdade social, que sacudiu o Chile no final de 2019 e início de 2020. Um milhão de pessoas foram às ruas. Os protestos se estenderam por meses. Acuado, o governo pactuou reformas. Aceitou mudar a Constituição do país, herança da ditadura militar do general Augusto Pinochet. Como saldo, uma tragédia histórica: mais de 200 manifestantes perderam a visão, alvejados por tiros de balas de borracha disparados pela polícia durante os protestos.

On a clear, moonlit night in December, police detective Jimmy Vega races to the scene of a reported home invasion in an upscale New York community. As Vega arrives, he spots a Hispanic man who fits the description of the armed intruder running from the victim's estate. Vega chases him into the woods. When the suspect refuses to surrender - and reaches into his pocket - Vega has only seconds to make a life-or-death decision.

Antonio José Bolivar Proaño lives quietly in a river town in the rain-soaked jungle of Ecuador that is slowly being overrun by tourists and opportunists. Having lost his wife decades earlier, he takes refuge in books—paperback novels of faraway places and bittersweet love, delivered to him by the dentist who visits the village twice a year. One day, a greedy trader pushes nature too far, setting an enraged mother ocelot on a bloody rampage through the village.

Chris y Paulo pasan cuarenta días en el misterioso y desconocido desierto del Mojave, en una búsqueda que los llevará a enfrentarse con su realidad más recóndita, con sus miedos más íntimos, sus debilidades e inseguridades. Las Valquírias trata de la voluntad y de la capacidad de elección que tenemos, y de cómo nuestras decisiones determinan nuestro destino. Paulo Coelho nos abre las puertas de su lucha más personal y nos habla de la responsabilidad hacia sí mismo y hacia sus seres más queridos.

David has a mind that never stops running. He reads Dante and Moby Dick, he sinks into Hemingway and battles with Milton. But on Florida’s Gulf Coast, one can slip into deep water unconsciously; at the age of fourteen, David runs away from home to pursue a girl and, on his journey, tries crack cocaine for the first time. He’s hooked instantly. Over the course of the next decade, he fights his way out of jail and rehab, trying to make sense of the world around him—a sunken world where faith in anything is a privilege.

Lucas Pereyra, un escritor recién entrado en la cuarentena, viaja de Buenos Aires a Montevideo para recoger un dinero que le han mandado desde el extranjero y que no puede recibir en su país debido a las restricciones cambiar i as. Casado y con un hijo, no atraviesa su mejor momento, pero la perspectiva de pasar un día en otro país en compañía de una joven amiga es suficiente para a ni mar le un poco.

La máscara, el maquillaje que reformula las identidades: José Donoso ha buscado siempre en sus relatos, obsesivamente, ese otro rostro posible de los seres y las cosas. El lugar sin límites (novela que llevó al cine el mexicano Arturo Ripstein) juega eficazmente con el engañoso espejo de los sexos en un prostíbulo de pueblo, especie de infierno anodino donde confluyen no sólo las pasiones eróticas, sino además los sórdidos juegos de poder y dominación que suelen marcar los territorios degradados.

Just before the dawn of the new millennium, a curator at a New Jersey museum of natural history receives an unusual invitation from a celebrated fashion designer. She shares the curator’s fascination with the hidden forms of the animal kingdom - with camouflage and subterfuge - and she proposes that they collaborate on an exhibition, the form of which itself remains largely obscure, even as they enter into a strange relationship marked by evasion and elision.

From a distance, the towns along the US-Mexican border have dangerous reputations - on one side, drug cartels; on the other, zealous border patrol agents - and Brownsville is no different. But to 12-year-old Orly, it's simply where his godmother Nina lives - and where he is being forced to stay the summer after his mother's sudden death. For Nina, Brownsville is where she grew up, where she lost her first and only love, and where she stayed as her relatives moved away and her neighborhood deteriorated.

When Cara stumbles across a stash of old postcards in the attic, their contents make her question everything she thought she knew. The story she pieces together is confusing and unsettling, and appears to have been patched over with lies. But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.

The first time Isabel meets her father-in-law, Omar, he’s already dead - an apparition appearing uninvited on her wedding day. Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family - especially his wife, Elda - to let him redeem himself.

Samuel Sotomayor tiene una deuda pendiente, quiere vengar la muerte de sus padres asesinados. Necesita encontrar a los asesinos. Pero luego de vengarse se da cuenta de que el resultado de esta venganza no es satisfactorio, solo un deseo cumplido y un conflicto moral lo empieza a envolver.

À Middlemarch, cité imaginaire de la province anglaise, vers 1830, la jeune et intelligente Dorothée aspire à de grandes réalisations. Elle épouse le pasteur Casaubon, beaucoup plus âgé qu'elle et espère aider son mari dans les travaux de recherche pour un livre qui devrait être son chef d'œuvre. Mais Casaubon ne la prend pas sérieux, la néglige. De plus, il prend ombrage de l'amitié qui rapproche Will Ladislaw, son cousin, et Dorothée. Ce mariage se révèle être une erreur.

Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda’s unwavering and skilled maid, Marta, has more claim to Linda’s home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda’s instability.

Alberto Ruiz-Tagle, fascinante y seductor poeta autodidacta habitual de los talleres literarios del Chile de Salvador Allende, y Carlos Wieder, piloto de las fuerzas aéreas chilenas que escribía versículos de la Biblia con el humo de una avioneta tras el golpe de estado de Pinochet: una y otra cara de la misma moneda, uno y el mismo oscuro personaje. Un individuo, encarnación pura del mal y la crueldad, que el narrador de esta historia, el alter ego de Bolaño y perenne detective salvaje Arturo Belano, se cuida de desmenuzar.

A collection of humorous, sexy, and highly neurotic tales about parenting, long-term relationships, systemic and interpersonal racism, and class conflict from the author of The Town of Babylon, The People Who Report More Stress deftly and poignantly expresses the frustration of knowing the problems and solutions to our society’s inequities but being unable to do anything about them.