Latin American Fiction

Ciudad Augusta: Uma distopia latino-americana é uma ficção que tem como pano de fundo um evento real: o movimento ¡Evade!, contra a desigualdade social, que sacudiu o Chile no final de 2019 e início de 2020. Um milhão de pessoas foram às ruas. Os protestos se estenderam por meses. Acuado, o governo pactuou reformas. Aceitou mudar a Constituição do país, herança da ditadura militar do general Augusto Pinochet. Como saldo, uma tragédia histórica: mais de 200 manifestantes perderam a visão, alvejados por tiros de balas de borracha disparados pela polícia durante os protestos.

At eighteen, Soledad couldn't get away fast enough from her contentious family with their endless tragedies and petty fights. Two years later, she's an art student at Cooper Union with a gallery job and a hip East Village walk-up. But when Tia Gorda calls with the news that Soledad's mother has lapsed into an emotional coma, she insists that Soledad's return is the only cure. Fighting the memories of open hydrants, leering men, and slick-skinned teen girls with raunchy mouths and snapping gum, Soledad moves home to West 164th Street.

Solitária conta a história de duas mulheres negras, Mabel e Eunice, mãe e filha, que moram no trabalho, um condomínio de luxo desses encontrados em qualquer grande cidade brasileira. Eunice, a mãe, é testemunha-chave de um crime chocante ocorrido na casa dos patrões. Mabel, a filha, constrói o caminho que leva não apenas à elucidação deste crime, mas a uma mudança radical na vida das pessoas que cercam as protagonistas.

In the years before the Mexican Revolution, Mexico is ruled by a tiny elite that apes European culture, grows rich from foreign investment, and prizes racial purity. The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Díaz, the ruthless and inscrutable president of the Republic. Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilán.

Orthodoxy, first published 1908, is Chesterton's spiritual autobiography. Subtitled, 'The romance of faith', Chesterton declares that people need a life of 'practical romance; the combination of something that is strange with something that is secure.'

Just before the dawn of the new millennium, a curator at a New Jersey museum of natural history receives an unusual invitation from a celebrated fashion designer. She shares the curator’s fascination with the hidden forms of the animal kingdom - with camouflage and subterfuge - and she proposes that they collaborate on an exhibition, the form of which itself remains largely obscure, even as they enter into a strange relationship marked by evasion and elision.

Professional ballerina Ailsa MacIntyre is at the peak of her career when her world is shattered by a shocking diagnosis. Life-saving surgery leaves her with a fractured memory, little recollection of her husband, Evan, and none of her career as a principal dancer. While recuperating at home, Ailsa hears beautiful music coming from the apartment upstairs, and the sound of the grand piano at the hands of a talented new neighbor sparks her muscle memory. As her recovery progresses, the broken pieces of her past gradually re-emerge, a picture not quite what Evan would have her remember.

From a distance, the towns along the US-Mexican border have dangerous reputations - on one side, drug cartels; on the other, zealous border patrol agents - and Brownsville is no different. But to 12-year-old Orly, it's simply where his godmother Nina lives - and where he is being forced to stay the summer after his mother's sudden death. For Nina, Brownsville is where she grew up, where she lost her first and only love, and where she stayed as her relatives moved away and her neighborhood deteriorated.

When Cara stumbles across a stash of old postcards in the attic, their contents make her question everything she thought she knew. The story she pieces together is confusing and unsettling, and appears to have been patched over with lies. But who can tell her the truth? With her father sinking into Alzheimer’s and her brother reluctant to help, it seems Cara will never find the answers to her questions. One thing is clear, though: someone knows more than they’re letting on.

Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the 18th century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires.

When Nick’s wife Kerry falls ill and dies, he realises for the first time how fragile his happiness has always been, and how much he’s been taking his good life and wonderful family for granted. Now, he suddenly finds himself navigating parenthood alone, unsure how to deal with his own grief, let alone that of his teenage son, Olly.

Oscar Wilde est un écrivain irlandais. Il se construit un personnage d'esthète et de dandy. À l'issue de ses études, Wilde s'installe à Londres, où il parvient à s'insérer dans la bonne société et les cercles cultivés, s'illustrant dans plusieurs genres littéraires. Au tournant des années 1890, il précise sa théorie esthétique dans une série de dialogues et d'essais, et explore dans son roman "Le portrait de Dorian Gray" (1890) les liens entretenus par la beauté, la décadence et la duplicité.

A stunning debut novel about a young undocumented Peruvian woman fighting to keep her family afloat in New York City. Ana Falcón, along with her husband, Lucho, and their two young children, has fled the economic and political strife of Peru for a chance at a new life in New York City in the 1990s. Being undocumented, however, has significantly curtailed the family’s opportunities: Ana is indebted to a loan shark who calls herself Mama and is stretched thin by unceasing shifts at her factory job.

"אלברטו ואני" הם צמד דמויות מדהימות ובלתי שבירות, שהרפתקאותיהן נפרשות לאורך הנובלה. כמו בכל ספרות מופתית, מה שמחולל את העלילה הוא אי הבנה, בלבול פעוט אשר מצית שרשרת מתגלגלת של אירועים. בסצנת הפתיחה מתגשמת אימה אוניברסיטאית: סטודנט שואל שאלה שהמרצה אינו מבין. המרצה תוחב את אלברטו לפיו, אך הוא שורד הודות לחברו הנאמן, המחבר. השניים ממשיכים בדרכם, נקלעים לאינספור סכנות ספרותיות וניצלים מהן בדרך קסם. סצנה רודפת סצנה ואיתן מתחלפת גם התפאורה: דיסקוטקים, חפירות בשדה הקרב, מסבאות, ספינות, אגמים ואיים, שבהם גיבורינו פוגשים בשתיינים, חיילים, נפשות אומללות וקשישות מזמרות.

Bereft of his beloved wife, Glencora, and his role as prime minister, Plantagenet Palliser enters the realm of family politics as he struggles to guide and connect with his three wayward children. Lord Silverbridge, the Duke's first born and natural inheritor, expelled from Oxford, a gambler at the racetrack and an elected Conservative, further troubles his father when he becomes engaged to Isabel Boncassen. Lady Mary, his daughter, falls in love with a penniless young gentleman named Frank Tregear, while his second son, Gerald, displays similar behavior to his brother.

Searching for an inn, the enigmatic traveler Hans stops in a small city on the border between Saxony and Prussia. The next morning, Hans meets an old organ-grinder in the market square and immediately finds himself enmeshed in an intense debate - on identity and what it is that defines us - from which he cannot break free. Indefinitely stuck in Wandernburg until his debate with the organ-grinder is concluded, he begins to meet the various characters who populate the town, including a young freethinker named Sophie.

Widely acclaimed as a progenitor of 20th-century Latin American fiction, Joaquim Maria Machado de Assis (1839-1908), the son of a mulatto father and a washerwoman, was hailed in his lifetime as Brazil's greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963, and still lacks proper recognition today.

At his modest home on the edge of town, the former president of an unnamed Latin American country receives a journalist in his famed gardens to discuss his legacy and the dire circumstances that threaten democracy around the globe. Once known as the Poorest President in the World, his reputation is the stuff of myth: a former guerilla who was jailed for inciting revolution before becoming the face of justice, human rights, and selflessness for his nation. Now, as he talks to the journalist, he wonders if he should reveal the strange secret of his imprisonment.

A young mother in Mexico City, captive to a past that both overwhelms and liberates her, and a house she cannot abandon or fully occupy, writes a novel of her days as a translator living in New York. A young translator, adrift in Harlem, is desperate to translate and publish the works of Gilberto Owen, an obscure Mexican poet who lived in Harlem during the 1920s and whose ghostly presence haunts her in the city's subways. And Gilberto Owen, dying in Philadelphia in the 1950s, convinced he is slowly disappearing, recalls his heyday decades before.

A collection of humorous, sexy, and highly neurotic tales about parenting, long-term relationships, systemic and interpersonal racism, and class conflict from the author of The Town of Babylon, The People Who Report More Stress deftly and poignantly expresses the frustration of knowing the problems and solutions to our society’s inequities but being unable to do anything about them.