Latin American Literature

Guatemala, 1954. El golpe militar perpetrado por Carlos Castillo Armas y auspiciado por Estados Unidos a través de la CIA derroca el gobierno de Jacobo Árbenz. Detrás de este acto violento se encuentra una mentira que pasó por verdad y que cambió el devenir de América Latina: la acusación por parte del gobierno de Eisenhower de que Árbenz alentaba la entrada del comunismo soviético en el continente.

Deux voix entrelacées. Celle, révoltée, de Bernanos, témoin direct de la guerre civile espagnole, qui dénonce la terreur exercée par les Nationaux avec la bénédiction de l'Église contre "les mauvais pauvres". Celle, roborative, de Montse, mère de la narratrice et "mauvaise pauvre", qui a tout gommé de sa mémoire, hormis les jours enchantés de l'insurrection libertaire par laquelle s'ouvrit la guerre de 36 dans certaines régions d'Espagne, des jours qui comptèrent parmi les plus intenses de sa vie.

Seven-year-old Chula and her older sister, Cassandra, enjoy carefree lives thanks to their gated community in Bogotá, but the threat of kidnappings, car bombs, and assassinations hover just outside the neighborhood walls, where the godlike drug lord Pablo Escobar continues to elude authorities and capture the attention of the nation. When their mother hires Petrona, a live-in-maid from the city's guerrilla-occupied slum, Chula makes it her mission to understand Petrona's mysterious ways.

Widely acclaimed as a progenitor of 20th-century Latin American fiction, Joaquim Maria Machado de Assis (1839-1908), the son of a mulatto father and a washerwoman, was hailed in his lifetime as Brazil's greatest writer. His prodigious output of novels, plays, and stories rivaled contemporaries like Chekhov, Flaubert, and Maupassant, but, shockingly, he was barely translated into English until 1963, and still lacks proper recognition today.

Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city. The locals treat the Sanchez women like outsiders, while Carmen's contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen's had enough. They're leaving. Back home in New York, malevolent and unexplainable happenings seem to swarm the Sanchez family.

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the Earth but tend to rise during land disputes.

Every year, in the magical town of Ravenskill, Witchlings who participate in the Black Moon Ceremony are placed into covens and come into their powers as full-fledged witches. And 12-year-old Seven Salazar can't wait to be placed in the most powerful coven with her best friend! But on the night of the ceremony, in front of the entire town, Seven isn't placed in one of the five covens. She's a Spare!

En 1928, Max, gigolo, chasseur de femmes fortunées, fait route vers Buenos Aires à bord du Cap Polonio où il travaille comme danseur mondain, quand il aperçoit une pièce de choix : Mecha Inzunza, épouse richissime d'un célèbre compositeur, qui danse merveilleusement le tango. La passion de Max est immédiate et à Buenos Aires, où il guide le couple dans les cabarets des faubourgs, il noue avec elle une liaison qui tourne mal.

Oficio de tinieblas, considerada una obra maestra de la narrativa latinoamericana, está basada en el levantamiento de los chamulas de 1867 a 1870 en San Cristóbal, Chiapas, que culminó con la crucifixión de uno de ellos al proclamarlo como el Cristo indígena. Rosario Castellanos se sumerge en la historia y sus protagonistas para buscar entender las circunstancias que llevaron a un pueblo a tan desgarrador acontecimiento y lo recrea en un México cercano: el de la reforma agraria durante el gobierno de Lázaro Cárdenas.

Fourteen-year-old Renata Santiago is the most powerful godborn of them all, a bruja with a unique combination of DNA. The Mexica blood from her dad's side gives her the ability to manipulate shadows. Her mom Pacific, a Maya goddess, gifted her a magical rope that controls time, and Ren recently used it to save a few gods from getting stuck forever in 1987. She brought them back to the present, but her BFF Ah Puch, the once fearsome god of death, darkness, and destruction, is now a teenager with no divine powers.

In Cuba, it is believed that a mysterious water serpent - the Madre de aguas - is responsible for providing and protecting the fresh water of the island. But the serpent is missing, and a drought has gripped the island. Uchenna, Elliot, and Professor Fauna fly to Cuba and endeavor to rescue the Madre de aguas. Unfortunately, it tries to kill them. Meanwhile, the Schmoke Brothers' goons are driving around Havana, dumping pink sludge into the sewers. What is going on? Can Elliot and Uchenna end the drought?

After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry.

The fifth novel in the Chronicles of Barsetshire, The Small House at Allington, concerns the lives of the two Dale girls, Lily and Bell, who live at the Small House. While Bell is in love with the local doctor James Crofts, Lily is pursued by two men: the worldly, rich and handsome Adolphus Crosbie and the poor but honest Johnny Eames. With each determined to gain her hand in marriage, who will she choose?

When her father remarries, the honest, innocent Molly Gibson suddenly finds herself with a new stepsister, Cynthia, who is beautiful, worldly and impetuous. This would be more than enough to deal with, but the new wife is the deeply snobbish (and darkly secretive) Hyacinth. Thwarted love, scheming ambition and small-town gossip underlie the warmth, irony and brilliant social observation which link the relationships and the inevitable conflicts as profound change comes to rural England.

Set in Nicaragua in 1984, The Stars at Noon is a story of passion, fear, and betrayal told in the voice of an American woman whose mission in Central America is as shadowy as her surroundings. Is she a reporter for an American magazine, as she sometimes claims, or a contact person for the anti-war group Eyes of Peace? And who is the rough English businessman she begins an affair with? The two foreigners become entangled in sinister plots and ever-widening webs of corruption, until a desperate attempt to escape the country brings their relationship to a crisis point.

The further adventures of "Dr. Gonzo" as he defends the "cucarachas" - the Chicanos of East Los Angeles. Before his mysterious disappearance and probable death in 1971, Oscar Zeta Acosta was famous as a Robin Hood Chicano lawyer and notorious as the real-life model for Hunter S. Thompson's "Dr. Gonzo" a fat, pugnacious attorney with a gargantuan appetite for food, drugs, and life on the edge.

Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers. In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work.

In 1964, Stanislavo, a zealous young man devoted to his ideals, turns his back on his privilege to join the leftist movement in the jungles of Venezuela. There, as he trains, he meets Emiliana, a nurse and fellow revolutionary. Though their intense connection seems to be love at first sight, their romance is upended by a decision with consequences that will echo down through the generations.

Soy Maya Vidal, diecinueve años, sexo femenino, soltera, sin un enamorado, por falta de oportunidades y no por quisquillosa, nacida en Berkeley, California, pasaporte estadounidense, temporalmente refugiada en una isla al sur del mundo. Me pusieron Maya porque a mi Nini le atrae la India y a mis padres no se les ocurrió otro nombre, aunque tuvieron nueve meses para pensarlo. En hindi, maya significa "hechizo, ilusión, sueño".

In the years before the Mexican Revolution, Mexico is ruled by a tiny elite that apes European culture, grows rich from foreign investment, and prizes racial purity. The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Díaz, the ruthless and inscrutable president of the Republic. Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilán.