Latin American Literature

Cuando Héctor Abad Faciolince, autor de El olvido que seremos, leyó esta primera novela, decidió publicarla de inmediato; muy poco después Lumen se sumaría a su entusiasmo. Tras el éxito en Colombia y mientras Francia prepara su traducción, Cómo maté a mi padre llega a los lectores de ambos lados del océano como una de las revelaciones literarias de los últimos tiempos.

When Anansi the spider decides to help rescue Brother Tiger, he makes Brother Tiger agree to a simple promise.

In Loving Mr. Darcy, Darcy and Lizzy venture away from Pemberley to journey through England, finding friends, relatives, fun, love, and an even deeper and more sacred bond along the way. Having embarked on the greatest adventure of all - marriage and the start of a new life together - now the Darcys take the listener on a journey through a time of prosperity, enjoyment, and security.

Gwendolen Harleth gambles her happiness when she marries a sadistic aristocrat for his money. Beautiful, neurotic, and self-centered, Gwendolen is trapped in an increasingly destructive relationship, and only her chance encounter with the idealistic Deronda seems to offer the hope of a brighter future. Deronda is searching for a vocation, and in embracing the Jewish cause he finds one that is both visionary and life-changing.

Six months after Paola Santiago confronted the legendary La Llorona, life is nothing like she'd expected it to be. She is barely speaking to her best friends, Dante and Emma, and what's worse, her mom has a totally annoying boyfriend. Even with her chupacabra puppy, Bruto, around, Pao can't escape the feeling that she's all alone in the world. Pao has no one to tell that she's having nightmares again, this time set in a terrifying forest.

When Nick’s wife Kerry falls ill and dies, he realises for the first time how fragile his happiness has always been, and how much he’s been taking his good life and wonderful family for granted. Now, he suddenly finds himself navigating parenthood alone, unsure how to deal with his own grief, let alone that of his teenage son, Olly.

As the golden summer draws to a close and the Darcys look ahead to the end of their first year of marriage, Mr. Darcy could never have imagined that his love could grow even deeper with the passage of time. Elizabeth is unpredictable and lively, pulling Darcy out of his stern and serious demeanor with her teasing and temptation. Looking ahead and planning for celebrations and life events large and small, Lizzy can still catch Darcy unawares when he least expects it.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out by letter. She wrote nearly 1,800 poems in her life, but very few were published until after her death. In this volume, the poems are presented in chronological order in their original form, unaltered by editorial revision. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy writings of her last years.

Though universally acclaimed for his dazzling fictions, Jorge Luis Borges always considered himself first and foremost a poet. This new bilingual selection brings together some two hundred poems, including scores of poems never previously translated. Edited by Alexander Coleman, it draws from a lifetime's work--from Borges's first published volume of verse, Fervor de Buenos Aires (1923), to his final work, Los conjurados, published just a year before his death in 1986.

From the award-winning, best-selling author of When I Was Puerto Rican, a powerful novel of family, race, faith, sex, and disaster that moves between Puerto Rico and the Bronx, revealing the lives and loves of five women and the secret that binds them together.

G. K. Chesterton was a journalist, playwright, poet, biographer, novelist, essayist, literary commentator, editor, orator, artist, and theologian. Orthodoxy is his great apologia for the Christian faith, which was prompted by a serious attack in 1903 against Christianity by well-known newspaper editor Robert Blatchford.

Set in Nicaragua in 1984, The Stars at Noon is a story of passion, fear, and betrayal told in the voice of an American woman whose mission in Central America is as shadowy as her surroundings. Is she a reporter for an American magazine, as she sometimes claims, or a contact person for the anti-war group Eyes of Peace? And who is the rough English businessman she begins an affair with? The two foreigners become entangled in sinister plots and ever-widening webs of corruption, until a desperate attempt to escape the country brings their relationship to a crisis point.

Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers. In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work.

En el prólogo de estos Doce cuentos peregrinos, García Márquez nos regala su explicación de por qué doce, por qué cuentos y por qué peregrinos. En Barcelona, una prostituta que va entrando en la vejez entrena a su perro para llorar ante la tumba que ha escogido para sí misma. En Viena, una mujer se vale de su don de ver el futuro para convertirse en la adivina de una familia rica.

Luz “Little Light” Lopez, a tea leaf reader and laundress, is left to fend for herself after her older brother, Diego, a snake charmer and factory worker, is run out of town by a violent white mob. As Luz navigates 1930s Denver, she begins to have visions that transport her to her Indigenous homeland in the nearby Lost Territory. Luz recollects her ancestors’ origins, how her family flourished, and how they were threatened. She bears witness to the sinister forces that have devastated her people and their homelands for generations.

Esmeralda Santiago reminisces about her childhood in Puerto Rico and her early years in Brooklyn as the oldest of seven (soon to be 11) children. Her upbringing is turbulent on account of her parents’ relentless fighting, which only ever seems to stop when they have another baby. When her youngest brother has an accident, her mother decides to move to New York with her children to seek medical treatment. Arriving in the United States, 13-year-old Santiago experiences uprooting and a loss of identity while she tries to adapt to a culture and language that are foreign to her.

Charles Strickland, a conventional stockbroker, abandons his wife and children for Paris and Tahiti, to live his life as a painter. While his betrayal of family, duty and honour gives him the freedom to achieve greatness, his decision leads to an obsession which carries severe implications.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

La jeune Catherine Morland, fille de pasteur, ingénue, profite d'une invitation pour faire ses premiers pas auprès la bonne société dans la ville d'eau de Bath. Au grès des rencontres et des amitiés, elle poursuit son séjour à l'Abbaye de Northanger. Cette demeure moyenâgeuse attise l'imagination de la jeune héroïne qui pense vivre une aventure digne de ses lectures de chevet. Elle sera confronter à un tableau bien plus réaliste.

Flor has a gift: she can predict, to the day, when someone will die. So when she decides she wants a living wake—a party to bring her family and community together to celebrate the long life she’s led—her sisters are surprised. Has Flor foreseen her own death, or someone else’s? Does she have other motives? She refuses to tell her sisters, Matilde, Pastora, and Camila.