Latin American Literature

Working at the local processing plant, Marcos is in the business of slaughtering humans - though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the "Transition". Now, eating human meat - "special meat" - is legal. Marcos tries to stick to numbers, consignments, processing.

When the dead body of a Latino woman is found in a reservoir about 50 miles north of Manhattan, with a photo of a baby in her purse nearby, the police try to determine who the child is and if it is still alive. Along with the photo, they also find a disturbing note in the purse: "Go back to your country. You don't belong here."

Evan MacIan is a tall, dark-haired, blue-eyed Scottish Highlander and a devout Roman Catholic. James Turnbull is a short, red-haired, gray-eyed Lowlander and a devout but naïve atheist. The two meet when MacIan smashes the window of the street office where Turnbull publishes an atheist journal. This act of rage occurs when MacIan sees posted on the shop's window a sheet that blasphemes the Virgin Mary, presumably implying she was an adulteress who gave birth to an illegitimate Jesus.

The House of the Spirits brings to life the triumphs and tragedies of three generations of the Trueba family. The patriarch Esteban is a volatile, proud man whose voracious pursuit of political power is tempered only by his love for his delicate wife, Clara, a woman with a mystical connection to the spirit world. When their daughter, Blanca, embarks on a forbidden love affair in defiance of her implacable father, the result is an unexpected gift to Esteban.

When Lily's blind dog, Lucky, slips his collar and runs away across the wide-open blueberry barrens of Eastern Maine, it's Salma Santiago who manages to catch him. Salma, the daughter of migrant workers, is in the small town with her family for the blueberry-picking season.

Zane Obispo spends every day exploring the sleeping volcano in his backyard. "The Beast", as he calls it, is the one place where he can escape other kids, who make fun of him because he has a limp and walks with a cane. After a plane crashes into The Beast, a mysterious girl named Brooks shows up at Zane's doorstep, insisting that they meet at the volcano, where she will reveal a terrible secret. Zane agrees. Brooks tells him that the volcano is actually a centuries-old prison for the Mayan god of death, whose destiny is directly tied to Zane's.

Culture and Anarchy is a series of periodical essays by Matthew Arnold, first published in Cornhill Magazine 1867-68 and collected as a book in 1869. Arnold's famous piece of writing on culture established his High Victorian cultural agenda which remained dominant in debate from the 1860s until the 1950s. According to his view advanced in the book, ‘Culture [...] is a study of perfection’.

This book is considered a prophetical novel foretelling the advent of nuclear weapons. A constant theme in Wells’ work, such as his 1901 nonfiction book Anticipations, was the role of energy and technological advance as a determinant of human progress. The novel opens with this: "The story of mankind is the history of the attainment of external power. Man is the tool-using, fire-making animal...."

The Man of Property, the first novel in Galsworthy's epic social satire The Forsyte Saga, introduces us to Soames Forsyte, a solicitor and prominent man of his important family. Accustomed to getting whatever he wants, he sets his sights with absolute determination on the beautiful Irene in spite of her pennilessness and her indifference to him.

"Desconcertante, lista a inquietar a la crítica, está ya en los escaparates la primera novela de Juan Rulfo, Pedro Páramo, que transcurre en una serie de transposiciones oníricas, ahondando más allá de la muerte de sus personajes, que uno no sabe en qué momento son sueño, vida, fábula, verdad, pero a los que se les oye la voz al través de la perspicacia despiadada y certera de tan sin duda extraordinario escritor". Con estas palabras iniciaba Edmundo Valdés la primera reseña de Pedro Páramo, aparecida el 30 de marzo de 1955 y conservada por Juan Rulfo entre sus papeles.

The story is set in the Ptolemaic era of ancient Egyptian history and revolves around the survival of a dynasty bloodline protected by the priesthood of Isis. The main character, Harmachis (the living descendant of this bloodline), is charged by the priesthood with overthrowing the supposed impostor - Cleopatra - driving out the Romans, and restoring Egypt to its golden era.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labelled Borgesian.

A Vegas cocktail waitress. An Indian herbalist. A British chemistry professor. An Italian-American widow. Four unique women with one thing in common: Each is haunted by a tragedy from her past. Cynthia, Rohini, Jane, and Angela meet on a food blogging site and bond over recipes. On impulse, they decide to open The Secret Spice, an elegant cafe on the magnificent ocean liner, the RMS Queen Mary, currently a floating hotel in Long Beach, California. Rich in history and tales of supernatural occurrences, the ship hides her own dark secrets.

The Cuban Revolution took everything from sugar heiress Beatriz Perez - her family, her people, her country. Recruited by the CIA to infiltrate Fidel Castro's inner circle and pulled into the dangerous world of espionage, Beatriz is consumed by her quest for revenge and her desire to reclaim the life she lost. As the Cold War swells like a hurricane over the shores of the Florida Strait, Beatriz is caught between the clash of Cuban-American politics and the perils of a forbidden affair with a powerful man driven by ambitions of his own.

From one of the greatest writers of our age comes a collection of stories and parables unlocking the mysteries of the human condition. Gathered from Paulo Coelho’s daily column of the same name, Maktub, meaning “it is written,” invites seekers on a journey of faith, self-reflection, and transformation. As Paulo Coelho explains, “Maktub is not a book of advice—but an exchange of experiences.”

Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before.

Victor Frankenstein, un jeune étudiant brillant, crée de toutes pièces un être à l'apparence humaine. Bien vite, il regrette son geste. En effet, la créature prend l'apparence d'un monstre sanguinaire qui ne pense qu'à semer la mort et le malheur sur son passage et qui persécute son créateur. Au travers de l'histoire de Victor Frankenstein et de son monstre, Mary W. Shelley nous pose la question de l'origine de la cruauté humaine. Le monstre de Frankenstein est rejeté par tous. Il aimerait avoir des relations avec les humains mais ceux-ci le fuient. Il devient alors violent et s'en prend aux personnes qu'il rencontre.

G. K. Chesterton was a journalist, playwright, poet, biographer, novelist, essayist, literary commentator, editor, orator, artist, and theologian. Orthodoxy is his great apologia for the Christian faith, which was prompted by a serious attack in 1903 against Christianity by well-known newspaper editor Robert Blatchford.

Sometimes heartbreaking, sometimes deeply joyous, The House on Mango Street tells the story of Esperanza Cordero, whose neighborhood is one of harsh realities and harsh beauty. Esperanza doesn't want to belong, not to her rundown neighborhood, and not to the low expectations the world has for her. Esperanza's story is that of a young girl coming into her power, and inventing for herself what she will become.

A writer resembling Zoé Valdés - a Cuban exile living in Paris with her husband and young daughter - is preparing a novel on the life of Dora Maar, one of the most promising artists in the Surrealist movement, until she met Pablo Picasso. The middle-aged Picasso was already the god of the art world's avant-garde. Dora became his lover, muse, and ultimately, his victim. She became The Weeping Woman captured in his famous portrait, the mistress he betrayed with other mistress-muses, and their affair ended with her commitment to an asylum at the hands of Picasso's friends.