Latin American Literature

Professional ballerina Ailsa MacIntyre is at the peak of her career when her world is shattered by a shocking diagnosis. Life-saving surgery leaves her with a fractured memory, little recollection of her husband, Evan, and none of her career as a principal dancer. While recuperating at home, Ailsa hears beautiful music coming from the apartment upstairs, and the sound of the grand piano at the hands of a talented new neighbor sparks her muscle memory. As her recovery progresses, the broken pieces of her past gradually re-emerge, a picture not quite what Evan would have her remember.

On the weekend of her wedding, Clare Hobbes meets an elderly woman named Edith Herron. During the course of a single conversation, Edith gives Clare the courage to do what she should have done months earlier: break off her engagement to her charming - yet overly possessive - fiancé. Three weeks later Clare learns that Edith has died - and has given her another gift. Nestled in crepe myrtle and hydrangea and perched at the marshy edge of a bay in a small seaside town in Delaware, Blue Sky House now belongs to Clare.

Escrita a finales de los años sesenta y prohibida por la censura, Si te dicen que caí constituye una secreta y nostálgica despedida de la infancia, así como un cuadro a la vez sórdido y poético de la vida durante el franquismo, que está disponible ahora en su versión audiolibro.

El intenso relato del regreso clandestino del director de cine Miguel Littín a Chile, su patria.

Joaquim Maria Machado de Assis (1839-1908) was the greatest writer ever to come from Brazil and one of the masters of nineteenth-century fiction. Susan Sontag calls him "the greatest writer ever produced in Latin America", surpassing even Borges. Harold Bloom says that Machado is "the supreme black literary artist to date". And Allen Ginsburg calls him "another Kafka". And The Posthumous Memoirs of Bras Cubas is his masterpiece, a dazzling, tragic, and profound novel that belongs next to the greatest works of his contemporaries Melville and Dostoevsky.

Ana Canción, de quince años, nunca soñó con mudarse a Estados Unidos, como lo hicieron las niñas con las que creció en el campo dominicano. Pero cuando Juan Ruiz propone y promete llevarla a la ciudad de Nueva York, ella tiene que decir que sí. No importa que tenga el doble de su edad, que no haya amor entre ellos. Su matrimonio es una oportunidad para que toda su familia unida pueda eventualmente emigrar.

Sept jours d'idylle... Il aura suffi d'une semaine pour que s'inverse le cours de l'existence monotone de Sarah. Depuis qu'elle a rencontré Eddie sur une petite route de campagne anglaise, la jeune femme est certaine qu'un bonheur sans nuages les attend. Sa vie débute enfin. Le jour où il lui annonce qu'il doit s'absenter pour un voyage prévu de longue date, Sarah n'a aucune inquiétude. Mais le temps passe et Eddie ne revient pas. La laisse sans nouvelles. Ne répond plus à ses messages. Rien.

Javier Estrada is the king of Mexico. Evil. Twisted. Psychopathic. A cruel madman with a killer smile. And he is my boss. My duty is to blend in, clean his home, and not make a peep. I’ve done my job well for years. I've embedded myself so deep in his world, he’s never going to get me out. But I am this king’s worst nightmare. Bad men like him took everything away from me. I will never forget. He will pay for the sins of many. I’ll just bide my time - watching, waiting, calculating - until the time is right. When I strike, he won’t know what hit him.

What Estrella knows of life comes from her mother, who has survived abandonment by her husband in a land that treats her as if she were invisible, even though she and her children pick the crops of the farms that feed its people. But within Estrella, seeds of growth and change are stirring. And in the arms of Alejo, they burst into a full, fierce flower as she tastes the joy and pain of first love. Pushed to the margins of society, she learns to fight back and is able to help the young farmworker she loves when his ambitions and very life are threatened in a harvest of death.

The follow up to best-selling audio Three Men in a Boat, Three Men on the Bummel features delightful, gentle, comic writing. First published in 1900, the story revives the three companions from Three Men in a Boat, this time taking them on a bicycle tour through the German Black Forest. Written during the Victorian era bicycle-craze, it is a light-hearted commentary on German culture at the time, told through the eyes of the hapless British tourist.

With 10 stories that move from the barrios of the Dominican Republic to the struggling urban communities of New Jersey, Junot Diaz makes his remarkable debut. Diaz's work is unflinching and strong, and these stories crackle with an electric sense of discovery.

Cuando Héctor Abad Faciolince, autor de El olvido que seremos, leyó esta primera novela, decidió publicarla de inmediato; muy poco después Lumen se sumaría a su entusiasmo. Tras el éxito en Colombia y mientras Francia prepara su traducción, Cómo maté a mi padre llega a los lectores de ambos lados del océano como una de las revelaciones literarias de los últimos tiempos.

Two young poets, Jan and Remo, find themselves adrift in Mexico City. Obsessed with poetry and above all with science fiction, they are eager to forge a life in the literary world - or sacrifice themselves to it. Roberto Bolaño's The Spirit of Science Fiction is a story of youth hungry for revolution, notoriety, and sexual adventure as they work to construct a reality out of the fragments of their dreams.

Hector Santinio is the younger son of Alejo and Mercedes, who moved to New York from Cuba in the mid-1940s. The family of four shares their modest apartment with extended relatives in Harlem, where homesickness and nostalgia are dispelled by nights of dancing and raucous parties. But life’s realities are nevertheless harsh in the Santinio family’s adoptive land.

Rasta Man Love, Rasta Man Music, Rasta Man Revolution takes listeners on an unforgettable journey through the life of a legendary reggae musician known as Rasta Man. His rise to fame wasn’t just a musical triumph—it was a call for justice, a revolution born in the heart of the Caribbean. Alongside Empress, the love of his life, Rasta Man navigates the highs and lows of fame, love, and social upheaval. Their love story is one of passion, conflict, and deep connection, with their music becoming the soundtrack to a revolution that would shake the world.

America Ferrera has always felt wholly American, and yet, her identity is inextricably linked to her parents’ homeland and Honduran culture. Speaking Spanish at home, having Saturday morning salsa-dance parties in the kitchen, and eating tamales alongside apple pie at Christmas never seemed at odds with her American identity. Still, she yearned to see that identity reflected in the larger American narrative. Now, in American Like Me, America invites 31 of her friends, peers, and heroes to share their stories about life between cultures.

Abandonando la tensión política de la República Dominicana de los explosivos años 70, las cuatro hermanas García acompañadas de sus padres se autoexilian en el Bronx Neoyorquino, arribando a un ambiente totalmente desconocido y en extremo liberal para sus conservadores padres. La excelente narrativa de Julia Alvarez nos lleva de la mano por el recorrido de las dinámicas hermanas García, por caminos deliciosamente divertidos y también plagados de conflictos generacionales.

El Vendedor de Suenos evoca las tribulaciones de Chino, un joven del Harlem hispano en busca del amor, de reafirmacion de identidad. Su relacion con Bodega, un capo magnanimo, un bandido generoso, lo sumerge en un mundo de intrigas y violencia.

Examining the borders between one nation and another, between one person and another, Urrea reveals his mastery of the short form. This collection includes the Edgar-award winning "Amapola" and his now-classic "Bid Farewell to Her Many Horses," which had the honor of being chosen for NPR's "Selected Shorts" not once but twice.

In 1994, 25-year-old Yuyi Morales traveled from her home in Yelapa, Mexico, to the San Francisco Bay Area with her two-month-old son, Kelly, in order to secure permanent residency in this country. Her passage was not easy, and she spoke no English whatsoever. But due in large measure to help and guidance provided by area children's librarians, she learned English the same way her young son learned to read. In spare, lyrical verse, Yuyi has created a lasting testament to the journeys, both physical and metaphorical, that she and Kelly have taken together in the intervening years.