Latin American Literature

Anthropologist Calliope Santiago awakens to find herself in a strange and sinister wasteland, a shadow of the New Mexico she knew. Empty vehicles litter the road. Everyone has disappeared - or almost everyone. Calliope, heavy-bellied with the twins she carries inside her, must make her way across this dangerous landscape with a group of fellow survivors in search of answers. Long-dead volcanoes erupt, the ground rattles and splits, and monsters come to ominous life. Calliope will be forced to reconcile the geological record with the heritage she once denied.

When Ollie Sweet is very publicly dumped by ‘The One’, his seemingly perfect world dissolves into misery, self-pity, and a bizarre rooftop meeting with a suicidal man in flip-flops. While most would seek out the support of loved ones at such a torrid time, natural-born journalist Ollie asks the subscribers of his website: how did they get over their failed relationships? When Ollie follows some of their more extreme advice, chaos inevitably ensues.

Oficio de tinieblas, considerada una obra maestra de la narrativa latinoamericana, está basada en el levantamiento de los chamulas de 1867 a 1870 en San Cristóbal, Chiapas, que culminó con la crucifixión de uno de ellos al proclamarlo como el Cristo indígena. Rosario Castellanos se sumerge en la historia y sus protagonistas para buscar entender las circunstancias que llevaron a un pueblo a tan desgarrador acontecimiento y lo recrea en un México cercano: el de la reforma agraria durante el gobierno de Lázaro Cárdenas.

At fourteen, the unworldly, idealistic Jack Easy leaves the luxury of his father's estate in England and sails into a world of action and adventure aboard the sloop of war HMS Harpy. At first, Jack finds it hard to stomach the discipline of naval life and, with his mischievous sense of humor, is always getting himself into scrapes. But soon he is bravely taming a band of mutinous seamen, outwitting a wily and murderous Sicilian nobleman, and breathing the smell of gunpowder and raw steel as the Harpy chases Spanish ships on the Mediterranean.

This cross-genre anthology written by superstar YA authors from across the Latin American diaspora offers bold new thrills for every monster fan. In these fifteen original short stories, bloodthirsty vampires are hunted by a quick-witted slayer; children are taken from their beds by “el Viejo de la Bolsa” while a military dictator steals their parents; and anyone you love might be a monster waiting to strike. The sinister worlds of these narratives are also magical ones, where supernatural beings can be avatars for justice, vengeance, sisterhood, and empowerment.

In the years before the Mexican Revolution, Mexico is ruled by a tiny elite that apes European culture, grows rich from foreign investment, and prizes racial purity. The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Díaz, the ruthless and inscrutable president of the Republic. Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilán.

Every morning, seventeen-year-old Maria Anís Rosario takes the subway an hour from her boisterous and close-knit family in Queens to her private high school on the Upper East Side, where she struggles to fit in as one of the only Latina students - until Rocky welcomes her into this new life. White, rebellious, and ignored by her wealthy parents, Rocky uses her money toward one goal: to get away with anything. To Maria, it’s a dazzling privilege.

How does a Mexican American, the son of poor immigrants, leave his border home and move to the heart of gringo America? How does he adapt to the worlds of wealth, elite universities, the rush and power of New York City? How does he make peace with a stern, old-fashioned father who has only known hard field labor his whole life? Troncoso tells his luminous stories through the lens of an exile adrift in the 21st century, his characters suffering from the loss of culture and language, the loss of roots and home as they adapt to the glittering promises of new worlds that seem so empty.

A veces desgarrador, a veces intensamente alegre, La Casa en Mango Street relata la historia de Esperanza Cordero, en cuyo barrio conviven realidades crueles y una belleza severa. Esperanza no quiere pertenecer, ni a su barrio ni a las bajas expectativas que el mundo le ofrece. La historia de Esperanza es la de una joven intentando alcanzar su propio poder e inventar sup propio futuro.

Fifteen-year-old Ana Cancion never dreamed of moving to America, the way the girls she grew up with in the Dominican countryside did. But when Juan Ruiz proposes and promises to take her to New York City, she has to say yes. It doesn’t matter that he is twice her age, that there is no love between them. Their marriage is an opportunity for her entire close-knit family to eventually immigrate. So on New Year’s Day, 1965, Ana leaves behind everything she knows and becomes Ana Ruiz, a wife confined to a cold six-floor walk-up in Washington Heights.

Un verdadero clásico de la literatura mexicana del siglo XX, que situó a Carlos Fuentes en la vanguardia de lo que algunos años más tarde se conocería como la nueva novela hispanoamericana.

In 1951, a mysterious old woman confronts Pilar Aguirre in the small border town of La Cienega, Texas. The old woman is sure Pilar stole her husband and, in a heated outburst, lays a curse on Pilar and her family. More than forty years later, Lulu Muñoz is dodging chaos at every turn: her troubled father’s moods, his rules, her secret life as singer in a punk band, but most of all her upcoming quinceañera. When her beloved grandmother passes away, Lulu finds herself drawn to the glamorous stranger who crashed the funeral and who lives alone and shunned on the edge of town.

Three tales from The Canterbury Tales, read in the original Middle English by Richard Bebb under the direction of Britain's foremost Chaucer scholar, Derek Brewer.

Soy Maya Vidal, diecinueve años, sexo femenino, soltera, sin un enamorado, por falta de oportunidades y no por quisquillosa, nacida en Berkeley, California, pasaporte estadounidense, temporalmente refugiada en una isla al sur del mundo. Me pusieron Maya porque a mi Nini le atrae la India y a mis padres no se les ocurrió otro nombre, aunque tuvieron nueve meses para pensarlo. En hindi, maya significa "hechizo, ilusión, sueño".

As a child in Spain, Puri always knew her passion for chocolate was inherited from her father. But it’s not until his death that she learns of something else she’s inherited - a cocoa estate in Vinces, Ecuador, a town nicknamed “París Chiquito”. Eager to claim her birthright and filled with hope for a new life after the devastation of World War I, she and her husband Cristóbal set out across the Atlantic Ocean. But it soon becomes clear someone is angered by Puri’s claim to the estate…

En el Madrid de los años inmediatamente posteriores a la Guerra Civil, los destinos de numerosos individuos de varias clases sociales y con diferentes actitudes ante la vida desfilan en una secuencia de breves y fascinantes viñetas narrativas. Con la ciudad como personaje, el conjunto es el retrato de una sociedad en la que el estraperlo, el hambre, la prostitución y el miedo conviven con efímeros destellos de ternura y humor.

America Ferrera has always felt wholly American, and yet, her identity is inextricably linked to her parents’ homeland and Honduran culture. Speaking Spanish at home, having Saturday morning salsa-dance parties in the kitchen, and eating tamales alongside apple pie at Christmas never seemed at odds with her American identity. Still, she yearned to see that identity reflected in the larger American narrative. Now, in American Like Me, America invites 31 of her friends, peers, and heroes to share their stories about life between cultures.

Una emotiva historia ambientada en la selva amazónica que ha acabado convirtiéndose en un long-seller literario. Antonio José Bolívar Proaño vive en El Idilio, un pueblo remoto en la región amazónica de los indios shuar (mal llamados jíbaros), y con ellos aprendió a conocer la Selva y sus leyes, a respetar a los animales y los indígenas que la pueblan, pero también a cazar el temible tigrillo como ningún blanco jamás pudo hacerlo.

February 1913: seventeen-year-old Leda, carrying only a small trunk and her father's cherished violin, leaves her Italian village for a new home, and a new husband, in Argentina. Arriving in Buenos Aires, she discovers that he has been killed, but she remains: living in a tenement, without friends or family, on the brink of destitution. Still, she is seduced by the music that underscores life in the city: tango, born from lower-class immigrant voices, now the illicit, scandalous dance of brothels and cabarets.

As the fact checker for a popular magazine, Gabby DiMarco believes in absolute, verifiable Truths—until they throw the facts of her own life into question. The genealogy test she took as research for an article has yielded a baffling result: Gabby has a sister—one who’s been desperately trying to find her. Except, as Gabby’s beloved parents would confirm if they were still alive, that’s impossible.