Latin American Literature

Sacerdote derechista, reconocido crítico literario, ignorado poeta, Sebastián Urrutia Lacroix se encuentra tendido en la cama una noche que parece ser su última en este mundo. El sudor, el delirio, la certeza de un final y su dolencia lo aquejan cruelmente.

Ladydi Garcia Martinez was born into a world where being a girl is a dangerous thing. In the mountains of Guerrero, Mexico, women must fend for themselves, as their men have left to seek opportunities elsewhere. While her mother waits in vain for her husband's return, Ladydi and her friends dream of a future that holds more promise than mere survival, finding humor, solidarity, and fun in the face of so much tragedy. When Ladydi is offered work as a nanny for a wealthy family in Acapulco, she seizes the chance and finds her first taste of love with a young caretaker there.

Una novela por el autor de El bolígrafo de gel verde y Tierra.

Gwendolen Harleth gambles her happiness when she marries a sadistic aristocrat for his money. Beautiful, neurotic, and self-centered, Gwendolen is trapped in an increasingly destructive relationship, and only her chance encounter with the idealistic Deronda seems to offer the hope of a brighter future. Deronda is searching for a vocation, and in embracing the Jewish cause he finds one that is both visionary and life-changing.

When his father falls ill, Andrés, a professor of public health, returns to his suburban hometown to tend to his father's recovery. Reevaluating his rocky marriage in the wake of his husband’s infidelity and with little else to do, he decides to attend his 20-year high school reunion, where he runs into the long-lost characters of his youth.

In his best-selling A Planet for Rent, Yoss pays homage to Ray Bradbury's The Martian Chronicles and 334 by Thomas M. Disch. A critique of Cuba in the 90s, after the fall of the Soviet Union and the dissolution of the Warsaw Pact, A Planet for Rent marks the debut in English of an astonishingly brave and imaginative Latin American voice.

После долгих лет напряженной работы, в 1950 году, после десятилетнего перерыва, увидел свет роман Эрнеста Хемингуэя "За рекой в тени деревьев". Критика назвала роман неудачным, слишком сентиментальным, манерным.

Two Colombian expats meet as strangers on the rainy streets of New York City, both burdened with traumatic pasts. In Cuba, a woman discovers her deceased brother’s bones have been stolen, and the love of her life returns from Ecuador for a one-night visit. A cash-strapped couple hustles in Miami, to life-altering ends.

A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the 20th and 21st centuries.

David has a mind that never stops running. He reads Dante and Moby Dick, he sinks into Hemingway and battles with Milton. But on Florida’s Gulf Coast, one can slip into deep water unconsciously; at the age of fourteen, David runs away from home to pursue a girl and, on his journey, tries crack cocaine for the first time. He’s hooked instantly. Over the course of the next decade, he fights his way out of jail and rehab, trying to make sense of the world around him—a sunken world where faith in anything is a privilege.

Sept jours d'idylle... Il aura suffi d'une semaine pour que s'inverse le cours de l'existence monotone de Sarah. Depuis qu'elle a rencontré Eddie sur une petite route de campagne anglaise, la jeune femme est certaine qu'un bonheur sans nuages les attend. Sa vie débute enfin. Le jour où il lui annonce qu'il doit s'absenter pour un voyage prévu de longue date, Sarah n'a aucune inquiétude. Mais le temps passe et Eddie ne revient pas. La laisse sans nouvelles. Ne répond plus à ses messages. Rien.

Camila is haunted by the death of her sister, Marisol, who was caught by a mudslide during the huracán. Unable to part with Marisol, Camila carries her through town, past the churchyard, and, eventually, to the supposed utopia of Memoria. Urayoán, the idealistic, yet troubled cult leader of Memoria, has a vision for this new society, one that in his eyes is peaceful and democratic. The paradise he preaches lures in the young, including Bayfish, a boy on the cusp of manhood, and Morivivi, a woman whose outward toughness belies an inner tenderness for her friends.

One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.

Euridice is bright and ambitious. But this is Brazil in the 1940s, and society expects her to be a loving wife and mother. While Antenor is busy congratulating himself on his excellent catch, Euridice spends her spends her humdrum days ironing his shirts and removing the lumps of onion from his food, dreaming of the success she could have made of herself - as a writer, dressmaker or culinary whiz - in another life.

To the outside observer, Vivian is a success story—a dedicated lawyer who advocates for mentally ill patients at a New York City psychiatric hospital. Privately, Vivian contends with the memories and aftereffects of her bad childhood—compounded by the everyday stresses of being a Black Latinx woman in America. She lives in a constant state of hypervigilant awareness that makes even a simple subway ride into a heart-pounding drama.

A veces desgarrador, a veces intensamente alegre, La Casa en Mango Street relata la historia de Esperanza Cordero, en cuyo barrio conviven realidades crueles y una belleza severa. Esperanza no quiere pertenecer, ni a su barrio ni a las bajas expectativas que el mundo le ofrece. La historia de Esperanza es la de una joven intentando alcanzar su propio poder e inventar sup propio futuro.

C. S. Lewis wrote of George MacDonald: "I know hardly any other writer who seems to be closer, or more continually close, to the Spirit of Christ Himself." Lewis also claimed that everything he wrote was influenced by this Scottish pastor and novelist who lived a century before Lewis. George MacDonald serves as an act of appreciation, with Lewis gathering 365 of the best and most profound lines from his mentor as well as providing a preface detailing the impact MacDonald had on Lewis' own literary and spiritual career.

Carmen Sanchez is back in her home country of Mexico, overseeing the renovation of an ancient cathedral into a boutique hotel. Her teen daughters, Izel and Luna, are with her for the summer, and left to fill their afternoons unsupervised in a foreign city. The locals treat the Sanchez women like outsiders, while Carmen's contractors openly defy and sabotage her work. After a disastrous accident at the construction site nearly injures Luna, Carmen's had enough. They're leaving. Back home in New York, malevolent and unexplainable happenings seem to swarm the Sanchez family.

Javier Estrada is the king of Mexico. Evil. Twisted. Psychopathic. A cruel madman with a killer smile. And he is my boss. My duty is to blend in, clean his home, and not make a peep. I’ve done my job well for years. I've embedded myself so deep in his world, he’s never going to get me out. But I am this king’s worst nightmare. Bad men like him took everything away from me. I will never forget. He will pay for the sins of many. I’ll just bide my time - watching, waiting, calculating - until the time is right. When I strike, he won’t know what hit him.

Monica a abandonné sa carrière d'avocate pour réaliser son rêve : ouvrir un café sur Fulham Road. Le jour où un de ses clients oublie son carnet sur une table, elle ne peut s'empêcher de le lire. Les premières pages lui révèlent la confession de Julian Jessop, un artiste excentrique, âgé de soixante-dix-neuf ans qui exprime toute sa tristesse et sa solitude depuis la mort de sa femme. Touchée par cette idée de révéler des sentiments intimes à des inconnus, Monica décide de continuer le carnet avant de le déposer dans un bar à vin.