Latin American Literature

La primera novela para adultos en casi 15 años de la autora internacionalmente superventas de "In the Time of the Butterflies" y "How the García Girls Lost Their Accents". Antonia Vega, la escritora inmigrante en el centro de "Afterlife", ha sacado la alfombra de debajo de ella. Acaba de retirarse de la universidad donde enseñó inglés cuando su amado esposo, Sam, muere repentinamente.

Six months after Paola Santiago confronted the legendary La Llorona, life is nothing like she'd expected it to be. She is barely speaking to her best friends, Dante and Emma, and what's worse, her mom has a totally annoying boyfriend. Even with her chupacabra puppy, Bruto, around, Pao can't escape the feeling that she's all alone in the world. Pao has no one to tell that she's having nightmares again, this time set in a terrifying forest.

The stories in This Is How You Lose Her, by turns hilarious and devastating, raucous and tender, lay bare the infinite longing and inevitable weaknesses of our all-too-human hearts. They capture the heat of new passion, the recklessness with which we betray what we most treasure, and the torture we go through - "the begging, the crawling over glass, the crying" - to try to mend what we've broken beyond repair. They recall the echoes that intimacy leaves behind, even where we thought we did not care.

Lala Reyes' grandmother is descended from a family of renowned rebozo, or shawl makers. The striped (caramelo) is the most beautiful of all, and the one that makes its way, like the family history it has come to represent, into Lala's possession. The novel opens with the Reyes' annual car trip, a caravan overflowing with children, laughter, and quarrels, from Chicago to "the other side": Mexico City.

Chris y Paulo pasan cuarenta días en el misterioso y desconocido desierto del Mojave, en una búsqueda que los llevará a enfrentarse con su realidad más recóndita, con sus miedos más íntimos, sus debilidades e inseguridades. Las Valquírias trata de la voluntad y de la capacidad de elección que tenemos, y de cómo nuestras decisiones determinan nuestro destino. Paulo Coelho nos abre las puertas de su lucha más personal y nos habla de la responsabilidad hacia sí mismo y hacia sus seres más queridos.

Joaquim Maria Machado de Assis (1839-1908) was the greatest writer ever to come from Brazil and one of the masters of nineteenth-century fiction. Susan Sontag calls him "the greatest writer ever produced in Latin America", surpassing even Borges. Harold Bloom says that Machado is "the supreme black literary artist to date". And Allen Ginsburg calls him "another Kafka". And The Posthumous Memoirs of Bras Cubas is his masterpiece, a dazzling, tragic, and profound novel that belongs next to the greatest works of his contemporaries Melville and Dostoevsky.

Carmen and Grace have been inseparable since they were little girls—more like sisters than cousins, survivors of a childhood marked by neglect and addiction and a system that never valued them. For too long, all they had was each other. That is, until Doña Durka swept into their lives and changed everything, taking Grace into her home, providing stability and support, and playing an outsize role in Carmen’s upbringing too.

Leo Vincey is haunted by a goddess. In a nighttime vision, she appears to him, revealing her location deep in the mountains of Central Asia. Determined to discover his lost love, he searches for 16 years, finally discovering a lost civilization, ruled by an ambitious queen of unearthly beauty. Could this be his Ayesha reborn? And if so, will the secret of immortality bind them together for eternity?

At thirteen years old, Valeria "Magic" Salomón is already the best soccer player her town has ever seen. She has talent in spades and an abuelo whose tough-love coaching and lessons about “strength and honor” have made her the star of the Overlords, the top boys’ team in the state. But everything changes at the State Cup semi-final when Valeria gets her first period while Wearing. White. Shorts. After her team is unexpectedly eliminated, she goes from their secret weapon to their scapegoat.

Eine außergewöhnliche Frau. Hundert Jahre Geschichte. Ein unvergessliches Leben. Violeta Del Valle ist 100 Jahre alt und erzählt während der Corona-Pandemie ihrem Enkel in Briefen aus ihrem unglaublichen Leben: 1920 wurde sie während der Zeit der Spanischen Grippe als erste Tochter der Familie Del Valle geboren. Leidenschaft, Entschlossenheit und Humor tragen Violeta durch ein Jahrhundert südamerikanischer Geschichte voller Krisen und Umbrüche, aber auch durch ein intensiv gelebtes Leben.

El Vendedor de Suenos evoca las tribulaciones de Chino, un joven del Harlem hispano en busca del amor, de reafirmacion de identidad. Su relacion con Bodega, un capo magnanimo, un bandido generoso, lo sumerge en un mundo de intrigas y violencia.

In sixteenth-century New Spain, witchcraft is punishable by death, indigenous temples have been destroyed, and tales of mythical creatures that once roamed the land have become whispers in the night. Hidden behind a mask, Pantera uses her magic and legendary swordplay skills to fight the tyranny of Spanish rule. To all who know her, Leonora de las Casas Tlazohtzin never leaves the palace and is promised to the heir of the Spanish throne. The respectable, law-abiding Lady Leonora faints at the sight of blood. No one suspects that Leonora and Pantera are the same person.

Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda’s unwavering and skilled maid, Marta, has more claim to Linda’s home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda’s instability.

Una novela disparatada e inquietante sobre la familia, México y el empeño de escabullirse de la realidad. El protagonista de esta novela regresa a su pueblo en México después de largos años viviendo en el extranjero, donde ha formado una familia y lleva una vida apacible. Vuelve a la casa de sus padres para ayudar a sus hermanos a cuidar de ellos, ya mayores y con achaques. Se supone que será un paréntesis breve y luego retomará la rutina.

Bryan knows what's tight for him - reading comics, drawing superheroes, and hanging out with no drama. But drama is every day where he's from, and that gets him tight, wound up. And now Bryan's friend Mike pressures him with ideas of fun that are crazy risky. At first, it's a rush following Mike, hopping turnstiles, subway surfing, and getting into all kinds of trouble. But Bryan never really feels right acting so wrong, and drama really isn't him. So which way will he go, especially when his dad tells him it's better to be hard and feared than liked?

Julio de 1938, miles de jóvenes combaten en la trágica batalla del Ebro. Sus nombres no son los que recuerda la Historia, pero cuanto les sucedió forma parte de nuestra memoria.

Перед вами знаменитый цикл рассказов Джека Лондона о Смоке Беллью, которого жажда приключений толкнула на полный смертельных опасностей путь отчаянных золотоискателей, покорителей Клондайка.

García Márquez construyó, en El otoño del patriarca, una maquinaria narrativa perfecta que desgrana una historia universal -la agonía y muerte de un dictador- en forma cíclica, experimental y real al mismo tiempo, en seis bloques narrativos sin diálogos, sin puntos y aparte, repitiendo una anécdota siempre igual y siempre distinta, acumulando hechos y descripciones deslumbrantes.

Lo mucho que te amé es la nueva novela de Eduardo Sacheri. Una historia que nos lleva a la década del 50 en Buenos Aires, en el seno de una familia de origen español. Cuenta la historia de Ofelia, una de las cuatro hermanas Fernández Mollé, una muchacha formal, feliz, a punto de casarse. Pero una tarde su vida cambia abruptamente para convertirse en una maraña de sentimientos encontrados: delicia, inquietud, felicidad, incertidumbre, miedo y mucha culpa.

Charles Dickens’ Christmas classic—written in time for the 1843 holiday season—sold out its initial printing of 6,000 copies in one day. It remains Dickens’ most widely read and best-loved work, guaranteed to warm and uplift with the simplicity of its message and the depth of its honest truths. Bah! Humbug! It’s Christmas Eve and miserly Ebenezer Scrooge is in a foul temper—good cheer and joyful spending turn his very insides to vinegar.