Latin Authors Fiction

They said I was a bad idea. Poor. Violent. Criminal. They said I'd amount to nothing, and I believed them, too. Until I met her. Layla Barros saved me from my worst, but to do that, she lost the best herself. Now it's my turn to bring her back to life. If only I can figure out how to do it. I'll do anything to protect the chance we finally have together. I'll follow her to the other side of the word: Brazil. Cuba. You name it. But how can I be her true north when I'm still finding my direction, too?

Six months ago, I gave my heart to a girl. Beautiful, kind, and sexy as sin, she's the only person who saw past my record or the color of my skin. Who ever saw me for me. She loved me enough to let me go, to let me leave this city to find my own path. But without her, I drift, lost without direction. Without me, she spirals, desperate for connection. I gave my heart to a girl, and she gave hers to me. But love shouldn't hurt this much.

Zane Obispo spends every day exploring the sleeping volcano in his backyard. "The Beast", as he calls it, is the one place where he can escape other kids, who make fun of him because he has a limp and walks with a cane. After a plane crashes into The Beast, a mysterious girl named Brooks shows up at Zane's doorstep, insisting that they meet at the volcano, where she will reveal a terrible secret. Zane agrees. Brooks tells him that the volcano is actually a centuries-old prison for the Mayan god of death, whose destiny is directly tied to Zane's.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.

The Montoyas are used to a life without explanations. They know better than to ask why the pantry never seems to run low, or why their matriarch won’t ever leave their home in Four Rivers - not for graduations, weddings, or baptisms. But when Orquídea Divina invites them to her funeral and to collect their inheritance, they hope to learn the secrets that she has held onto so tightly their whole lives. Instead, Orquídea is transformed into a ceiba tree, leaving them with more questions than answers.

Luz “Little Light” Lopez, a tea leaf reader and laundress, is left to fend for herself after her older brother, Diego, a snake charmer and factory worker, is run out of town by a violent white mob. As Luz navigates 1930s Denver, she begins to have visions that transport her to her Indigenous homeland in the nearby Lost Territory. Luz recollects her ancestors’ origins, how her family flourished, and how they were threatened. She bears witness to the sinister forces that have devastated her people and their homelands for generations.

The story girl of the title is the 14-year-old Sara Stanley who weaves spellbinding tales that enchant her audience that comes from near and far. These 32 stories range from the humorous and satirical to exotic romances, Scottish folk tales, retellings of Greek myths and poems by Tennyson, to ghost stories. They include the scary "Tale of the Family Ghost", and the bittersweet "The Blue Chest of Rachel Ward".

This audiobook includes unabridged recordings of all George Orwell's greatest non-fiction: three full-length books, a collection of his most well-renowned essays and the complete collection of his poetry.

Award-winning author Colm Tóibín turns his incisive gaze to three of the world's greatest writers, Oscar Wilde, W.B. Yeats, and James Joyce, and their earliest influences: their fathers. In Mad, Bad, Dangerous to Know, Colm Tóibín illuminates not only the complex relationships between three of the greatest writers in the English language and their fathers, but also illustrates the surprising ways they surface in their work.

Lucia Vega is on a winning streak. Her book has taken the country by storm, and now it's being made into a movie. After years of chasing it, she can finally taste freedom. Reece Carras is one of the most powerful men in Hollywood. Handsome, rich, and generous, he's everything girls like her aren't supposed to dream of. But dream she does. And in his strong arms, she finds a freedom she never even knew existed.

Between the years of 1762 and 1763, James Boswell kept a journal of his time in London. During his time, he met the renowned writer, moralist, and lexicographer Samuel Johnson, with whom Boswell would form a close relationship. This account, told with much detail and candor, was one of the various journals written by Boswell, but it is the journal that has undergone the least amount of censorship, leading it, and the racy material within, to be deemed a best seller upon publication.

At eighteen, Soledad couldn't get away fast enough from her contentious family with their endless tragedies and petty fights. Two years later, she's an art student at Cooper Union with a gallery job and a hip East Village walk-up. But when Tia Gorda calls with the news that Soledad's mother has lapsed into an emotional coma, she insists that Soledad's return is the only cure. Fighting the memories of open hydrants, leering men, and slick-skinned teen girls with raunchy mouths and snapping gum, Soledad moves home to West 164th Street.

Best-selling and Booker Prize-winning author Salman Rushdie offers incisive, often humorous takes on literature, culture, and world events in this New York Times Notable Book. In these stimulating pieces, Rushdie addresses a variety of subjects, including the death of the novel, India, soccer, and the Rolling Stones.

The magic of the impish Puck transports little Una and Dan to centuries past, where they witness the making of myth and the making of history, the heritage of England.

Mary Shelley's 1818 novel presents the Faustian story of a man who aspires to create life out of death, with disastrous results. The novel is constructed as a series of first-person narratives, delivered by Captain Robert Walton, Victor Frankenstein, and his Creature, which makes it perfect for a dramatic reading presented by actor author Geoffrey Giuliano.

The year is 1947. Israel Levis, a Cuban composer whose life once revolved around music and love, is finally returning home. En route to Habana, Cuba from Spain, he is a shadow of his former self, disillusioned after he was mistakenly sent to a camp during the Nazi occupation of France. In Habana, he escapes his anguish by reminiscing about his happiest moments before the war, when he lived a life of pleasure and excitement—and had a loving, if unrequited romance with Rita Valladares, the alluring singer who inspired Levis’ most famous composition, “Rosas Puras.”

It’s 1999, and best friends Sal and Charo are striving to hold on to their dreams in a New York determined to grind them down. Sal is a book-loving science nerd trying to grow beyond his dead-end job in a new city, but he’s held back by tragic memories from his past in Santo Domingo. Free-spirited Charo is surprised to find herself a mother at twenty-five, partnered with a controlling man, working at the same supermarket for years, her world shrunk to the very domesticity she thought she’d escaped in her old country.

"Hace tiempo que no leía algo tan bueno. En pana puede leerse como una autobiografía—porque es la biografía de unos autos—o un ménage à trois entre novela, ensayo y poesía, o una exagerada nota al pie acerca del copiloto como un pequeño dios. Martín Cinzano ha escrito un libro inolvidable, muy divertido, melancólico, vertiginoso e introspectivo: callejero, carretero y carrilero." —Alejandro Zambra

"This story is the record of a struggle between two temperaments, two consciences and almost two epochs. It ended, as was inevitable, in disruption. Of the two human beings here described, one was born to fly backward, the other could not help being carried forward. The affection of these two persons was assailed by forces in comparison with which the changes that health or fortune or place introduce are as nothing.

For All of Us, One Today is a fluid, poetic story anchored by Richard Blanco’s experiences as the inaugural poet in 2013, and beyond. In this brief and evocative narrative, he shares for the first time his journey as a Latino immigrant and openly gay man discovering an emotional new understanding of what it means to be an American. He tells the story of the call from the White House committee and all the exhilaration and upheaval of the days that followed.