Latin Women

You’ve heard of Pablo Escobar, Joaquin “El Chapo” Guzman, and Rafael Caro Quintero. Their names conjure ghoulish images of bloody streets, white powder, bundles of weed, and a particular flavor of machismo unique to ruthless druglords. But what of the drugladies, las narcas? For the first time, investigative reporter Deborah Bonello takes you behind the curtain to introduce the women at the helm of organized crime south of the US-Mexico border.

The Cuban Revolution took everything from sugar heiress Beatriz Perez - her family, her people, her country. Recruited by the CIA to infiltrate Fidel Castro's inner circle and pulled into the dangerous world of espionage, Beatriz is consumed by her quest for revenge and her desire to reclaim the life she lost. As the Cold War swells like a hurricane over the shores of the Florida Strait, Beatriz is caught between the clash of Cuban-American politics and the perils of a forbidden affair with a powerful man driven by ambitions of his own.

On the morning of her 25th birthday, Lily Harper opens the very last letter written to her by her beloved mother, who died when she was eight. Learning about the first and only real love of her mom's life is a revelation. The same momentous day, Lily meets Eddie Tessler, an actor fleeing fame who could change her world in unimaginable ways. But her childhood friend, Dan, has his own reasons for not wanting Lily to get too carried away by Eddie's attentions.

Born into a large, close-knit family in Nicaragua, Prisca Dorcas Mojica Rodríguez grew up surrounded by strong, kind, funny, sensitive, resilient, judgmental, messy, beautiful women. Whether blood relatives or chosen family, these tías and primas fundamentally shaped her view of the world—and so did the labels that were used to talk about them. The tía loca who is shunned for defying gender roles. The pretty prima put on a pedestal for her European features. The matriarch who is the core of her community but hides all her pain.

A genre-defining novel and De Robertis's masterpiece, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit. At once timeless and groundbreaking, Cantoras is a tale about the fire in all our souls and those who make it burn.

En Eva Luna, su tercera novela, Isabel Allende recupera su país a través de la memoria y la imaginación. La cautivadora protagonista de esta historia constituye un nostálgico álter ego de la autora, que se llama a sí misma «ladrona de historias» precisamente porque en las historias radica el secreto de la vida y el mundo.Novela de hondo perfil humano, Eva Luna funde el destino individual con el colectivo mediante una fulgurante prosa de carácter épico.

New York heiress Catherine Dohan seemingly has it all. There’s only one problem. It’s a lie. As soon as the Morro Castle leaves port, Catherine’s past returns with a vengeance and threatens her life. Joining forces with a charismatic jewel thief, Catherine must discover who wants her dead—and why.

In present-day Miami, Jeanette is battling addiction. Daughter of Carmen, a Cuban immigrant, she is determined to learn more about her family history from her reticent mother and makes the snap decision to take in the daughter of a neighbor detained by ICE. Carmen, still wrestling with the trauma of displacement, must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt.

Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.

Lo mucho que te amé es la nueva novela de Eduardo Sacheri. Una historia que nos lleva a la década del 50 en Buenos Aires, en el seno de una familia de origen español. Cuenta la historia de Ofelia, una de las cuatro hermanas Fernández Mollé, una muchacha formal, feliz, a punto de casarse. Pero una tarde su vida cambia abruptamente para convertirse en una maraña de sentimientos encontrados: delicia, inquietud, felicidad, incertidumbre, miedo y mucha culpa.

When Nick’s wife Kerry falls ill and dies, he realises for the first time how fragile his happiness has always been, and how much he’s been taking his good life and wonderful family for granted. Now, he suddenly finds himself navigating parenthood alone, unsure how to deal with his own grief, let alone that of his teenage son, Olly.

Thirtysomething Flores and her mother, Paula, still live in the same Brooklyn apartment, but that may be the only thing they have in common. It’s been nearly three years since they lost beloved husband and father Martín, who had always been the bridge between them. One day, cleaning beneath his urn, Flores discovers a note written in her mother’s handwriting: Perdóname si te falle. Recuerda que siempre te quise. (“Forgive me if I failed you. Remember that I always loved you.”) But what would Paula need forgiveness for?

What You Have Heard is True is a devastating, lyrical, and visionary memoir about a young woman’s brave choice to engage with horror in order to help others. Written by one of the most gifted poets of her generation, this is the story of a woman’s radical act of empathy, and her fateful encounter with an intriguing man who changes the course of her life.

Kali Fajardo-Anstine’s magnetic story collection breathes life into her Indigenous Latina characters and the land they inhabit. Against the remarkable backdrop of Denver, Colorado - a place that is as fierce as it is exquisite - these women navigate the land the way they navigate their lives: with caution, grace, and quiet force. In “Sugar Babies,” ancestry and heritage are hidden inside the Earth but tend to rise during land disputes.

Written during the last decade of her life, Light in the Dark represents the culmination of Gloria E. Anzaldúa's mature thought and the most comprehensive presentation of her philosophy. Throughout, Anzaldúa weaves personal narratives into deeply engaging theoretical readings to comment on numerous contemporary issues—including the September 11 attacks, neocolonial practices in the art world, and coalitional politics.

One hot summer night, Lourdes, Fernanda, Ana, Perla, and Pauline hold a séance. Their tipsy laughter turns to terror when the flames burn straight through their prayer candles and Fernanda starts crawling toward her friends and chanting in Nahuatl, the language of their Aztec ancestors. Over the next few weeks, Fernanda starts acting strangely—smearing herself in black makeup, shredding her hands on rose thorns, sucking sin out of the mouths of the guilty. The local priest is convinced it's a demon, but Lourdes suspects it's something else—something far more ancient and powerful.

Former seamstress turned couturier turned spy Sira Quiroga is finally ready to embrace serenity with her British diplomat husband, Marcus, and the upcoming prospect of motherhood. But tranquility proves elusive. Fate has other plans for Sira. Installed in Jerusalem under the British Mandate, and enmeshed in the murky world of shady operators, political menace, and catastrophic violence, Sira finds her future with Marcus put to the ultimate test.

From the award-winning, best-selling author of When I Was Puerto Rican, a powerful novel of family, race, faith, sex, and disaster that moves between Puerto Rico and the Bronx, revealing the lives and loves of five women and the secret that binds them together.

La historia de amor entre la joven Alma Velasco y el jardinero japonés Ichimei conduce al lector por un recorrido a través de diversos escenarios que van desde la Polonia de la Segunda Guerra Mundial hasta el San Francisco de nuestros días.

Nadia Guerra’s mother, Albis Torres, left when Nadia was just 10 years old. Growing up, the proponents of revolution promised a better future. Now that she’s an adult, Nadia finds that life in Havana hasn’t quite matched its promise; instead it has stifled her rebellious and artistic desires. Each night, she DJs a radio show government censors block from broadcasting. Frustrated, Nadia finds hope and a way out when she wins a scholarship to study in Russia.