Latin Women

Uprooted from her comfortable life in Bogotá, Colombia, into an ant-infested Miami townhouse, 15-year-old Francisca is miserable and friendless in her strange new city. Her alienation grows when her mother is swept up into an evangelical church, replete with Christian salsa, abstinent young dancers, and baptisms for the dead. But there, Francisca also meets the magnetic Carmen: opinionated and charismatic, head of the youth group, and the pastor’s daughter. As her mother’s mental health deteriorates and her grandmother descends into alcoholism, Francisca falls in love with Carmen.

Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda’s unwavering and skilled maid, Marta, has more claim to Linda’s home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda’s instability.

Gustavo "Highway" Sanchez is a late-in-life world traveler, yarn spinner, collector, and legendary auctioneer. His most precious possessions are the teeth of the "notorious infamous", like Plato, Petrarch, and Virginia Woolf. Written in collaboration with the workers at a Jumex juice factory, The Story of My Teeth is an elegant, witty, exhilarating romp through the industrial suburbs of Mexico City and Luiselli's own literary influences.

For her entire life, the Name-Bearer's sole purpose has been to receive and deliver the names of the future monarchy from the Flowers of Prophecy. But when the child is finally born and the Name-Bearer is sent to the Flowers, they refuse to name him. Instead they deliver a prophecy; another child was born who is more worthy of the Naming, and if they are found and brought before them it will usher in a reign of peace. Having failed in her duties the Name-Bearer is considered a traitor to the crown, and must hide among an elite sect of warrior women.

Who says you can't mix business with pleasure? As the CEO of a large tech company and a semi-reformed bad boy, Ethan Hill is used to calling the shots. But when he's sentenced to work 200 hours of community service-for reckless driving, of all things-this chief executive needs to keep his real identity under wraps. Which gets increasingly difficult when he can't stop thinking about his sexy new (temporary) boss.The moment Graciela Ramirez meets Ethan, she's tempted to throw all professionalism out the window.

Carmen and Grace have been inseparable since they were little girls—more like sisters than cousins, survivors of a childhood marked by neglect and addiction and a system that never valued them. For too long, all they had was each other. That is, until Doña Durka swept into their lives and changed everything, taking Grace into her home, providing stability and support, and playing an outsize role in Carmen’s upbringing too.

Kale Hunt has been her best friend since childhood. But it was never that simple. He was Lane's reason for leaving home and moving to New York. Seeing him with someone else, in love with someone else, shouldn't have hurt. But it did. It really, really did. So she upped sticks and left, started a new life and cut herself off from her past.

A coming-of-age story, based on a recent shocking chapter of Argentine history, about a young woman who makes a devastating discovery about her origins with the help of an enigmatic houseguest.

Chargée d'écrire une préface pour l'extraordinaire journal que Marie Curie a tenu après la mort de Pierre Curie, Rosa Montero s'est vue prise dans un tourbillon de mots. Au fil de son récit du parcours extraordinaire et largement méconnu de cette femme hors normes, elle construit un livre à mi-chemin entre les souvenirs personnels et la mémoire collective, entre l'analyse de notre époque et l'évocation intime. Elle nous parle du dépassement de la douleur, de la perte de l'homme aimé qu'elle vient elle-même de vivre, du deuil, de la reconstruction de soi, des relations entre les hommes et les femmes, de la splendeur du sexe, de la bonne mort et de la belle vie, de la science et de l'ignorance, de la force salvatrice de la littérature et de la sagesse de ceux qui apprennent à jouir de l'existence avec plénitude et légèreté.

Professional ballerina Ailsa MacIntyre is at the peak of her career when her world is shattered by a shocking diagnosis. Life-saving surgery leaves her with a fractured memory, little recollection of her husband, Evan, and none of her career as a principal dancer. While recuperating at home, Ailsa hears beautiful music coming from the apartment upstairs, and the sound of the grand piano at the hands of a talented new neighbor sparks her muscle memory. As her recovery progresses, the broken pieces of her past gradually re-emerge, a picture not quite what Evan would have her remember.

A meningitis outbreak in their underprivileged neighborhood left Sylvia Acevedo's family forever altered. As she struggled in the aftermath of loss, young Sylvia's life transformed when she joined the Brownies. The Girl Scouts taught her how to take control of her world and nourished her love of numbers and science.

When Aida Hernandez was born in 1987 in Agua Prieta, Mexico, the nearby US border was little more than a worn-down fence. Eight years later, Aida’s mother took her and her siblings to live in Douglas, Arizona. By then, the border had become one of the most heavily policed sites in America. Undocumented, Aida fought to make her way. She learned English, watched Friends, and, after having a baby at 16, dreamed of teaching dance and moving with her son to New York City. But life had other plans.

As a young girl, Selena Quintanilla sang in a band called Selena y Los Dinos with her brother and sister. The family performed at fairs, weddings, quinceañeras, and on street corners in their native Texas. Selena learned how to sing in Spanish and soon became hugely popular within the Latino community - so much so that she became the best-selling Latin artist of the 1990s.

The first time Isabel meets her father-in-law, Omar, he’s already dead - an apparition appearing uninvited on her wedding day. Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family - especially his wife, Elda - to let him redeem himself.

Thirtysomething Flores and her mother, Paula, still live in the same Brooklyn apartment, but that may be the only thing they have in common. It’s been nearly three years since they lost beloved husband and father Martín, who had always been the bridge between them. One day, cleaning beneath his urn, Flores discovers a note written in her mother’s handwriting: Perdóname si te falle. Recuerda que siempre te quise. (“Forgive me if I failed you. Remember that I always loved you.”) But what would Paula need forgiveness for?

Their foster mother, Carol, has always been fanatical, but with Jazz grown up and out of the house, Carol takes a dangerous turn that threatens 13-year-old Joaquin’s life. Over and over, child services fails to intervene, and Joaquin is running out of time. Then Jazz gets a blocked call from someone offering a solution. There are others like her - people the law has failed. They’ve formed an underground network of “helpers”, each agreeing to eliminate the abuser of another.

Tras terminar sus estudios de arquitectura en Europa, Lavinia regresa a Latinoamérica para emprender su camino como mujer independiente. Pero sus planes cambian cuando conoce a Felipe, con quien establece una profunda relación sentimental. A su lado le llega la oportunidad de implicarse en las luchas populares y los movimientos de liberación de la dictadura de su país, conectando de ese modo con Itzá, una indígena que luchó contra los invasores españoles y que ahora despierta reencarnada en un naranjo para acompañar, apoyar e inspirar a Lavinia.

No one expects to meet their father at their mother’s funeral. But for Gabby Medina, that’s exactly what happens. Her dad abandoned her when she was a baby, and now he’s back. And he wants to give her a house. Gabby doesn’t want the house—or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn’t mean she accepts him.

Larimar Cintrón works hard at three things: her job as brand manager for Beacon Café, a New York based corporate bakery chain; taking care of her parents and her abuela; and hiding that she’s a ciguapa—a mythical creature of Dominican folklore with long, straight hair and backwards-facing feet. Larimar may only be a ciguapa on full moons, but she feels like an outsider in her family the rest of the month too. Her love of ’90s punk rock music and style further sets her apart.

Ashley Dunne is a bad boy, a notorious member of Dublin’s most ruthless gang. But when privileged daddy’s girl Ryan Mahony finds herself living on an urban estate they control, she can’t help feeling he’s not that bad at all. Ryan and Ash were never meant to cross paths: she’s always been sheltered by her successful barrister father. But when he’s unexpectedly sent to prison, she’s forced to move in with estranged relatives in the city, where a chance encounter with Ash sends sparks flying.