Latino Art

Esmeralda Santiago reminisces about her childhood in Puerto Rico and her early years in Brooklyn as the oldest of seven (soon to be 11) children. Her upbringing is turbulent on account of her parents’ relentless fighting, which only ever seems to stop when they have another baby. When her youngest brother has an accident, her mother decides to move to New York with her children to seek medical treatment. Arriving in the United States, 13-year-old Santiago experiences uprooting and a loss of identity while she tries to adapt to a culture and language that are foreign to her.

When Reyna Grande was nine years old, she walked across the US-Mexico border in search of a home, desperate to be reunited with the parents who had left her behind years before for a better life in the City of Angels. What she found instead was an indifferent mother, an abusive, alcoholic father, and a school system that belittled her heritage. With so few resources at her disposal, Reyna finds refuge in words, and it is her love of reading and writing that propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz.

El Arte de amar (en latín, Ars amatoria) es un poema didáctico escrito por el poeta romano Ovidio. Escrito en latín y publicado entre los años 2 a. C. y 2 d. C. consta de tres libros o cantos en los que facilita una serie de consejos sobre las relaciones amorosas: dónde encontrar mujeres, cómo cortejarlas, cómo conquistarlas, cómo mantener el amor, cómo recuperarlo, cómo evitar que nos lo roben, etc.

"City-Center", "Backshop", "Service-Point" - die klassischen Fälle von "Denglisch", wie es Sprachkritiker ebenso neudeutsch wie spöttisch nennen, sind vielen Sprachpuristen ein Dorn im Auge. Dabei ist der Einfluss einer fremden Sprache auf das Deutsche durchaus kein neues Phänomen. Für Karl-Wilhelm Weeber müsste es deshalb richtig heißen: "Denglatein". Denn mindestens die Hälfte des heftig umstrittenen "Denglisch" hat seinen Ursprung im Lateinischen. Wer also beispielsweise durch die denglische City geht, durchstreift im Grunde die lateinische civitas.

The audioguide tells the story, describes the architecture and reports interesting facts about the basilica. Saint John the Evangelist preached in this place. Tradition tells us that John, the apostle of Jesus, was placed in a cauldron of boiling oil, but came out miraculously uninjured and safe. The real gem of this church are the medieval frescoes, discovered during the restoration works of the last century.

The audioguide tells the story, describes the architecture and reports interesting facts about the basilica. Saint John the Evangelist preached in this place. Tradition tells us that John, the apostle of Jesus, was placed in a cauldron of boiling oil, but came out miraculously uninjured and safe. The real gem of this church are the medieval frescoes, discovered during the restoration works of the last century.

L'audioguida racconta la storia, descrive l'architettura e riporta fatti interessanti sulla basilica. In questo luogo predicò San Giovanni evangelista. La tradizione racconta che Giovanni, apostolo di Gesù, qui venne posto in una caldaia di olio bollente, ma ne uscì miracolosamente sano e salvo. Il vero gioiello di questa chiesa sono gli affreschi medievali scoperti nel corso di restauro del secolo scorso.

"Hace tiempo que no leía algo tan bueno. En pana puede leerse como una autobiografía—porque es la biografía de unos autos—o un ménage à trois entre novela, ensayo y poesía, o una exagerada nota al pie acerca del copiloto como un pequeño dios. Martín Cinzano ha escrito un libro inolvidable, muy divertido, melancólico, vertiginoso e introspectivo: callejero, carretero y carrilero." —Alejandro Zambra

Follow Europe’s most cunning art thief, forger, and amateur sleuth as she tracks down priceless antiquities and foils nefarious plots.

"This story is the record of a struggle between two temperaments, two consciences and almost two epochs. It ended, as was inevitable, in disruption. Of the two human beings here described, one was born to fly backward, the other could not help being carried forward. The affection of these two persons was assailed by forces in comparison with which the changes that health or fortune or place introduce are as nothing.

In A New America, Tommy Mottola explores the societal and cultural impact the Latino community and its music has had on America by sharing behind-the-scenes stories from his own life and his connection to the Latin sound throughout the decades - from his initial fascination with Latin music which started with Puente, to the mainstream success of Ritchie Valens, to the groove-laden guitar wizardry of Carlos Santana. >But A New America is more than a story about music and musicians. It is the story of a culture that continues to grow and influence America.

For All of Us, One Today is a fluid, poetic story anchored by Richard Blanco’s experiences as the inaugural poet in 2013, and beyond. In this brief and evocative narrative, he shares for the first time his journey as a Latino immigrant and openly gay man discovering an emotional new understanding of what it means to be an American. He tells the story of the call from the White House committee and all the exhilaration and upheaval of the days that followed.

The fascinating Mexican artist Frida Kahlo is remembered for her self-portraits, her dramatic works featuring bold and vibrant colors. Her work brought attention to Mexican and indigenous culture, and she is also renowned for her works celebrating the female form. Brown's story recounts Frida's beloved pets - two monkeys, a parrot, three dogs, two turkeys, an eagle, a black cat, and a fawn - and playfully considers how Frida embodied many wonderful characteristics of each animal.

Jorge Ramos, periodista galardonado con premios Emmy, reconocido presentador del Noticiero Univisión y considerado "la voz de los sin voz" de la comunidad latina, fue expulsado de una rueda de prensa del candidato presidencial Donald Trump en Iowa en el año 2015 tras cuestionar sus planes sobre inmigración.

Tras el rotundo éxito de William Ospina con Pa' que se acabe la vaina, Enrique Serrano escribe aquí su propia visión del pasado y el futuro del país desde una acera ideológica distinta y con un resultado igualmente notable.

A dramatized, abridged performance of Alice in Wonderland with Eva Le Gallienne, Bambi Linn, and Margaret Webster.

Lord Rufford has kissed Arabella twice but she realises that much more needs to be done to win him and his estate. It is now time to tell John Morton she no longer wants to marry him? Starring Robert Glenister, Anna Maxwell Martin, Barbara Flynn, Blake Ritson, Stuart Milligan, Joanna David, Daniel Rabin, Penelope Rawlins, Carl Prekopp, Henry Devas, Elaine Claxton, Joanathan Forbes, Jane Whittenshaw, and Sean Baker. Directed by Tracey Neal. Dramatised by Martyn Wade.

Richard Blanco's childhood and adolescence were experienced between two imaginary worlds: his parents' nostalgic world of 1950s Cuba and his imagined America, the country he saw on reruns of The Brady Bunch and Leave it to Beaver—an "exotic" life he yearned for as much as he yearned to see "la patria." A prismatic and lyrical narrative rich with the colors, sounds, smells, and textures of Miami, Richard Blanco's personal narrative is a resonant account of how he discovered his authentic self and ultimately, a deeper understanding of what it means to be American.

On Zulema's fourth date with the man who is now her husband, they created a "Life List" of adventures they would share together, from skydiving to luxurious trips around the world, and as wine collectors, traveling the wine regions to meet their favorite producers. Wildly successful and in love, Zulema was living a fairy tale. But, two years into their marriage, the Life List took on a shocking urgency when she was diagnosed with sarcoma, an exceedingly rare and incurable form of cancer, along with a host of other complex and mysterious medical conditions.

El Greco visits the Sistine Chapel and is appalled by Michelangelo's bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Gericault's workshop; Gustave Courbet's devilish seascapes incite viewers "to have sex, or to eat an apple"; Picasso organizes a cruel banquet in Rousseau's honor.... All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires.